File

Last modified on: April 13, 2020, 8:35 p.m.

Mar2021-Deus_in_adjutorium.mid


Source
RenComp7
Musical Work
Deus in adjutorium
File Type
Symbolic Music
File Format
.mid
File Size
5.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2408
Prevalence of Second Most Common Vertical Interval 0.2139
Prevalence Ratio of Two Most Common Vertical Intervals 0.8881
Vertical Unisons 0.002536
Vertical Minor Seconds 0.0
Vertical Thirds 0.2613
Vertical Tritones 0.0
Vertical Perfect Fourths 0.05358
Vertical Perfect Fifths 0.2408
Vertical Sixths 0.2064
Vertical Sevenths 0.01985
Vertical Octaves 0.2114
Perfect Vertical Intervals 0.5083
Vertical Dissonance Ratio 0.02449
Vertical Minor Third Prevalence 0.252
Vertical Major Third Prevalence 0.4286
Chord Duration 3.202
Partial Chords 0.5455
Standard Triads 0.3864
Diminished and Augmented Triads 0.0
Dominant Seventh Chords 0.0
Seventh Chords 0.0
Non-Standard Chords 0.06818
Complex Chords 0.0
Minor Major Triad Ratio 0.6847
Average Number of Simultaneous Pitch Classes 2.397
Variability of Number of Simultaneous Pitch Classes 0.5646
Average Number of Simultaneous Pitches 2.988
Variability of Number of Simultaneous Pitches 0.1085
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 20.0
Variation of Dynamics 8.478
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 2.309
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1624
Stepwise Motion 0.4792
Melodic Thirds 0.105
Melodic Perfect Fourths 0.06139
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03366
Melodic Sixths 0.009901
Melodic Sevenths 0.0
Melodic Octaves 0.01782
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 0.8929
Melodic Embellishments 0.0
Direction of Melodic Motion 0.4454
Average Length of Melodic Arcs 1.794
Average Interval Spanned by Melodic Arcs 5.015
Melodic Pitch Variety 3.971
Mean Melodic Interval 2.012
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3168
Relative Prevalence of Most Common Melodic Intervals 0.925
Amount of Arpeggiation 0.4495
Repeated Notes 0.2931
Importance of Middle Register 0.8839
Importance of High Register 0.009843
Dominant Spread 5.0
Strong Tonal Centres 2.0
Mean Pitch 61.94
Mean Pitch Class 4.449
Most Common Pitch 72.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1713
Prevalence of Most Common Pitch Class 0.2992
Relative Prevalence of Top Pitches 0.6667
Relative Prevalence of Top Pitch Classes 0.4737
Interval Between Most Prevalent Pitches 8.0
Interval Between Most Prevalent Pitch Classes 9.0
Pitch Variability 6.894
Pitch Class Variability 3.778
Pitch Class Variability After Folding 3.067
Pitch Skewness 0.2433
Pitch Class Skewness 0.3564
Pitch Class Skewness After Folding 0.7318
Pitch Kurtosis 5.002
Pitch Class Kurtosis 4.747
Pitch Class Kurtosis After Folding 7.798
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 18.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 1.0
Range 26.0
Importance of Bass Register 0.1063
Note Density per Quarter Note 0.9603
Note Density per Quarter Note per Voice 0.3201
Note Density per Quarter Note Variability 0.3753
Range of Rhythmic Values 6.0
Number of Different Rhythmic Values Present 5.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.563
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.9665
Prevalence of Very Long Rhythmic Values 0.03543
Prevalence of Dotted Notes 0.009843
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 8.0
Mean Rhythmic Value 2.972
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5295
Relative Prevalence of Most Common Rhythmic Values 0.7398
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.394
Rhythmic Value Skewness 2.092
Rhythmic Value Kurtosis 9.471
Mean Rhythmic Value Run Length 1.827
Median Rhythmic Value Run Length 2.0
Variability in Rhythmic Value Run Lengths 1.074
Mean Rhythmic Value Offset 0.0
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.0
Complete Rests Fraction 0.04724
Partial Rests Fraction 0.05102
Average Rest Fraction Across Voices 0.0485
Longest Complete Rest 4.0
Longest Partial Rest 4.0
Mean Complete Rest Duration 3.57
Mean Partial Rest Duration 3.499
Median Complete Rest Duration 4.0
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 1.137
Variability of Partial Rest Durations 1.105
Variability Across Voices of Combined Rests 1.155
Number of Strong Rhythmic Pulses - Tempo Standardized 1.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.9032
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.05515
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 16.38
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.9584
Rhythmic Variability - Tempo Standardized 0.07134
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 508.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 0.4343
Minimum Note Duration 0.2586
Maximum Note Duration 2.069
Average Note Duration 0.7687
Variability of Note Durations 0.3606
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 2.0
Number of Moderate Rhythmic Pulses 4.0
Number of Relatively Strong Rhythmic Pulses 2.0
Mean Tempo 232.0
Strongest Rhythmic Pulse 58.0
Second Strongest Rhythmic Pulse 116.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.5092
Strength of Second Strongest Rhythmic Pulse 0.4448
Strength Ratio of Two Strongest Rhythmic Pulses 1.145
Combined Strength of Two Strongest Rhythmic Pulses 0.954
Rhythmic Variability 0.05315
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 1.685e-10
Duration in Seconds 136.8
Note Density 3.713
Note Density Variability 0.6529
Average Time Between Attacks 0.7074
Average Time Between Attacks for Each Voice 0.803
Variability of Time Between Attacks 0.4155
Maximum Number of Independent Voices 3.0
Relative Range of Loudest Voice 0.3846
Relative Range Isolation of Loudest Voice 0.8214
Relative Range of Highest Line 0.3846
Relative Note Density of Highest Line 0.4134
Relative Note Durations of Lowest Line 0.987
Relative Size of Melodic Intervals in Lowest Line 0.75
Voice Overlap 0.622
Voice Separation 7.5
Variability of Voice Separation 2.121
Parallel Motion 0.06651
Average Number of Independent Voices 2.996
Similar Motion 0.2779
Contrary Motion 0.323
Oblique Motion 0.3325
Parallel Fifths 0.019
Parallel Octaves 0.01188
Variability of Number of Independent Voices 0.06287
Voice Equality - Number of Notes 2.309
Voice Equality - Note Duration 0.2986
Voice Equality - Dynamics 10.41
Voice Equality - Melodic Leaps 0.5774
Voice Equality - Range 2.0
Importance of Loudest Voice 12.5