| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1937 |
| Prevalence of Second Most Common Vertical Interval |
0.1911 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9867 |
| Vertical Unisons |
0.02303 |
| Vertical Minor Seconds |
0.004375 |
| Vertical Thirds |
0.3139 |
| Vertical Tritones |
0.01243 |
| Vertical Perfect Fourths |
0.08168 |
| Vertical Perfect Fifths |
0.1937 |
| Vertical Sixths |
0.1574 |
| Vertical Sevenths |
0.02965 |
| Vertical Octaves |
0.1632 |
| Perfect Vertical Intervals |
0.4616 |
| Vertical Dissonance Ratio |
0.0719 |
| Vertical Minor Third Prevalence |
0.5602 |
| Vertical Major Third Prevalence |
0.3905 |
| Chord Duration |
2.215 |
| Partial Chords |
0.3797 |
| Standard Triads |
0.4435 |
| Diminished and Augmented Triads |
0.02344 |
| Dominant Seventh Chords |
0.005208 |
| Seventh Chords |
0.01693 |
| Non-Standard Chords |
0.1599 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.72 |
| Average Number of Simultaneous Pitch Classes |
2.641 |
| Variability of Number of Simultaneous Pitch Classes |
0.6319 |
| Average Number of Simultaneous Pitches |
3.257 |
| Variability of Number of Simultaneous Pitches |
0.7742 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.865 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
104.3 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2262 |
| Stepwise Motion |
0.7133 |
| Melodic Thirds |
0.1282 |
| Melodic Perfect Fourths |
0.07391 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03829 |
| Melodic Sixths |
0.0008905 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004452 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.349 |
| Melodic Embellishments |
0.03194 |
| Direction of Melodic Motion |
0.4698 |
| Average Length of Melodic Arcs |
2.006 |
| Average Interval Spanned by Melodic Arcs |
4.829 |
| Melodic Pitch Variety |
5.136 |
| Mean Melodic Interval |
2.322 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4871 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4644 |
| Amount of Arpeggiation |
0.2119 |
| Repeated Notes |
0.04096 |
| Importance of Middle Register |
0.7347 |
| Importance of High Register |
0.007098 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.91 |
| Mean Pitch Class |
4.972 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1224 |
| Prevalence of Most Common Pitch Class |
0.2085 |
| Relative Prevalence of Top Pitches |
0.7826 |
| Relative Prevalence of Top Pitch Classes |
0.8213 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.962 |
| Pitch Class Variability |
3.464 |
| Pitch Class Variability After Folding |
3.216 |
| Pitch Skewness |
-0.1931 |
| Pitch Class Skewness |
0.8415 |
| Pitch Class Skewness After Folding |
0.5727 |
| Pitch Kurtosis |
5.193 |
| Pitch Class Kurtosis |
4.849 |
| Pitch Class Kurtosis After Folding |
6.749 |
| Major or Minor |
0.0 |
| First Pitch |
45.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2582 |
| Note Density per Quarter Note |
0.8583 |
| Note Density per Quarter Note per Voice |
0.2146 |
| Note Density per Quarter Note Variability |
0.3417 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4197 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8385 |
| Prevalence of Very Long Rhythmic Values |
0.1925 |
| Prevalence of Dotted Notes |
0.1402 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.721 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.323 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7995 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.513 |
| Rhythmic Value Skewness |
-0.3332 |
| Rhythmic Value Kurtosis |
7.582 |
| Mean Rhythmic Value Run Length |
1.54 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.064 |
| Mean Rhythmic Value Offset |
0.1859 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.742 |
| Complete Rests Fraction |
0.0007553 |
| Partial Rests Fraction |
0.4745 |
| Average Rest Fraction Across Voices |
0.1622 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
92.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
18.52 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
23.16 |
| Variability Across Voices of Combined Rests |
130.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.583 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2098 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.779 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7929 |
| Rhythmic Variability - Tempo Standardized |
0.05112 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1127.0 |
| Initial Tempo |
290.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.548 |
| Minimum Note Duration |
0.2069 |
| Maximum Note Duration |
9.931 |
| Average Note Duration |
0.8078 |
| Variability of Note Durations |
0.7289 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
290.0 |
| Strongest Rhythmic Pulse |
73.0 |
| Second Strongest Rhythmic Pulse |
49.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.49 |
| Strength of Strongest Rhythmic Pulse |
0.3049 |
| Strength of Second Strongest Rhythmic Pulse |
0.2537 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.201 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5586 |
| Rhythmic Variability |
0.03651 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.00000000007259 |
| Duration in Seconds |
271.7 |
| Note Density |
4.149 |
| Note Density Variability |
1.229 |
| Average Time Between Attacks |
0.442 |
| Average Time Between Attacks for Each Voice |
1.109 |
| Variability of Time Between Attacks |
0.2612 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4839 |
| Relative Range Isolation of Loudest Voice |
0.1932 |
| Relative Range of Highest Line |
0.4839 |
| Relative Note Density of Highest Line |
0.2378 |
| Relative Note Durations of Lowest Line |
0.9611 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9485 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.04138 |
| Average Number of Independent Voices |
3.354 |
| Similar Motion |
0.1062 |
| Contrary Motion |
0.1793 |
| Oblique Motion |
0.6731 |
| Parallel Fifths |
0.002759 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.757 |
| Voice Equality - Number of Notes |
104.3 |
| Voice Equality - Note Duration |
27.07 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.732 |
| Importance of Loudest Voice |
10.0 |