File

Last modified on: April 13, 2020, 8:34 p.m.

Mar1004b-Missa_Dio_te_salvi_Gotterello-Gloria.mid


Source
RenComp7
Musical Work
Missa Dio te salvi Gotterello
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
11.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2002
Prevalence of Second Most Common Vertical Interval 0.1945
Prevalence Ratio of Two Most Common Vertical Intervals 0.9712
Vertical Unisons 0.03059
Vertical Minor Seconds 0.005302
Vertical Thirds 0.3333
Vertical Tritones 0.007543
Vertical Perfect Fourths 0.09608
Vertical Perfect Fifths 0.1945
Vertical Sixths 0.133
Vertical Sevenths 0.0219
Vertical Octaves 0.1629
Perfect Vertical Intervals 0.4841
Vertical Dissonance Ratio 0.0522
Vertical Minor Third Prevalence 0.5833
Vertical Major Third Prevalence 0.4382
Chord Duration 3.066
Partial Chords 0.3315
Standard Triads 0.5195
Diminished and Augmented Triads 0.02119
Dominant Seventh Chords 0.0008254
Seventh Chords 0.01073
Non-Standard Chords 0.1383
Complex Chords 0.0
Minor Major Triad Ratio 1.678
Average Number of Simultaneous Pitch Classes 2.644
Variability of Number of Simultaneous Pitch Classes 0.6083
Average Number of Simultaneous Pitches 3.325
Variability of Number of Simultaneous Pitches 0.7322
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 6.447
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 77.15
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1852
Stepwise Motion 0.623
Melodic Thirds 0.1526
Melodic Perfect Fourths 0.05755
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04003
Melodic Sixths 0.002502
Melodic Sevenths 0.000834
Melodic Octaves 0.01001
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.66
Melodic Embellishments 0.0133
Direction of Melodic Motion 0.4563
Average Length of Melodic Arcs 1.895
Average Interval Spanned by Melodic Arcs 4.852
Melodic Pitch Variety 4.793
Mean Melodic Interval 2.279
Number of Common Melodic Intervals 4.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4379
Relative Prevalence of Most Common Melodic Intervals 0.4229
Amount of Arpeggiation 0.3169
Repeated Notes 0.1134
Importance of Middle Register 0.6766
Importance of High Register 0.003325
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 56.84
Mean Pitch Class 5.135
Most Common Pitch 57.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1272
Prevalence of Most Common Pitch Class 0.2012
Relative Prevalence of Top Pitches 0.8497
Relative Prevalence of Top Pitch Classes 0.9752
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.611
Pitch Class Variability 3.483
Pitch Class Variability After Folding 3.182
Pitch Skewness 0.2244
Pitch Class Skewness 0.1167
Pitch Class Skewness After Folding 0.4992
Pitch Kurtosis 5.294
Pitch Class Kurtosis 4.788
Pitch Class Kurtosis After Folding 7.023
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 26.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.32
Note Density per Quarter Note 0.957
Note Density per Quarter Note per Voice 0.2393
Note Density per Quarter Note Variability 0.4933
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 10.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.003325
Prevalence of Medium Rhythmic Values 0.468
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8712
Prevalence of Very Long Rhythmic Values 0.1638
Prevalence of Dotted Notes 0.1014
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.55
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3392
Relative Prevalence of Most Common Rhythmic Values 0.9926
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.303
Rhythmic Value Skewness -0.5857
Rhythmic Value Kurtosis 7.987
Mean Rhythmic Value Run Length 1.628
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.157
Mean Rhythmic Value Offset 0.0692
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.093
Complete Rests Fraction 0.0005137
Partial Rests Fraction 0.42
Average Rest Fraction Across Voices 0.1403
Longest Complete Rest 0.6457
Longest Partial Rest 69.0
Mean Complete Rest Duration 0.6457
Mean Partial Rest Duration 10.37
Median Complete Rest Duration 0.6457
Median Partial Rest Duration 3.97
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 13.97
Variability Across Voices of Combined Rests 144.5
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 5.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6559
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1591
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.122
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.815
Rhythmic Variability - Tempo Standardized 0.0542
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1203.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 0.9937
Minimum Note Duration 0.1293
Maximum Note Duration 8.333
Average Note Duration 0.7542
Variability of Note Durations 0.5208
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 303.3
Strongest Rhythmic Pulse 72.0
Second Strongest Rhythmic Pulse 48.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.3225
Strength of Second Strongest Rhythmic Pulse 0.2657
Strength Ratio of Two Strongest Rhythmic Pulses 1.214
Combined Strength of Two Strongest Rhythmic Pulses 0.5882
Rhythmic Variability 0.03776
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 79.96
Duration in Seconds 263.8
Note Density 4.56
Note Density Variability 1.098
Average Time Between Attacks 0.4764
Average Time Between Attacks for Each Voice 0.9065
Variability of Time Between Attacks 0.2524
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.6774
Relative Range Isolation of Loudest Voice 0.1953
Relative Range of Highest Line 0.6774
Relative Note Density of Highest Line 0.2128
Relative Note Durations of Lowest Line 1.026
Relative Size of Melodic Intervals in Lowest Line 0.5714
Voice Overlap 0.8778
Voice Separation 5.0
Variability of Voice Separation 1.0
Parallel Motion 0.05514
Average Number of Independent Voices 3.462
Similar Motion 0.1579
Contrary Motion 0.2206
Oblique Motion 0.5664
Parallel Fifths 0.0008354
Parallel Octaves 0.0008354
Variability of Number of Independent Voices 0.725
Voice Equality - Number of Notes 77.15
Voice Equality - Note Duration 30.33
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 3.109
Importance of Loudest Voice 10.0