File

Last modified on: April 13, 2020, 4:39 p.m.

F164_03_Pisano_De_perche_OMRcorrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
De perché in odio m’hai
File Type
Symbolic Music
File Format
midi
File Size
11.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1974
Prevalence of Second Most Common Vertical Interval 0.1765
Prevalence Ratio of Two Most Common Vertical Intervals 0.8943
Vertical Unisons 0.01668
Vertical Minor Seconds 0.00534
Vertical Thirds 0.2981
Vertical Tritones 0.01187
Vertical Perfect Fourths 0.1443
Vertical Perfect Fifths 0.1974
Vertical Sixths 0.1114
Vertical Sevenths 0.02598
Vertical Octaves 0.1598
Perfect Vertical Intervals 0.5181
Vertical Dissonance Ratio 0.07802
Vertical Minor Third Prevalence 0.5869
Vertical Major Third Prevalence 0.5579
Chord Duration 1.618
Partial Chords 0.1506
Standard Triads 0.5898
Diminished and Augmented Triads 0.009653
Dominant Seventh Chords 0.007722
Seventh Chords 0.04433
Non-Standard Chords 0.2153
Complex Chords 1.609e-05
Minor Major Triad Ratio 1.386
Average Number of Simultaneous Pitch Classes 2.965
Variability of Number of Simultaneous Pitch Classes 0.515
Average Number of Simultaneous Pitches 3.79
Variability of Number of Simultaneous Pitches 0.4652
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 4.0
Variation of Dynamics 1.738
Variation of Dynamics In Each Voice 1.736
Average Note to Note Change in Dynamics 1.968
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1768
Stepwise Motion 0.5871
Melodic Thirds 0.08529
Melodic Perfect Fourths 0.09023
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03461
Melodic Sixths 0.002472
Melodic Sevenths 0.001236
Melodic Octaves 0.01607
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.875
Melodic Embellishments 0.02214
Direction of Melodic Motion 0.4539
Average Length of Melodic Arcs 1.777
Average Interval Spanned by Melodic Arcs 4.747
Melodic Pitch Variety 4.498
Mean Melodic Interval 2.201
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4104
Relative Prevalence of Most Common Melodic Intervals 0.4458
Amount of Arpeggiation 0.3201
Repeated Notes 0.1829
Importance of Middle Register 0.8118
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 58.49
Mean Pitch Class 5.069
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1205
Prevalence of Most Common Pitch Class 0.1771
Relative Prevalence of Top Pitches 0.9694
Relative Prevalence of Top Pitch Classes 0.9514
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 9.0
Pitch Variability 6.179
Pitch Class Variability 3.593
Pitch Class Variability After Folding 3.162
Pitch Skewness -0.4341
Pitch Class Skewness 0.05752
Pitch Class Skewness After Folding 0.2194
Pitch Kurtosis 5.848
Pitch Class Kurtosis 4.8
Pitch Class Kurtosis After Folding 7.338
Major or Minor 0.0
First Pitch 45.0
First Pitch Class 9.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 20.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 0.0
Range 29.0
Importance of Bass Register 0.1882
Note Density per Quarter Note 1.563
Note Density per Quarter Note per Voice 0.3909
Note Density per Quarter Note Variability 0.4978
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.02214
Prevalence of Medium Rhythmic Values 0.6581
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8032
Prevalence of Very Long Rhythmic Values 0.01107
Prevalence of Dotted Notes 0.08733
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.455
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4613
Relative Prevalence of Most Common Rhythmic Values 0.544
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.329
Rhythmic Value Skewness 1.027
Rhythmic Value Kurtosis 18.28
Mean Rhythmic Value Run Length 2.069
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.715
Mean Rhythmic Value Offset 0.01972
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.2801
Complete Rests Fraction 0.003848
Partial Rests Fraction 0.1001
Average Rest Fraction Across Voices 0.03271
Longest Complete Rest 2.0
Longest Partial Rest 6.0
Mean Complete Rest Duration 2.0
Mean Partial Rest Duration 2.125
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.7071
Variability Across Voices of Combined Rests 10.13
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5956
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1957
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.043
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7913
Rhythmic Variability - Tempo Standardized 0.05148
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 813.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.2338
Minimum Note Duration 0.08867
Maximum Note Duration 3.0
Average Note Duration 0.464
Variability of Note Durations 0.2795
Amount of Staccato 0.02214
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2108
Strength of Second Strongest Rhythmic Pulse 0.203
Strength Ratio of Two Strongest Rhythmic Pulses 1.038
Combined Strength of Two Strongest Rhythmic Pulses 0.4139
Rhythmic Variability 0.03205
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 97.5
Note Density 8.338
Note Density Variability 2.002
Average Time Between Attacks 0.2737
Average Time Between Attacks for Each Voice 0.4727
Variability of Time Between Attacks 0.1292
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5172
Relative Range Isolation of Loudest Voice 0.2447
Relative Range of Highest Line 0.5172
Relative Note Density of Highest Line 0.3198
Relative Note Durations of Lowest Line 1.204
Relative Size of Melodic Intervals in Lowest Line 0.5714
Voice Overlap 0.818
Voice Separation 5.0
Variability of Voice Separation 4.583
Parallel Motion 0.05749
Average Number of Independent Voices 3.884
Similar Motion 0.1437
Contrary Motion 0.1478
Oblique Motion 0.6509
Parallel Fifths 0.001027
Parallel Octaves 0.002053
Variability of Number of Independent Voices 0.3756
Voice Equality - Number of Notes 29.44
Voice Equality - Note Duration 1.899
Voice Equality - Dynamics 0.5
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 1.5
Importance of Loudest Voice 0.3333