| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2248 |
| Prevalence of Second Most Common Vertical Interval |
0.1837 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.817 |
| Vertical Unisons |
0.02905 |
| Vertical Minor Seconds |
0.001073 |
| Vertical Thirds |
0.3124 |
| Vertical Tritones |
0.001571 |
| Vertical Perfect Fourths |
0.1173 |
| Vertical Perfect Fifths |
0.1837 |
| Vertical Sixths |
0.1136 |
| Vertical Sevenths |
0.02635 |
| Vertical Octaves |
0.1957 |
| Perfect Vertical Intervals |
0.5258 |
| Vertical Dissonance Ratio |
0.05072 |
| Vertical Minor Third Prevalence |
0.5174 |
| Vertical Major Third Prevalence |
0.6017 |
| Chord Duration |
2.128 |
| Partial Chords |
0.2827 |
| Standard Triads |
0.5476 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.005952 |
| Seventh Chords |
0.02083 |
| Non-Standard Chords |
0.1488 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.2778 |
| Average Number of Simultaneous Pitch Classes |
2.724 |
| Variability of Number of Simultaneous Pitch Classes |
0.5826 |
| Average Number of Simultaneous Pitches |
3.631 |
| Variability of Number of Simultaneous Pitches |
0.629 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
7.65 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
16.31 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1912 |
| Stepwise Motion |
0.6569 |
| Melodic Thirds |
0.1373 |
| Melodic Perfect Fourths |
0.08333 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07353 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004902 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.435 |
| Melodic Embellishments |
0.01942 |
| Direction of Melodic Motion |
0.4769 |
| Average Length of Melodic Arcs |
1.94 |
| Average Interval Spanned by Melodic Arcs |
5.139 |
| Melodic Pitch Variety |
5.112 |
| Mean Melodic Interval |
2.581 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4657 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4105 |
| Amount of Arpeggiation |
0.2598 |
| Repeated Notes |
0.04412 |
| Importance of Middle Register |
0.8204 |
| Importance of High Register |
0.04369 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.55 |
| Mean Pitch Class |
4.726 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1189 |
| Prevalence of Most Common Pitch Class |
0.1942 |
| Relative Prevalence of Top Pitches |
0.9592 |
| Relative Prevalence of Top Pitch Classes |
0.975 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.952 |
| Pitch Class Variability |
3.466 |
| Pitch Class Variability After Folding |
3.26 |
| Pitch Skewness |
0.133 |
| Pitch Class Skewness |
-0.2374 |
| Pitch Class Skewness After Folding |
1.047 |
| Pitch Kurtosis |
5.535 |
| Pitch Class Kurtosis |
5.004 |
| Pitch Class Kurtosis After Folding |
7.182 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1359 |
| Note Density per Quarter Note |
1.194 |
| Note Density per Quarter Note per Voice |
0.2986 |
| Note Density per Quarter Note Variability |
0.5301 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5437 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8325 |
| Prevalence of Very Long Rhythmic Values |
0.1141 |
| Prevalence of Dotted Notes |
0.08738 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.117 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3762 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7871 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.014 |
| Rhythmic Value Skewness |
1.663 |
| Rhythmic Value Kurtosis |
8.791 |
| Mean Rhythmic Value Run Length |
1.731 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.251 |
| Mean Rhythmic Value Offset |
0.04854 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6526 |
| Complete Rests Fraction |
0.002874 |
| Partial Rests Fraction |
0.1652 |
| Average Rest Fraction Across Voices |
0.05505 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
28.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
3.998 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.308 |
| Variability Across Voices of Combined Rests |
10.95 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6339 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1896 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.344 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8235 |
| Rhythmic Variability - Tempo Standardized |
0.05378 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
412.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7746 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
6.207 |
| Average Note Duration |
0.8185 |
| Variability of Note Durations |
0.5979 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.4293 |
| Strength of Second Strongest Rhythmic Pulse |
0.3633 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.181 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7926 |
| Rhythmic Variability |
0.04553 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.00000000005701 |
| Duration in Seconds |
89.22 |
| Note Density |
4.618 |
| Note Density Variability |
1.609 |
| Average Time Between Attacks |
0.506 |
| Average Time Between Attacks for Each Voice |
0.8648 |
| Variability of Time Between Attacks |
0.3046 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.4603 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.6602 |
| Relative Note Durations of Lowest Line |
1.111 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7233 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
3.512 |
| Parallel Motion |
0.06019 |
| Average Number of Independent Voices |
3.791 |
| Similar Motion |
0.1553 |
| Contrary Motion |
0.2155 |
| Oblique Motion |
0.5689 |
| Parallel Fifths |
0.001942 |
| Parallel Octaves |
0.001942 |
| Variability of Number of Independent Voices |
0.5308 |
| Voice Equality - Number of Notes |
16.31 |
| Voice Equality - Note Duration |
2.833 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
11.67 |