| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2091 |
| Prevalence of Second Most Common Vertical Interval |
0.202 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9664 |
| Vertical Unisons |
0.04518 |
| Vertical Minor Seconds |
0.005628 |
| Vertical Thirds |
0.3211 |
| Vertical Tritones |
0.008976 |
| Vertical Perfect Fourths |
0.08733 |
| Vertical Perfect Fifths |
0.202 |
| Vertical Sixths |
0.1237 |
| Vertical Sevenths |
0.02353 |
| Vertical Octaves |
0.1639 |
| Perfect Vertical Intervals |
0.4984 |
| Vertical Dissonance Ratio |
0.06018 |
| Vertical Minor Third Prevalence |
0.5543 |
| Vertical Major Third Prevalence |
0.5523 |
| Chord Duration |
2.537 |
| Partial Chords |
0.2762 |
| Standard Triads |
0.5423 |
| Diminished and Augmented Triads |
0.02016 |
| Dominant Seventh Chords |
0.002016 |
| Seventh Chords |
0.008065 |
| Non-Standard Chords |
0.1734 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5284 |
| Average Number of Simultaneous Pitch Classes |
2.703 |
| Variability of Number of Simultaneous Pitch Classes |
0.6157 |
| Average Number of Simultaneous Pitches |
3.422 |
| Variability of Number of Simultaneous Pitches |
0.7365 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.006 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
21.18 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1655 |
| Stepwise Motion |
0.6466 |
| Melodic Thirds |
0.1759 |
| Melodic Perfect Fourths |
0.08103 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06207 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01207 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.833 |
| Melodic Embellishments |
0.01541 |
| Direction of Melodic Motion |
0.4938 |
| Average Length of Melodic Arcs |
2.018 |
| Average Interval Spanned by Melodic Arcs |
5.516 |
| Melodic Pitch Variety |
5.575 |
| Mean Melodic Interval |
2.702 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.481 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3441 |
| Amount of Arpeggiation |
0.2724 |
| Repeated Notes |
0.02241 |
| Importance of Middle Register |
0.7123 |
| Importance of High Register |
0.02055 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.15 |
| Mean Pitch Class |
5.365 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1267 |
| Prevalence of Most Common Pitch Class |
0.2021 |
| Relative Prevalence of Top Pitches |
0.8784 |
| Relative Prevalence of Top Pitch Classes |
0.9831 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.052 |
| Pitch Class Variability |
3.479 |
| Pitch Class Variability After Folding |
3.162 |
| Pitch Skewness |
-0.1857 |
| Pitch Class Skewness |
0.3145 |
| Pitch Class Skewness After Folding |
1.272 |
| Pitch Kurtosis |
5.545 |
| Pitch Class Kurtosis |
4.888 |
| Pitch Class Kurtosis After Folding |
7.204 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2671 |
| Note Density per Quarter Note |
1.13 |
| Note Density per Quarter Note per Voice |
0.2824 |
| Note Density per Quarter Note Variability |
0.5659 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4829 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8973 |
| Prevalence of Very Long Rhythmic Values |
0.08562 |
| Prevalence of Dotted Notes |
0.06849 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.223 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4075 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9328 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.823 |
| Rhythmic Value Skewness |
0.3664 |
| Rhythmic Value Kurtosis |
11.08 |
| Mean Rhythmic Value Run Length |
1.743 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.482 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.001485 |
| Partial Rests Fraction |
0.2759 |
| Average Rest Fraction Across Voices |
0.09746 |
| Longest Complete Rest |
0.7675 |
| Longest Partial Rest |
56.63 |
| Mean Complete Rest Duration |
0.7675 |
| Mean Partial Rest Duration |
8.062 |
| Median Complete Rest Duration |
0.7675 |
| Median Partial Rest Duration |
4.644 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.74 |
| Variability Across Voices of Combined Rests |
36.17 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7313 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1415 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.167 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8728 |
| Rhythmic Variability - Tempo Standardized |
0.05941 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
584.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3462 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
1.667 |
| Average Note Duration |
0.5644 |
| Variability of Note Durations |
0.2739 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
354.9 |
| Strongest Rhythmic Pulse |
85.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.977 |
| Strength of Strongest Rhythmic Pulse |
0.2529 |
| Strength of Second Strongest Rhythmic Pulse |
0.2504 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.01 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5033 |
| Rhythmic Variability |
0.03551 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
75.01 |
| Duration in Seconds |
91.3 |
| Note Density |
6.397 |
| Note Density Variability |
1.782 |
| Average Time Between Attacks |
0.3669 |
| Average Time Between Attacks for Each Voice |
0.5878 |
| Variability of Time Between Attacks |
0.1508 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.4511 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.4589 |
| Relative Note Durations of Lowest Line |
0.9039 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8476 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.055 |
| Parallel Motion |
0.07365 |
| Average Number of Independent Voices |
3.647 |
| Similar Motion |
0.1849 |
| Contrary Motion |
0.2226 |
| Oblique Motion |
0.5188 |
| Parallel Fifths |
0.00982 |
| Parallel Octaves |
0.001637 |
| Variability of Number of Independent Voices |
0.6902 |
| Voice Equality - Number of Notes |
21.18 |
| Voice Equality - Note Duration |
6.387 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.915 |
| Importance of Loudest Voice |
10.0 |