| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1975 |
| Prevalence of Second Most Common Vertical Interval |
0.1933 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9791 |
| Vertical Unisons |
0.04235 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.3723 |
| Vertical Tritones |
0.01456 |
| Vertical Perfect Fourths |
0.06998 |
| Vertical Perfect Fifths |
0.1721 |
| Vertical Sixths |
0.1311 |
| Vertical Sevenths |
0.01653 |
| Vertical Octaves |
0.1551 |
| Perfect Vertical Intervals |
0.4396 |
| Vertical Dissonance Ratio |
0.06046 |
| Vertical Minor Third Prevalence |
0.412 |
| Vertical Major Third Prevalence |
0.3611 |
| Chord Duration |
2.069 |
| Partial Chords |
0.587 |
| Standard Triads |
0.3315 |
| Diminished and Augmented Triads |
0.01087 |
| Dominant Seventh Chords |
0.005435 |
| Seventh Chords |
0.005435 |
| Non-Standard Chords |
0.07609 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.542 |
| Average Number of Simultaneous Pitch Classes |
2.213 |
| Variability of Number of Simultaneous Pitch Classes |
0.6946 |
| Average Number of Simultaneous Pitches |
2.565 |
| Variability of Number of Simultaneous Pitches |
0.8025 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.231 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
23.03 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2222 |
| Stepwise Motion |
0.6984 |
| Melodic Thirds |
0.2011 |
| Melodic Perfect Fourths |
0.03704 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02116 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01058 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.455 |
| Melodic Embellishments |
0.02073 |
| Direction of Melodic Motion |
0.4426 |
| Average Length of Melodic Arcs |
2.179 |
| Average Interval Spanned by Melodic Arcs |
5.0 |
| Melodic Pitch Variety |
5.085 |
| Mean Melodic Interval |
2.296 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4762 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4667 |
| Amount of Arpeggiation |
0.2646 |
| Repeated Notes |
0.03175 |
| Importance of Middle Register |
0.7306 |
| Importance of High Register |
0.01036 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.78 |
| Mean Pitch Class |
5.731 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1192 |
| Prevalence of Most Common Pitch Class |
0.2124 |
| Relative Prevalence of Top Pitches |
0.7826 |
| Relative Prevalence of Top Pitch Classes |
0.8049 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.212 |
| Pitch Class Variability |
3.169 |
| Pitch Class Variability After Folding |
3.999 |
| Pitch Skewness |
0.5259 |
| Pitch Class Skewness |
-1.202 |
| Pitch Class Skewness After Folding |
1.069 |
| Pitch Kurtosis |
5.24 |
| Pitch Class Kurtosis |
4.966 |
| Pitch Class Kurtosis After Folding |
4.942 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2591 |
| Note Density per Quarter Note |
0.8894 |
| Note Density per Quarter Note per Voice |
0.2224 |
| Note Density per Quarter Note Variability |
0.5537 |
| Range of Rhythmic Values |
6.0 |
| Number of Different Rhythmic Values Present |
6.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5078 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8238 |
| Prevalence of Very Long Rhythmic Values |
0.07772 |
| Prevalence of Dotted Notes |
0.09845 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
2.995 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.342 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9697 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.709 |
| Rhythmic Value Skewness |
1.746 |
| Rhythmic Value Kurtosis |
7.675 |
| Mean Rhythmic Value Run Length |
1.595 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.069 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.00457 |
| Partial Rests Fraction |
0.8525 |
| Average Rest Fraction Across Voices |
0.3341 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
92.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
22.31 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
31.21 |
| Variability Across Voices of Combined Rests |
33.64 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5944 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2033 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.924 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7976 |
| Rhythmic Variability - Tempo Standardized |
0.0518 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
193.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8308 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
1.667 |
| Average Note Duration |
0.6239 |
| Variability of Note Durations |
0.3561 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2809 |
| Strength of Second Strongest Rhythmic Pulse |
0.2593 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.083 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5403 |
| Rhythmic Variability |
0.0361 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.00000000002154 |
| Duration in Seconds |
45.21 |
| Note Density |
4.269 |
| Note Density Variability |
2.411 |
| Average Time Between Attacks |
0.4229 |
| Average Time Between Attacks for Each Voice |
0.7535 |
| Variability of Time Between Attacks |
0.2631 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.7857 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
1.389 |
| Relative Note Durations of Lowest Line |
1.007 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.6528 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
5.508 |
| Parallel Motion |
0.03371 |
| Average Number of Independent Voices |
2.676 |
| Similar Motion |
0.1348 |
| Contrary Motion |
0.2303 |
| Oblique Motion |
0.6011 |
| Parallel Fifths |
0.005618 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8146 |
| Voice Equality - Number of Notes |
15.13 |
| Voice Equality - Note Duration |
7.008 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.5 |
| Importance of Loudest Voice |
15.0 |