File

Last modified on: April 13, 2020, 8:31 p.m.

Mar1002c-Missa_Coda_di_pavon-Credo.mid


Source
RenComp7
Musical Work
Missa Coda di pavon
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
11.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2085
Prevalence of Second Most Common Vertical Interval 0.1848
Prevalence Ratio of Two Most Common Vertical Intervals 0.8865
Vertical Unisons 0.02604
Vertical Minor Seconds 0.002003
Vertical Thirds 0.333
Vertical Tritones 0.01031
Vertical Perfect Fourths 0.09097
Vertical Perfect Fifths 0.1809
Vertical Sixths 0.1419
Vertical Sevenths 0.01841
Vertical Octaves 0.1824
Perfect Vertical Intervals 0.4803
Vertical Dissonance Ratio 0.04695
Vertical Minor Third Prevalence 0.4539
Vertical Major Third Prevalence 0.5289
Chord Duration 3.511
Partial Chords 0.3956
Standard Triads 0.4823
Diminished and Augmented Triads 0.02091
Dominant Seventh Chords 0.002163
Seventh Chords 0.007931
Non-Standard Chords 0.1142
Complex Chords 0.0
Minor Major Triad Ratio 0.4439
Average Number of Simultaneous Pitch Classes 2.552
Variability of Number of Simultaneous Pitch Classes 0.6127
Average Number of Simultaneous Pitches 3.247
Variability of Number of Simultaneous Pitches 0.8011
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 20.0
Variation of Dynamics 7.113
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 40.71
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1816
Stepwise Motion 0.607
Melodic Thirds 0.1716
Melodic Perfect Fourths 0.07048
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04809
Melodic Sixths 0.0008292
Melodic Sevenths 0.0
Melodic Octaves 0.01161
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.62
Melodic Embellishments 0.02975
Direction of Melodic Motion 0.464
Average Length of Melodic Arcs 1.878
Average Interval Spanned by Melodic Arcs 5.014
Melodic Pitch Variety 5.114
Mean Melodic Interval 2.448
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4254
Relative Prevalence of Most Common Melodic Intervals 0.4269
Amount of Arpeggiation 0.3217
Repeated Notes 0.09038
Importance of Middle Register 0.8149
Importance of High Register 0.04793
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 61.28
Mean Pitch Class 4.812
Most Common Pitch 62.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1008
Prevalence of Most Common Pitch Class 0.1967
Relative Prevalence of Top Pitches 0.9918
Relative Prevalence of Top Pitch Classes 0.9328
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.988
Pitch Class Variability 3.56
Pitch Class Variability After Folding 3.289
Pitch Skewness -0.06564
Pitch Class Skewness -0.1581
Pitch Class Skewness After Folding 1.077
Pitch Kurtosis 5.427
Pitch Class Kurtosis 4.892
Pitch Class Kurtosis After Folding 6.951
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 23.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.1372
Note Density per Quarter Note 0.8328
Note Density per Quarter Note per Voice 0.2082
Note Density per Quarter Note Variability 0.4407
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.2793
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9306
Prevalence of Very Long Rhythmic Values 0.1967
Prevalence of Dotted Notes 0.1545
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 4.043
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.4446
Relative Prevalence of Most Common Rhythmic Values 0.4721
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.199
Rhythmic Value Skewness 0.05806
Rhythmic Value Kurtosis 7.64
Mean Rhythmic Value Run Length 1.576
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.235
Mean Rhythmic Value Offset 0.03209
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.2194
Complete Rests Fraction 0.0004417
Partial Rests Fraction 0.4862
Average Rest Fraction Across Voices 0.1768
Longest Complete Rest 0.6417
Longest Partial Rest 284.1
Mean Complete Rest Duration 0.6417
Mean Partial Rest Duration 14.08
Median Complete Rest Duration 0.6417
Median Partial Rest Duration 4.898
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 38.25
Variability Across Voices of Combined Rests 110.1
Number of Strong Rhythmic Pulses - Tempo Standardized 4.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 5.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6013
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1367
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.398
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.738
Rhythmic Variability - Tempo Standardized 0.05028
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1210.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 2.026
Minimum Note Duration 0.1367
Maximum Note Duration 4.138
Average Note Duration 0.8351
Variability of Note Durations 0.4334
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 8.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 312.5
Strongest Rhythmic Pulse 71.0
Second Strongest Rhythmic Pulse 48.0
Harmonicity of Two Strongest Rhythmic Pulses 1.479
Strength of Strongest Rhythmic Pulse 0.4018
Strength of Second Strongest Rhythmic Pulse 0.2207
Strength Ratio of Two Strongest Rhythmic Pulses 1.82
Combined Strength of Two Strongest Rhythmic Pulses 0.6225
Rhythmic Variability 0.03909
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 100.9
Duration in Seconds 306.9
Note Density 3.943
Note Density Variability 1.214
Average Time Between Attacks 0.5579
Average Time Between Attacks for Each Voice 1.025
Variability of Time Between Attacks 0.2911
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5484
Relative Range Isolation of Loudest Voice 0.5
Relative Range of Highest Line 0.5484
Relative Note Density of Highest Line 0.2281
Relative Note Durations of Lowest Line 1.062
Relative Size of Melodic Intervals in Lowest Line 0.5
Voice Overlap 0.7488
Voice Separation 5.333
Variability of Voice Separation 4.619
Parallel Motion 0.055
Average Number of Independent Voices 3.359
Similar Motion 0.1717
Contrary Motion 0.2575
Oblique Motion 0.5158
Parallel Fifths 0.004167
Parallel Octaves 0.0008333
Variability of Number of Independent Voices 0.7899
Voice Equality - Number of Notes 40.71
Voice Equality - Note Duration 23.25
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.8165
Voice Equality - Range 2.708
Importance of Loudest Voice 10.0