| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1902 |
| Prevalence of Second Most Common Vertical Interval |
0.1806 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9497 |
| Vertical Unisons |
0.02215 |
| Vertical Minor Seconds |
0.004938 |
| Vertical Thirds |
0.3256 |
| Vertical Tritones |
0.01869 |
| Vertical Perfect Fourths |
0.1239 |
| Vertical Perfect Fifths |
0.1231 |
| Vertical Sixths |
0.1785 |
| Vertical Sevenths |
0.03039 |
| Vertical Octaves |
0.1584 |
| Perfect Vertical Intervals |
0.4276 |
| Vertical Dissonance Ratio |
0.07331 |
| Vertical Minor Third Prevalence |
0.35 |
| Vertical Major Third Prevalence |
0.2875 |
| Chord Duration |
2.056 |
| Partial Chords |
0.6508 |
| Standard Triads |
0.2487 |
| Diminished and Augmented Triads |
0.02555 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1005 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.7381 |
| Average Number of Simultaneous Pitch Classes |
2.237 |
| Variability of Number of Simultaneous Pitch Classes |
0.5888 |
| Average Number of Simultaneous Pitches |
2.589 |
| Variability of Number of Simultaneous Pitches |
0.5547 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.623 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
43.5 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2369 |
| Stepwise Motion |
0.8153 |
| Melodic Thirds |
0.08885 |
| Melodic Perfect Fourths |
0.02787 |
| Melodic Tritones |
0.003484 |
| Melodic Perfect Fifths |
0.02265 |
| Melodic Sixths |
0.001742 |
| Melodic Sevenths |
0.001742 |
| Melodic Octaves |
0.005226 |
| Melodic Large Intervals |
0.001742 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.0 |
| Melodic Embellishments |
0.02773 |
| Direction of Melodic Motion |
0.473 |
| Average Length of Melodic Arcs |
2.082 |
| Average Interval Spanned by Melodic Arcs |
4.528 |
| Melodic Pitch Variety |
5.033 |
| Mean Melodic Interval |
2.129 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5784 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4096 |
| Amount of Arpeggiation |
0.1498 |
| Repeated Notes |
0.03136 |
| Importance of Middle Register |
0.7782 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
58.72 |
| Mean Pitch Class |
5.475 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1196 |
| Prevalence of Most Common Pitch Class |
0.1941 |
| Relative Prevalence of Top Pitches |
0.8116 |
| Relative Prevalence of Top Pitch Classes |
0.7946 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
5.557 |
| Pitch Class Variability |
3.307 |
| Pitch Class Variability After Folding |
3.494 |
| Pitch Skewness |
0.04865 |
| Pitch Class Skewness |
0.4308 |
| Pitch Class Skewness After Folding |
0.7053 |
| Pitch Kurtosis |
5.172 |
| Pitch Class Kurtosis |
5.119 |
| Pitch Class Kurtosis After Folding |
6.131 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
24.0 |
| Importance of Bass Register |
0.2218 |
| Note Density per Quarter Note |
0.9002 |
| Note Density per Quarter Note per Voice |
0.3001 |
| Note Density per Quarter Note Variability |
0.3232 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4974 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8423 |
| Prevalence of Very Long Rhythmic Values |
0.03293 |
| Prevalence of Dotted Notes |
0.05893 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.922 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4194 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8099 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.482 |
| Rhythmic Value Skewness |
-0.1578 |
| Rhythmic Value Kurtosis |
9.619 |
| Mean Rhythmic Value Run Length |
1.717 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.133 |
| Mean Rhythmic Value Offset |
0.006932 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1665 |
| Complete Rests Fraction |
0.001547 |
| Partial Rests Fraction |
0.3323 |
| Average Rest Fraction Across Voices |
0.1212 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
28.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.418 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.147 |
| Variability Across Voices of Combined Rests |
47.34 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6607 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.192 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.442 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8526 |
| Rhythmic Variability - Tempo Standardized |
0.05527 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
577.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5096 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6102 |
| Variability of Note Durations |
0.3194 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2952 |
| Strength of Second Strongest Rhythmic Pulse |
0.2721 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.085 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5672 |
| Rhythmic Variability |
0.03763 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000001045 |
| Duration in Seconds |
133.5 |
| Note Density |
4.321 |
| Note Density Variability |
0.8232 |
| Average Time Between Attacks |
0.4136 |
| Average Time Between Attacks for Each Voice |
0.6898 |
| Variability of Time Between Attacks |
0.2037 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5417 |
| Relative Range Isolation of Loudest Voice |
0.1782 |
| Relative Range of Highest Line |
0.5417 |
| Relative Note Density of Highest Line |
0.338 |
| Relative Note Durations of Lowest Line |
1.137 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.9463 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.414 |
| Parallel Motion |
0.12 |
| Average Number of Independent Voices |
2.641 |
| Similar Motion |
0.14 |
| Contrary Motion |
0.244 |
| Oblique Motion |
0.496 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.5352 |
| Voice Equality - Number of Notes |
43.5 |
| Voice Equality - Note Duration |
9.863 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
3.786 |
| Importance of Loudest Voice |
15.0 |