File

Last modified on: April 13, 2020, 5:04 p.m.

F164_26_Festa_Amor_quando_TrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Amor quando fioriva mia speme
File Type
Symbolic Music
File Format
xml
File Size
304.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2016
Prevalence of Second Most Common Vertical Interval 0.1972
Prevalence Ratio of Two Most Common Vertical Intervals 0.9782
Vertical Unisons 0.02555
Vertical Minor Seconds 0.005754
Vertical Thirds 0.3456
Vertical Tritones 0.008969
Vertical Perfect Fourths 0.1099
Vertical Perfect Fifths 0.2016
Vertical Sixths 0.1081
Vertical Sevenths 0.01709
Vertical Octaves 0.1592
Perfect Vertical Intervals 0.4962
Vertical Dissonance Ratio 0.05273
Vertical Minor Third Prevalence 0.6366
Vertical Major Third Prevalence 0.5069
Chord Duration 1.952
Partial Chords 0.179
Standard Triads 0.649
Diminished and Augmented Triads 0.0194
Dominant Seventh Chords 0.003527
Seventh Chords 0.02028
Non-Standard Chords 0.1517
Complex Chords 0.0
Minor Major Triad Ratio 1.547
Average Number of Simultaneous Pitch Classes 2.82
Variability of Number of Simultaneous Pitch Classes 0.54
Average Number of Simultaneous Pitches 3.585
Variability of Number of Simultaneous Pitches 0.6277
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 3.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1802
Stepwise Motion 0.5977
Melodic Thirds 0.07868
Melodic Perfect Fourths 0.09391
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03173
Melodic Sixths 0.01269
Melodic Sevenths 0.0
Melodic Octaves 0.01777
Melodic Large Intervals 0.001269
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.583
Melodic Embellishments 0.01515
Direction of Melodic Motion 0.4292
Average Length of Melodic Arcs 1.761
Average Interval Spanned by Melodic Arcs 4.85
Melodic Pitch Variety 4.425
Mean Melodic Interval 2.308
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4175
Relative Prevalence of Most Common Melodic Intervals 0.4316
Amount of Arpeggiation 0.2957
Repeated Notes 0.1662
Importance of Middle Register 0.7323
Importance of High Register 0.0
Dominant Spread 3.0
Strong Tonal Centres 2.0
Mean Pitch 58.0
Mean Pitch Class 5.067
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1338
Prevalence of Most Common Pitch Class 0.2311
Relative Prevalence of Top Pitches 0.9434
Relative Prevalence of Top Pitch Classes 0.7268
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.396
Pitch Class Variability 3.525
Pitch Class Variability After Folding 3.322
Pitch Skewness -0.2813
Pitch Class Skewness 0.05696
Pitch Class Skewness After Folding 0.5052
Pitch Kurtosis 5.406
Pitch Class Kurtosis 4.771
Pitch Class Kurtosis After Folding 6.802
Major or Minor 0.0
First Pitch 48.0
First Pitch Class 0.0
Last Pitch 45.0
Last Pitch Class 9.0
Glissando Prevalence 0.005051
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.005051
Number of Pitch Classes 8.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 29.0
Importance of Bass Register 0.2677
Note Density per Quarter Note 1.354
Note Density per Quarter Note per Voice 1.354
Note Density per Quarter Note Variability 0.5136
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.04545
Prevalence of Medium Rhythmic Values 0.6452
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.846
Prevalence of Very Long Rhythmic Values 0.06692
Prevalence of Dotted Notes 0.1263
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.689
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4912
Relative Prevalence of Most Common Rhythmic Values 0.437
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.725
Rhythmic Value Skewness 1.199
Rhythmic Value Kurtosis 14.89
Mean Rhythmic Value Run Length 1.927
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.45
Mean Rhythmic Value Offset 0.0404
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4002
Complete Rests Fraction 0.005128
Partial Rests Fraction 0.005128
Average Rest Fraction Across Voices 0.005128
Longest Complete Rest 2.0
Longest Partial Rest 2.0
Mean Complete Rest Duration 1.5
Mean Partial Rest Duration 1.5
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.7071
Variability of Partial Rest Durations 0.7071
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 5.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6513
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1724
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.777
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8237
Rhythmic Variability - Tempo Standardized 0.05415
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 792.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.2484
Minimum Note Duration 0.09375
Maximum Note Duration 3.0
Average Note Duration 0.5118
Variability of Note Durations 0.3697
Amount of Staccato 0.04545
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2086
Strength of Second Strongest Rhythmic Pulse 0.205
Strength Ratio of Two Strongest Rhythmic Pulses 1.018
Combined Strength of Two Strongest Rhythmic Pulses 0.4136
Rhythmic Variability 0.03212
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 109.7
Note Density 7.221
Note Density Variability 1.753
Average Time Between Attacks 0.3326
Average Time Between Attacks for Each Voice 0.3326
Variability of Time Between Attacks 0.2484
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.07323
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.06068
Average Number of Independent Voices 1.0
Similar Motion 0.2035
Contrary Motion 0.1643
Oblique Motion 0.5714
Parallel Fifths 0.002528
Parallel Octaves 0.002528
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0