File

Last modified on: April 13, 2020, 8:30 p.m.

Mar1009d-Missa_La_Martinella-Sanctus.mid


Source
RenComp7
Musical Work
Missa La Martinella
Section
Sanctus
File Type
Symbolic Music
File Format
.mid
File Size
16.0 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1936
Prevalence of Second Most Common Vertical Interval 0.1911
Prevalence Ratio of Two Most Common Vertical Intervals 0.9868
Vertical Unisons 0.01932
Vertical Minor Seconds 0.007737
Vertical Thirds 0.3282
Vertical Tritones 0.008677
Vertical Perfect Fourths 0.07342
Vertical Perfect Fifths 0.1911
Vertical Sixths 0.141
Vertical Sevenths 0.03758
Vertical Octaves 0.1743
Perfect Vertical Intervals 0.4581
Vertical Dissonance Ratio 0.0784
Vertical Minor Third Prevalence 0.3646
Vertical Major Third Prevalence 0.3248
Chord Duration 2.019
Partial Chords 0.604
Standard Triads 0.2872
Diminished and Augmented Triads 0.0117
Dominant Seventh Chords 0.00253
Seventh Chords 0.00506
Non-Standard Chords 0.1037
Complex Chords 0.0
Minor Major Triad Ratio 0.9237
Average Number of Simultaneous Pitch Classes 2.26
Variability of Number of Simultaneous Pitch Classes 0.6816
Average Number of Simultaneous Pitches 2.687
Variability of Number of Simultaneous Pitches 0.8247
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 9.008
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 158.2
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2439
Stepwise Motion 0.7057
Melodic Thirds 0.1506
Melodic Perfect Fourths 0.06663
Melodic Tritones 0.0005794
Melodic Perfect Fifths 0.03418
Melodic Sixths 0.002317
Melodic Sevenths 0.0
Melodic Octaves 0.01333
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.377
Melodic Embellishments 0.0237
Direction of Melodic Motion 0.4708
Average Length of Melodic Arcs 2.077
Average Interval Spanned by Melodic Arcs 5.138
Melodic Pitch Variety 5.39
Mean Melodic Interval 2.418
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4618
Relative Prevalence of Most Common Melodic Intervals 0.5282
Amount of Arpeggiation 0.2248
Repeated Notes 0.02665
Importance of Middle Register 0.7277
Importance of High Register 0.004624
Dominant Spread 6.0
Strong Tonal Centres 3.0
Mean Pitch 57.87
Mean Pitch Class 5.639
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.09595
Prevalence of Most Common Pitch Class 0.1867
Relative Prevalence of Top Pitches 0.9458
Relative Prevalence of Top Pitch Classes 0.8576
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 2.0
Pitch Variability 7.185
Pitch Class Variability 3.356
Pitch Class Variability After Folding 4.048
Pitch Skewness 0.2066
Pitch Class Skewness -1.216
Pitch Class Skewness After Folding 1.067
Pitch Kurtosis 5.309
Pitch Class Kurtosis 4.793
Pitch Class Kurtosis After Folding 4.748
Major or Minor 0.0
First Pitch 67.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 33.0
Importance of Bass Register 0.2676
Note Density per Quarter Note 0.9692
Note Density per Quarter Note per Voice 0.2423
Note Density per Quarter Note Variability 0.5211
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.008092
Prevalence of Medium Rhythmic Values 0.6197
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7382
Prevalence of Very Long Rhythmic Values 0.08439
Prevalence of Dotted Notes 0.1387
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.76
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3578
Relative Prevalence of Most Common Rhythmic Values 0.7092
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.076
Rhythmic Value Skewness 1.097
Rhythmic Value Kurtosis 12.02
Mean Rhythmic Value Run Length 1.547
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.025
Mean Rhythmic Value Offset 0.06705
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.02
Complete Rests Fraction 0.0006151
Partial Rests Fraction 0.7763
Average Rest Fraction Across Voices 0.3182
Longest Complete Rest 1.098
Longest Partial Rest 612.2
Mean Complete Rest Duration 1.098
Mean Partial Rest Duration 33.91
Median Complete Rest Duration 1.098
Median Partial Rest Duration 3.567
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 101.0
Variability Across Voices of Combined Rests 558.8
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5169
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2395
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.158
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7564
Rhythmic Variability - Tempo Standardized 0.04834
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 1730.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 4.662
Minimum Note Duration 0.1293
Maximum Note Duration 10.0
Average Note Duration 0.6574
Variability of Note Durations 0.5854
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 5.0
Number of Moderate Rhythmic Pulses 5.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 259.9
Strongest Rhythmic Pulse 43.0
Second Strongest Rhythmic Pulse 65.0
Harmonicity of Two Strongest Rhythmic Pulses 1.512
Strength of Strongest Rhythmic Pulse 0.2627
Strength of Second Strongest Rhythmic Pulse 0.2566
Strength Ratio of Two Strongest Rhythmic Pulses 1.024
Combined Strength of Two Strongest Rhythmic Pulses 0.5193
Rhythmic Variability 0.03647
Rhythmic Looseness 0.0
Polyrhythms 0.6
Tempo Variability 28.0
Duration in Seconds 417.0
Note Density 4.149
Note Density Variability 1.825
Average Time Between Attacks 0.416
Average Time Between Attacks for Each Voice 1.322
Variability of Time Between Attacks 0.2873
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5758
Relative Range Isolation of Loudest Voice 0.3315
Relative Range of Highest Line 0.5758
Relative Note Density of Highest Line 0.1526
Relative Note Durations of Lowest Line 0.9675
Relative Size of Melodic Intervals in Lowest Line 0.8889
Voice Overlap 0.8231
Voice Separation 5.667
Variability of Voice Separation 4.041
Parallel Motion 0.04504
Average Number of Independent Voices 2.741
Similar Motion 0.1215
Contrary Motion 0.2328
Oblique Motion 0.6007
Parallel Fifths 0.0005426
Parallel Octaves 0.001628
Variability of Number of Independent Voices 0.8412
Voice Equality - Number of Notes 251.8
Voice Equality - Note Duration 130.5
Voice Equality - Dynamics 10.31
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 2.517
Importance of Loudest Voice 15.0