File

Last modified on: April 13, 2020, 8:36 p.m.

Mar1009c-Missa_La_Martinella-Credo.mid


Source
RenComp7
Musical Work
Missa La Martinella
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
22.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2035
Prevalence of Second Most Common Vertical Interval 0.1727
Prevalence Ratio of Two Most Common Vertical Intervals 0.8486
Vertical Unisons 0.02855
Vertical Minor Seconds 0.004316
Vertical Thirds 0.3269
Vertical Tritones 0.01131
Vertical Perfect Fourths 0.08454
Vertical Perfect Fifths 0.1727
Vertical Sixths 0.1469
Vertical Sevenths 0.02712
Vertical Octaves 0.1749
Perfect Vertical Intervals 0.4607
Vertical Dissonance Ratio 0.07004
Vertical Minor Third Prevalence 0.4744
Vertical Major Third Prevalence 0.4285
Chord Duration 2.68
Partial Chords 0.4199
Standard Triads 0.4145
Diminished and Augmented Triads 0.0279
Dominant Seventh Chords 0.0006066
Seventh Chords 0.009907
Non-Standard Chords 0.1557
Complex Chords 0.0
Minor Major Triad Ratio 1.195
Average Number of Simultaneous Pitch Classes 2.522
Variability of Number of Simultaneous Pitch Classes 0.6442
Average Number of Simultaneous Pitches 3.123
Variability of Number of Simultaneous Pitches 0.7805
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 20.0
Variation of Dynamics 8.837
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 191.8
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 3.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2256
Stepwise Motion 0.6736
Melodic Thirds 0.1568
Melodic Perfect Fourths 0.0624
Melodic Tritones 0.0
Melodic Perfect Fifths 0.048
Melodic Sixths 0.0024
Melodic Sevenths 0.0008
Melodic Octaves 0.0176
Melodic Large Intervals 0.0004
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.733
Melodic Embellishments 0.01837
Direction of Melodic Motion 0.4624
Average Length of Melodic Arcs 2.033
Average Interval Spanned by Melodic Arcs 5.325
Melodic Pitch Variety 5.509
Mean Melodic Interval 2.527
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.448
Relative Prevalence of Most Common Melodic Intervals 0.5036
Amount of Arpeggiation 0.2612
Repeated Notes 0.038
Importance of Middle Register 0.6973
Importance of High Register 0.008786
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 57.42
Mean Pitch Class 5.627
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1166
Prevalence of Most Common Pitch Class 0.2089
Relative Prevalence of Top Pitches 0.7774
Relative Prevalence of Top Pitch Classes 0.7859
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.338
Pitch Class Variability 3.335
Pitch Class Variability After Folding 3.956
Pitch Skewness -0.002939
Pitch Class Skewness -1.235
Pitch Class Skewness After Folding 0.9527
Pitch Kurtosis 5.335
Pitch Class Kurtosis 4.784
Pitch Class Kurtosis After Folding 4.889
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 28.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 33.0
Importance of Bass Register 0.2939
Note Density per Quarter Note 0.9554
Note Density per Quarter Note per Voice 0.2388
Note Density per Quarter Note Variability 0.471
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01757
Prevalence of Medium Rhythmic Values 0.4908
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8275
Prevalence of Very Long Rhythmic Values 0.1418
Prevalence of Dotted Notes 0.1162
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.349
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3183
Relative Prevalence of Most Common Rhythmic Values 0.9511
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.303
Rhythmic Value Skewness 0.4547
Rhythmic Value Kurtosis 8.566
Mean Rhythmic Value Run Length 1.669
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.226
Mean Rhythmic Value Offset 0.03355
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4141
Complete Rests Fraction 0.001816
Partial Rests Fraction 0.5852
Average Rest Fraction Across Voices 0.1983
Longest Complete Rest 4.093
Longest Partial Rest 243.9
Mean Complete Rest Duration 2.379
Mean Partial Rest Duration 17.18
Median Complete Rest Duration 4.093
Median Partial Rest Duration 6.14
Duple Initial Meter 1.0
Variability of Complete Rest Durations 2.424
Variability of Partial Rest Durations 33.96
Variability Across Voices of Combined Rests 478.6
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5789
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2095
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.763
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7885
Rhythmic Variability - Tempo Standardized 0.05058
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 2504.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 1.554
Minimum Note Duration 0.1042
Maximum Note Duration 4.138
Average Note Duration 0.6834
Variability of Note Durations 0.4746
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 309.3
Strongest Rhythmic Pulse 74.0
Second Strongest Rhythmic Pulse 50.0
Harmonicity of Two Strongest Rhythmic Pulses 1.48
Strength of Strongest Rhythmic Pulse 0.2825
Strength of Second Strongest Rhythmic Pulse 0.2374
Strength Ratio of Two Strongest Rhythmic Pulses 1.19
Combined Strength of Two Strongest Rhythmic Pulses 0.5199
Rhythmic Variability 0.03492
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 73.34
Duration in Seconds 533.6
Note Density 4.693
Note Density Variability 1.334
Average Time Between Attacks 0.4115
Average Time Between Attacks for Each Voice 0.9836
Variability of Time Between Attacks 0.2342
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.6364
Relative Range Isolation of Loudest Voice 0.3701
Relative Range of Highest Line 0.6364
Relative Note Density of Highest Line 0.1054
Relative Note Durations of Lowest Line 0.9908
Relative Size of Melodic Intervals in Lowest Line 0.8889
Voice Overlap 0.8183
Voice Separation 5.333
Variability of Voice Separation 4.041
Parallel Motion 0.05757
Average Number of Independent Voices 3.238
Similar Motion 0.1466
Contrary Motion 0.2078
Oblique Motion 0.588
Parallel Fifths 0.005431
Parallel Octaves 0.002172
Variability of Number of Independent Voices 0.7737
Voice Equality - Number of Notes 242.1
Voice Equality - Note Duration 97.43
Voice Equality - Dynamics 10.31
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 4.272
Importance of Loudest Voice 15.0