| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2188 |
| Prevalence of Second Most Common Vertical Interval |
0.216 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9871 |
| Vertical Unisons |
0.03547 |
| Vertical Minor Seconds |
0.005332 |
| Vertical Thirds |
0.3357 |
| Vertical Tritones |
0.01284 |
| Vertical Perfect Fourths |
0.05989 |
| Vertical Perfect Fifths |
0.1733 |
| Vertical Sixths |
0.1429 |
| Vertical Sevenths |
0.03202 |
| Vertical Octaves |
0.1833 |
| Perfect Vertical Intervals |
0.452 |
| Vertical Dissonance Ratio |
0.07452 |
| Vertical Minor Third Prevalence |
0.3831 |
| Vertical Major Third Prevalence |
0.2325 |
| Chord Duration |
2.492 |
| Partial Chords |
0.6662 |
| Standard Triads |
0.2185 |
| Diminished and Augmented Triads |
0.02428 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1153 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8462 |
| Average Number of Simultaneous Pitch Classes |
2.181 |
| Variability of Number of Simultaneous Pitch Classes |
0.614 |
| Average Number of Simultaneous Pitches |
2.571 |
| Variability of Number of Simultaneous Pitches |
0.5189 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.581 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
23.59 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2369 |
| Stepwise Motion |
0.6781 |
| Melodic Thirds |
0.1485 |
| Melodic Perfect Fourths |
0.0515 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03777 |
| Melodic Sixths |
0.001717 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01888 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.604 |
| Melodic Embellishments |
0.02654 |
| Direction of Melodic Motion |
0.4555 |
| Average Length of Melodic Arcs |
1.98 |
| Average Interval Spanned by Melodic Arcs |
4.967 |
| Melodic Pitch Variety |
5.314 |
| Mean Melodic Interval |
2.37 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4412 |
| Relative Prevalence of Most Common Melodic Intervals |
0.537 |
| Amount of Arpeggiation |
0.2687 |
| Repeated Notes |
0.06352 |
| Importance of Middle Register |
0.619 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.86 |
| Mean Pitch Class |
4.866 |
| Most Common Pitch |
50.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1182 |
| Prevalence of Most Common Pitch Class |
0.2303 |
| Relative Prevalence of Top Pitches |
0.9493 |
| Relative Prevalence of Top Pitch Classes |
0.7026 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.562 |
| Pitch Class Variability |
3.281 |
| Pitch Class Variability After Folding |
3.544 |
| Pitch Skewness |
0.02622 |
| Pitch Class Skewness |
-0.1229 |
| Pitch Class Skewness After Folding |
0.8356 |
| Pitch Kurtosis |
5.136 |
| Pitch Class Kurtosis |
4.929 |
| Pitch Class Kurtosis After Folding |
5.865 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.381 |
| Note Density per Quarter Note |
0.7844 |
| Note Density per Quarter Note per Voice |
0.2615 |
| Note Density per Quarter Note Variability |
0.3283 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4033 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8853 |
| Prevalence of Very Long Rhythmic Values |
0.09418 |
| Prevalence of Dotted Notes |
0.09075 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.373 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4495 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6419 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.835 |
| Rhythmic Value Skewness |
-1.025 |
| Rhythmic Value Kurtosis |
9.64 |
| Mean Rhythmic Value Run Length |
1.746 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.639 |
| Mean Rhythmic Value Offset |
0.006849 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1655 |
| Complete Rests Fraction |
0.0004627 |
| Partial Rests Fraction |
0.3519 |
| Average Rest Fraction Across Voices |
0.1185 |
| Longest Complete Rest |
0.6889 |
| Longest Partial Rest |
55.07 |
| Mean Complete Rest Duration |
0.6889 |
| Mean Partial Rest Duration |
9.806 |
| Median Complete Rest Duration |
0.6889 |
| Median Partial Rest Duration |
4.236 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.7 |
| Variability Across Voices of Combined Rests |
79.43 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6554 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1764 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.716 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8318 |
| Rhythmic Variability - Tempo Standardized |
0.05493 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1168.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7854 |
| Minimum Note Duration |
0.1367 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6632 |
| Variability of Note Durations |
0.3472 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
312.4 |
| Strongest Rhythmic Pulse |
77.0 |
| Second Strongest Rhythmic Pulse |
51.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.51 |
| Strength of Strongest Rhythmic Pulse |
0.3458 |
| Strength of Second Strongest Rhythmic Pulse |
0.2563 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.349 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.602 |
| Rhythmic Variability |
0.0386 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
55.62 |
| Duration in Seconds |
292.9 |
| Note Density |
3.987 |
| Note Density Variability |
0.8868 |
| Average Time Between Attacks |
0.4428 |
| Average Time Between Attacks for Each Voice |
0.7499 |
| Variability of Time Between Attacks |
0.2234 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.2698 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.1644 |
| Relative Note Durations of Lowest Line |
1.027 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.9041 |
| Voice Separation |
6.5 |
| Variability of Voice Separation |
2.121 |
| Parallel Motion |
0.05268 |
| Average Number of Independent Voices |
2.653 |
| Similar Motion |
0.158 |
| Contrary Motion |
0.2166 |
| Oblique Motion |
0.5727 |
| Parallel Fifths |
0.005854 |
| Parallel Octaves |
0.0009756 |
| Variability of Number of Independent Voices |
0.4816 |
| Voice Equality - Number of Notes |
23.59 |
| Voice Equality - Note Duration |
15.63 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
3.215 |
| Importance of Loudest Voice |
12.5 |