| Distance Between Two Most Common Vertical Intervals |
1.0 |
| Prevalence of Most Common Vertical Interval |
0.2139 |
| Prevalence of Second Most Common Vertical Interval |
0.2007 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9382 |
| Vertical Unisons |
0.02603 |
| Vertical Minor Seconds |
0.001559 |
| Vertical Thirds |
0.4145 |
| Vertical Tritones |
0.005301 |
| Vertical Perfect Fourths |
0.0466 |
| Vertical Perfect Fifths |
0.1873 |
| Vertical Sixths |
0.1299 |
| Vertical Sevenths |
0.02415 |
| Vertical Octaves |
0.1374 |
| Perfect Vertical Intervals |
0.3973 |
| Vertical Dissonance Ratio |
0.06185 |
| Vertical Minor Third Prevalence |
0.4257 |
| Vertical Major Third Prevalence |
0.4022 |
| Chord Duration |
2.282 |
| Partial Chords |
0.5965 |
| Standard Triads |
0.2963 |
| Diminished and Augmented Triads |
0.0117 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1072 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6522 |
| Average Number of Simultaneous Pitch Classes |
2.304 |
| Variability of Number of Simultaneous Pitch Classes |
0.5942 |
| Average Number of Simultaneous Pitches |
2.625 |
| Variability of Number of Simultaneous Pitches |
0.5604 |
| Most Common Vertical Interval |
3.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.478 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
3.055 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2095 |
| Stepwise Motion |
0.7137 |
| Melodic Thirds |
0.1473 |
| Melodic Perfect Fourths |
0.05602 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0332 |
| Melodic Sixths |
0.004149 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01037 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.087 |
| Melodic Embellishments |
0.01237 |
| Direction of Melodic Motion |
0.4602 |
| Average Length of Melodic Arcs |
1.845 |
| Average Interval Spanned by Melodic Arcs |
4.5 |
| Melodic Pitch Variety |
5.182 |
| Mean Melodic Interval |
2.378 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5041 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4156 |
| Amount of Arpeggiation |
0.2261 |
| Repeated Notes |
0.03527 |
| Importance of Middle Register |
0.7113 |
| Importance of High Register |
0.02474 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.92 |
| Mean Pitch Class |
5.223 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.09897 |
| Prevalence of Most Common Pitch Class |
0.1753 |
| Relative Prevalence of Top Pitches |
0.9583 |
| Relative Prevalence of Top Pitch Classes |
0.9176 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.173 |
| Pitch Class Variability |
3.602 |
| Pitch Class Variability After Folding |
3.166 |
| Pitch Skewness |
0.1501 |
| Pitch Class Skewness |
0.1855 |
| Pitch Class Skewness After Folding |
0.2892 |
| Pitch Kurtosis |
5.295 |
| Pitch Class Kurtosis |
4.869 |
| Pitch Class Kurtosis After Folding |
7.203 |
| Major or Minor |
0.0 |
| First Pitch |
59.0 |
| First Pitch Class |
11.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2639 |
| Note Density per Quarter Note |
0.877 |
| Note Density per Quarter Note per Voice |
0.2923 |
| Note Density per Quarter Note Variability |
0.3663 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4701 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.833 |
| Prevalence of Very Long Rhythmic Values |
0.05979 |
| Prevalence of Dotted Notes |
0.06804 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.052 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4268 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7101 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.627 |
| Rhythmic Value Skewness |
0.09503 |
| Rhythmic Value Kurtosis |
8.752 |
| Mean Rhythmic Value Run Length |
1.672 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.176 |
| Mean Rhythmic Value Offset |
0.008247 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1816 |
| Complete Rests Fraction |
0.001793 |
| Partial Rests Fraction |
0.2839 |
| Average Rest Fraction Across Voices |
0.1055 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
32.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.644 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.982 |
| Variability Across Voices of Combined Rests |
30.09 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6292 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2192 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.871 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8484 |
| Rhythmic Variability - Tempo Standardized |
0.05366 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
485.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5737 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6375 |
| Variability of Note Durations |
0.3504 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2988 |
| Strength of Second Strongest Rhythmic Pulse |
0.2739 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.091 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5726 |
| Rhythmic Variability |
0.03741 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0000000002729 |
| Duration in Seconds |
115.2 |
| Note Density |
4.21 |
| Note Density Variability |
1.555 |
| Average Time Between Attacks |
0.4445 |
| Average Time Between Attacks for Each Voice |
0.6828 |
| Variability of Time Between Attacks |
0.2317 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.6352 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.4144 |
| Relative Note Durations of Lowest Line |
1.04 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7711 |
| Voice Separation |
7.0 |
| Variability of Voice Separation |
4.243 |
| Parallel Motion |
0.07039 |
| Average Number of Independent Voices |
2.688 |
| Similar Motion |
0.1675 |
| Contrary Motion |
0.2694 |
| Oblique Motion |
0.4927 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.522 |
| Voice Equality - Number of Notes |
3.055 |
| Voice Equality - Note Duration |
6.268 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
12.5 |