| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2564 |
| Prevalence of Second Most Common Vertical Interval |
0.1815 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7077 |
| Vertical Unisons |
0.02708 |
| Vertical Minor Seconds |
0.001458 |
| Vertical Thirds |
0.323 |
| Vertical Tritones |
0.002998 |
| Vertical Perfect Fourths |
0.02271 |
| Vertical Perfect Fifths |
0.1508 |
| Vertical Sixths |
0.1867 |
| Vertical Sevenths |
0.03986 |
| Vertical Octaves |
0.2294 |
| Perfect Vertical Intervals |
0.4299 |
| Vertical Dissonance Ratio |
0.06414 |
| Vertical Minor Third Prevalence |
0.2711 |
| Vertical Major Third Prevalence |
0.2118 |
| Chord Duration |
2.63 |
| Partial Chords |
0.8214 |
| Standard Triads |
0.1356 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.04306 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.361 |
| Average Number of Simultaneous Pitch Classes |
1.972 |
| Variability of Number of Simultaneous Pitch Classes |
0.5671 |
| Average Number of Simultaneous Pitches |
2.332 |
| Variability of Number of Simultaneous Pitches |
0.553 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.439 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
5.132 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2145 |
| Stepwise Motion |
0.6218 |
| Melodic Thirds |
0.2018 |
| Melodic Perfect Fourths |
0.07273 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04545 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01818 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.964 |
| Melodic Embellishments |
0.01989 |
| Direction of Melodic Motion |
0.428 |
| Average Length of Melodic Arcs |
2.015 |
| Average Interval Spanned by Melodic Arcs |
5.351 |
| Melodic Pitch Variety |
5.613 |
| Mean Melodic Interval |
2.585 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4073 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5268 |
| Amount of Arpeggiation |
0.3055 |
| Repeated Notes |
0.04 |
| Importance of Middle Register |
0.6799 |
| Importance of High Register |
0.01266 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
57.9 |
| Mean Pitch Class |
6.027 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1248 |
| Prevalence of Most Common Pitch Class |
0.2278 |
| Relative Prevalence of Top Pitches |
0.6812 |
| Relative Prevalence of Top Pitch Classes |
0.7778 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
7.834 |
| Pitch Class Variability |
3.299 |
| Pitch Class Variability After Folding |
4.08 |
| Pitch Skewness |
0.5318 |
| Pitch Class Skewness |
-0.8846 |
| Pitch Class Skewness After Folding |
1.085 |
| Pitch Kurtosis |
5.103 |
| Pitch Class Kurtosis |
4.964 |
| Pitch Class Kurtosis After Folding |
4.694 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3074 |
| Note Density per Quarter Note |
0.7267 |
| Note Density per Quarter Note per Voice |
0.2422 |
| Note Density per Quarter Note Variability |
0.3484 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.481 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9494 |
| Prevalence of Very Long Rhythmic Values |
0.09403 |
| Prevalence of Dotted Notes |
0.07052 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.266 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4304 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9118 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.683 |
| Rhythmic Value Skewness |
0.4738 |
| Rhythmic Value Kurtosis |
8.474 |
| Mean Rhythmic Value Run Length |
1.612 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.186 |
| Mean Rhythmic Value Offset |
0.007233 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1701 |
| Complete Rests Fraction |
0.001394 |
| Partial Rests Fraction |
0.5926 |
| Average Rest Fraction Across Voices |
0.2106 |
| Longest Complete Rest |
1.061 |
| Longest Partial Rest |
102.7 |
| Mean Complete Rest Duration |
1.061 |
| Mean Partial Rest Duration |
13.36 |
| Median Complete Rest Duration |
1.061 |
| Median Partial Rest Duration |
4.278 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
18.71 |
| Variability Across Voices of Combined Rests |
7.839 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8061 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1027 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
7.85 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9087 |
| Rhythmic Variability - Tempo Standardized |
0.06434 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
553.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.8734 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6347 |
| Variability of Note Durations |
0.3205 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
316.6 |
| Strongest Rhythmic Pulse |
77.0 |
| Second Strongest Rhythmic Pulse |
52.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
| Strength of Strongest Rhythmic Pulse |
0.3372 |
| Strength of Second Strongest Rhythmic Pulse |
0.3035 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.111 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.6407 |
| Rhythmic Variability |
0.0413 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
59.15 |
| Duration in Seconds |
148.2 |
| Note Density |
3.731 |
| Note Density Variability |
1.05 |
| Average Time Between Attacks |
0.4543 |
| Average Time Between Attacks for Each Voice |
0.7555 |
| Variability of Time Between Attacks |
0.2146 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.7596 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.3635 |
| Relative Note Durations of Lowest Line |
0.9674 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8571 |
| Voice Overlap |
0.6383 |
| Voice Separation |
8.5 |
| Variability of Voice Separation |
2.121 |
| Parallel Motion |
0.05097 |
| Average Number of Independent Voices |
2.382 |
| Similar Motion |
0.1578 |
| Contrary Motion |
0.2573 |
| Oblique Motion |
0.534 |
| Parallel Fifths |
0.002427 |
| Parallel Octaves |
0.004854 |
| Variability of Number of Independent Voices |
0.5517 |
| Voice Equality - Number of Notes |
5.132 |
| Voice Equality - Note Duration |
1.527 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.0 |
| Importance of Loudest Voice |
12.5 |