| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2035 |
| Prevalence of Second Most Common Vertical Interval |
0.1727 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8486 |
| Vertical Unisons |
0.02855 |
| Vertical Minor Seconds |
0.004316 |
| Vertical Thirds |
0.3269 |
| Vertical Tritones |
0.01131 |
| Vertical Perfect Fourths |
0.08454 |
| Vertical Perfect Fifths |
0.1727 |
| Vertical Sixths |
0.1469 |
| Vertical Sevenths |
0.02712 |
| Vertical Octaves |
0.1749 |
| Perfect Vertical Intervals |
0.4607 |
| Vertical Dissonance Ratio |
0.07004 |
| Vertical Minor Third Prevalence |
0.4744 |
| Vertical Major Third Prevalence |
0.4285 |
| Chord Duration |
2.68 |
| Partial Chords |
0.4199 |
| Standard Triads |
0.4145 |
| Diminished and Augmented Triads |
0.0279 |
| Dominant Seventh Chords |
0.0006066 |
| Seventh Chords |
0.009907 |
| Non-Standard Chords |
0.1557 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.195 |
| Average Number of Simultaneous Pitch Classes |
2.522 |
| Variability of Number of Simultaneous Pitch Classes |
0.6442 |
| Average Number of Simultaneous Pitches |
3.123 |
| Variability of Number of Simultaneous Pitches |
0.7805 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.837 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
191.8 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2256 |
| Stepwise Motion |
0.6736 |
| Melodic Thirds |
0.1568 |
| Melodic Perfect Fourths |
0.0624 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.048 |
| Melodic Sixths |
0.0024 |
| Melodic Sevenths |
0.0008 |
| Melodic Octaves |
0.0176 |
| Melodic Large Intervals |
0.0004 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.733 |
| Melodic Embellishments |
0.01837 |
| Direction of Melodic Motion |
0.4624 |
| Average Length of Melodic Arcs |
2.033 |
| Average Interval Spanned by Melodic Arcs |
5.325 |
| Melodic Pitch Variety |
5.509 |
| Mean Melodic Interval |
2.527 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.448 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5036 |
| Amount of Arpeggiation |
0.2612 |
| Repeated Notes |
0.038 |
| Importance of Middle Register |
0.6973 |
| Importance of High Register |
0.008786 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.42 |
| Mean Pitch Class |
5.627 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1166 |
| Prevalence of Most Common Pitch Class |
0.2089 |
| Relative Prevalence of Top Pitches |
0.7774 |
| Relative Prevalence of Top Pitch Classes |
0.7859 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.338 |
| Pitch Class Variability |
3.335 |
| Pitch Class Variability After Folding |
3.956 |
| Pitch Skewness |
-0.002939 |
| Pitch Class Skewness |
-1.235 |
| Pitch Class Skewness After Folding |
0.9527 |
| Pitch Kurtosis |
5.335 |
| Pitch Class Kurtosis |
4.784 |
| Pitch Class Kurtosis After Folding |
4.889 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2939 |
| Note Density per Quarter Note |
0.9554 |
| Note Density per Quarter Note per Voice |
0.2388 |
| Note Density per Quarter Note Variability |
0.471 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01757 |
| Prevalence of Medium Rhythmic Values |
0.4908 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8275 |
| Prevalence of Very Long Rhythmic Values |
0.1418 |
| Prevalence of Dotted Notes |
0.1162 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.349 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3183 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9511 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.303 |
| Rhythmic Value Skewness |
0.4547 |
| Rhythmic Value Kurtosis |
8.566 |
| Mean Rhythmic Value Run Length |
1.669 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.226 |
| Mean Rhythmic Value Offset |
0.03355 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4141 |
| Complete Rests Fraction |
0.001816 |
| Partial Rests Fraction |
0.5852 |
| Average Rest Fraction Across Voices |
0.1983 |
| Longest Complete Rest |
4.093 |
| Longest Partial Rest |
243.9 |
| Mean Complete Rest Duration |
2.379 |
| Mean Partial Rest Duration |
17.18 |
| Median Complete Rest Duration |
4.093 |
| Median Partial Rest Duration |
6.14 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.424 |
| Variability of Partial Rest Durations |
33.96 |
| Variability Across Voices of Combined Rests |
478.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5789 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2095 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.763 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7885 |
| Rhythmic Variability - Tempo Standardized |
0.05058 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2504.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.554 |
| Minimum Note Duration |
0.1042 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.6834 |
| Variability of Note Durations |
0.4746 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
309.3 |
| Strongest Rhythmic Pulse |
74.0 |
| Second Strongest Rhythmic Pulse |
50.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.48 |
| Strength of Strongest Rhythmic Pulse |
0.2825 |
| Strength of Second Strongest Rhythmic Pulse |
0.2374 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.19 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5199 |
| Rhythmic Variability |
0.03492 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
73.34 |
| Duration in Seconds |
533.6 |
| Note Density |
4.693 |
| Note Density Variability |
1.334 |
| Average Time Between Attacks |
0.4115 |
| Average Time Between Attacks for Each Voice |
0.9836 |
| Variability of Time Between Attacks |
0.2342 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6364 |
| Relative Range Isolation of Loudest Voice |
0.3701 |
| Relative Range of Highest Line |
0.6364 |
| Relative Note Density of Highest Line |
0.1054 |
| Relative Note Durations of Lowest Line |
0.9908 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8183 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.05757 |
| Average Number of Independent Voices |
3.238 |
| Similar Motion |
0.1466 |
| Contrary Motion |
0.2078 |
| Oblique Motion |
0.588 |
| Parallel Fifths |
0.005431 |
| Parallel Octaves |
0.002172 |
| Variability of Number of Independent Voices |
0.7737 |
| Voice Equality - Number of Notes |
242.1 |
| Voice Equality - Note Duration |
97.43 |
| Voice Equality - Dynamics |
10.31 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
4.272 |
| Importance of Loudest Voice |
15.0 |