File

Last modified on: April 13, 2020, 5:05 p.m.

F164_27_Tromboncino_Quanta_mai_corrJ.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Quanta mai leggiadria, quanta beliate
File Type
Symbolic Music
File Format
xml
File Size
352.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1949
Prevalence of Second Most Common Vertical Interval 0.1877
Prevalence Ratio of Two Most Common Vertical Intervals 0.9633
Vertical Unisons 0.01771
Vertical Minor Seconds 0.004
Vertical Thirds 0.3077
Vertical Tritones 0.009429
Vertical Perfect Fourths 0.1321
Vertical Perfect Fifths 0.1949
Vertical Sixths 0.1003
Vertical Sevenths 0.03171
Vertical Octaves 0.17
Perfect Vertical Intervals 0.5147
Vertical Dissonance Ratio 0.08376
Vertical Minor Third Prevalence 0.6076
Vertical Major Third Prevalence 0.5649
Chord Duration 1.693
Partial Chords 0.1807
Standard Triads 0.5531
Diminished and Augmented Triads 0.02219
Dominant Seventh Chords 0.004754
Seventh Chords 0.03011
Non-Standard Chords 0.2361
Complex Chords 0.0
Minor Major Triad Ratio 0.8763
Average Number of Simultaneous Pitch Classes 2.894
Variability of Number of Simultaneous Pitch Classes 0.503
Average Number of Simultaneous Pitches 3.778
Variability of Number of Simultaneous Pitches 0.4375
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1771
Stepwise Motion 0.5781
Melodic Thirds 0.08229
Melodic Perfect Fourths 0.08021
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05937
Melodic Sixths 0.002083
Melodic Sevenths 0.0
Melodic Octaves 0.01458
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.591
Melodic Embellishments 0.05913
Direction of Melodic Motion 0.4694
Average Length of Melodic Arcs 1.836
Average Interval Spanned by Melodic Arcs 5.037
Melodic Pitch Variety 4.516
Mean Melodic Interval 2.257
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.401
Relative Prevalence of Most Common Melodic Intervals 0.4571
Amount of Arpeggiation 0.3396
Repeated Notes 0.1833
Importance of Middle Register 0.667
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 56.0
Mean Pitch Class 5.082
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1297
Prevalence of Most Common Pitch Class 0.1909
Relative Prevalence of Top Pitches 0.832
Relative Prevalence of Top Pitch Classes 0.913
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.289
Pitch Class Variability 3.617
Pitch Class Variability After Folding 2.926
Pitch Skewness -0.3132
Pitch Class Skewness 0.06798
Pitch Class Skewness After Folding 1.009
Pitch Kurtosis 5.394
Pitch Class Kurtosis 4.805
Pitch Class Kurtosis After Folding 8.07
Major or Minor 0.0
First Pitch 45.0
First Pitch Class 9.0
Last Pitch 52.0
Last Pitch Class 4.0
Glissando Prevalence 0.004149
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.004149
Number of Pitch Classes 9.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 0.0
Range 28.0
Importance of Bass Register 0.333
Note Density per Quarter Note 1.523
Note Density per Quarter Note per Voice 1.523
Note Density per Quarter Note Variability 0.5114
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.6432
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7552
Prevalence of Very Long Rhythmic Values 0.01867
Prevalence of Dotted Notes 0.05809
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.508
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3983
Relative Prevalence of Most Common Rhythmic Values 0.724
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.461
Rhythmic Value Skewness 1.044
Rhythmic Value Kurtosis 15.11
Mean Rhythmic Value Run Length 2.152
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.93
Mean Rhythmic Value Offset 0.0332
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.5145
Complete Rests Fraction 0.00158
Partial Rests Fraction 0.00158
Average Rest Fraction Across Voices 0.00158
Longest Complete Rest 1.0
Longest Partial Rest 1.0
Mean Complete Rest Duration 1.0
Mean Partial Rest Duration 1.0
Median Complete Rest Duration 1.0
Median Partial Rest Duration 1.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5819
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2098
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.773
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7918
Rhythmic Variability - Tempo Standardized 0.05122
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 964.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.1139
Minimum Note Duration 0.1875
Maximum Note Duration 3.75
Average Note Duration 0.4765
Variability of Note Durations 0.3263
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 7.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2066
Strength of Second Strongest Rhythmic Pulse 0.203
Strength Ratio of Two Strongest Rhythmic Pulses 1.018
Combined Strength of Two Strongest Rhythmic Pulses 0.4096
Rhythmic Variability 0.03214
Rhythmic Looseness 0.0
Polyrhythms 0.4286
Tempo Variability 0.0
Duration in Seconds 118.7
Note Density 8.122
Note Density Variability 2.09
Average Time Between Attacks 0.2825
Average Time Between Attacks for Each Voice 0.2825
Variability of Time Between Attacks 0.1139
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.05809
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.05571
Average Number of Independent Voices 1.0
Similar Motion 0.1309
Contrary Motion 0.1662
Oblique Motion 0.6472
Parallel Fifths 0.004643
Parallel Octaves 0.001857
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0