| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1944 |
| Prevalence of Second Most Common Vertical Interval |
0.1769 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9099 |
| Vertical Unisons |
0.04546 |
| Vertical Minor Seconds |
0.005096 |
| Vertical Thirds |
0.3264 |
| Vertical Tritones |
0.009757 |
| Vertical Perfect Fourths |
0.09498 |
| Vertical Perfect Fifths |
0.1663 |
| Vertical Sixths |
0.1391 |
| Vertical Sevenths |
0.03438 |
| Vertical Octaves |
0.1489 |
| Perfect Vertical Intervals |
0.4557 |
| Vertical Dissonance Ratio |
0.08561 |
| Vertical Minor Third Prevalence |
0.4494 |
| Vertical Major Third Prevalence |
0.3557 |
| Chord Duration |
1.878 |
| Partial Chords |
0.4758 |
| Standard Triads |
0.3365 |
| Diminished and Augmented Triads |
0.02405 |
| Dominant Seventh Chords |
0.003749 |
| Seventh Chords |
0.015 |
| Non-Standard Chords |
0.1728 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8601 |
| Average Number of Simultaneous Pitch Classes |
2.432 |
| Variability of Number of Simultaneous Pitch Classes |
0.6823 |
| Average Number of Simultaneous Pitches |
2.905 |
| Variability of Number of Simultaneous Pitches |
0.7934 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.613 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
141.9 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2275 |
| Stepwise Motion |
0.735 |
| Melodic Thirds |
0.13 |
| Melodic Perfect Fourths |
0.0525 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02917 |
| Melodic Sixths |
0.0008333 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01583 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.588 |
| Melodic Embellishments |
0.03073 |
| Direction of Melodic Motion |
0.4507 |
| Average Length of Melodic Arcs |
2.223 |
| Average Interval Spanned by Melodic Arcs |
5.329 |
| Melodic Pitch Variety |
5.801 |
| Mean Melodic Interval |
2.325 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5075 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4483 |
| Amount of Arpeggiation |
0.2117 |
| Repeated Notes |
0.03667 |
| Importance of Middle Register |
0.657 |
| Importance of High Register |
0.006645 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
56.91 |
| Mean Pitch Class |
5.12 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1038 |
| Prevalence of Most Common Pitch Class |
0.2027 |
| Relative Prevalence of Top Pitches |
0.944 |
| Relative Prevalence of Top Pitch Classes |
0.7828 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.903 |
| Pitch Class Variability |
3.471 |
| Pitch Class Variability After Folding |
3.197 |
| Pitch Skewness |
0.2545 |
| Pitch Class Skewness |
0.1041 |
| Pitch Class Skewness After Folding |
0.4325 |
| Pitch Kurtosis |
5.369 |
| Pitch Class Kurtosis |
4.866 |
| Pitch Class Kurtosis After Folding |
6.947 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.3364 |
| Note Density per Quarter Note |
1.037 |
| Note Density per Quarter Note per Voice |
0.2593 |
| Note Density per Quarter Note Variability |
0.4468 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5208 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7791 |
| Prevalence of Very Long Rhythmic Values |
0.08472 |
| Prevalence of Dotted Notes |
0.137 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.94 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.2998 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9945 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.828 |
| Rhythmic Value Skewness |
1.543 |
| Rhythmic Value Kurtosis |
9.087 |
| Mean Rhythmic Value Run Length |
1.507 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.9256 |
| Mean Rhythmic Value Offset |
0.01329 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2016 |
| Complete Rests Fraction |
0.0008542 |
| Partial Rests Fraction |
0.6968 |
| Average Rest Fraction Across Voices |
0.236 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
440.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
19.93 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
59.27 |
| Variability Across Voices of Combined Rests |
259.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5295 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2314 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.288 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.761 |
| Rhythmic Variability - Tempo Standardized |
0.04852 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1204.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.99 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6139 |
| Variability of Note Durations |
0.3934 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
6.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2518 |
| Strength of Second Strongest Rhythmic Pulse |
0.2467 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.021 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4985 |
| Rhythmic Variability |
0.03441 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.3333 |
| Tempo Variability |
0.0000000002404 |
| Duration in Seconds |
241.9 |
| Note Density |
4.978 |
| Note Density Variability |
1.67 |
| Average Time Between Attacks |
0.3727 |
| Average Time Between Attacks for Each Voice |
1.101 |
| Variability of Time Between Attacks |
0.2138 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6129 |
| Relative Range Isolation of Loudest Voice |
0.2521 |
| Relative Range of Highest Line |
0.6129 |
| Relative Note Density of Highest Line |
0.2126 |
| Relative Note Durations of Lowest Line |
1.001 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8646 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.05325 |
| Average Number of Independent Voices |
3.059 |
| Similar Motion |
0.1319 |
| Contrary Motion |
0.1716 |
| Oblique Motion |
0.6433 |
| Parallel Fifths |
0.004227 |
| Parallel Octaves |
0.001691 |
| Variability of Number of Independent Voices |
0.7922 |
| Voice Equality - Number of Notes |
141.9 |
| Voice Equality - Note Duration |
53.96 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
3.317 |
| Importance of Loudest Voice |
11.67 |