| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2108 |
| Prevalence of Second Most Common Vertical Interval |
0.1929 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9152 |
| Vertical Unisons |
0.01849 |
| Vertical Minor Seconds |
0.002942 |
| Vertical Thirds |
0.3188 |
| Vertical Tritones |
0.0067 |
| Vertical Perfect Fourths |
0.08326 |
| Vertical Perfect Fifths |
0.1929 |
| Vertical Sixths |
0.1403 |
| Vertical Sevenths |
0.02414 |
| Vertical Octaves |
0.1923 |
| Perfect Vertical Intervals |
0.4869 |
| Vertical Dissonance Ratio |
0.05702 |
| Vertical Minor Third Prevalence |
0.4912 |
| Vertical Major Third Prevalence |
0.4962 |
| Chord Duration |
2.479 |
| Partial Chords |
0.3459 |
| Standard Triads |
0.5044 |
| Diminished and Augmented Triads |
0.01217 |
| Dominant Seventh Chords |
0.001315 |
| Seventh Chords |
0.0125 |
| Non-Standard Chords |
0.1371 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.239 |
| Average Number of Simultaneous Pitch Classes |
2.616 |
| Variability of Number of Simultaneous Pitch Classes |
0.6418 |
| Average Number of Simultaneous Pitches |
3.4 |
| Variability of Number of Simultaneous Pitches |
0.7366 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
9.102 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
480.1 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2021 |
| Stepwise Motion |
0.6461 |
| Melodic Thirds |
0.1555 |
| Melodic Perfect Fourths |
0.07042 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06614 |
| Melodic Sixths |
0.001225 |
| Melodic Sevenths |
0.0006124 |
| Melodic Octaves |
0.01408 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.953 |
| Melodic Embellishments |
0.02016 |
| Direction of Melodic Motion |
0.4544 |
| Average Length of Melodic Arcs |
1.977 |
| Average Interval Spanned by Melodic Arcs |
5.387 |
| Melodic Pitch Variety |
5.556 |
| Mean Melodic Interval |
2.61 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.444 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4552 |
| Amount of Arpeggiation |
0.2823 |
| Repeated Notes |
0.04593 |
| Importance of Middle Register |
0.6995 |
| Importance of High Register |
0.011 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.08 |
| Mean Pitch Class |
5.571 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1038 |
| Prevalence of Most Common Pitch Class |
0.2034 |
| Relative Prevalence of Top Pitches |
0.8412 |
| Relative Prevalence of Top Pitch Classes |
0.9009 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.92 |
| Pitch Class Variability |
3.401 |
| Pitch Class Variability After Folding |
4.037 |
| Pitch Skewness |
0.1742 |
| Pitch Class Skewness |
-1.261 |
| Pitch Class Skewness After Folding |
1.014 |
| Pitch Kurtosis |
5.144 |
| Pitch Class Kurtosis |
4.703 |
| Pitch Class Kurtosis After Folding |
4.736 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2896 |
| Note Density per Quarter Note |
1.025 |
| Note Density per Quarter Note per Voice |
0.2563 |
| Note Density per Quarter Note Variability |
0.5077 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0171 |
| Prevalence of Medium Rhythmic Values |
0.4863 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8375 |
| Prevalence of Very Long Rhythmic Values |
0.1301 |
| Prevalence of Dotted Notes |
0.1093 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.34 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3335 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9707 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.263 |
| Rhythmic Value Skewness |
0.4511 |
| Rhythmic Value Kurtosis |
9.344 |
| Mean Rhythmic Value Run Length |
1.654 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.167 |
| Mean Rhythmic Value Offset |
0.05864 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7107 |
| Complete Rests Fraction |
0.0003885 |
| Partial Rests Fraction |
0.407 |
| Average Rest Fraction Across Voices |
0.131 |
| Longest Complete Rest |
0.6204 |
| Longest Partial Rest |
167.8 |
| Mean Complete Rest Duration |
0.6204 |
| Mean Partial Rest Duration |
10.73 |
| Median Complete Rest Duration |
0.6204 |
| Median Partial Rest Duration |
2.368 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
26.07 |
| Variability Across Voices of Combined Rests |
141.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5852 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.201 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.912 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7862 |
| Rhythmic Variability - Tempo Standardized |
0.0509 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
1637.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.477 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.7408 |
| Variability of Note Durations |
0.5477 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
6.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
286.9 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2921 |
| Strength of Second Strongest Rhythmic Pulse |
0.2431 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.202 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5352 |
| Rhythmic Variability |
0.03558 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
67.39 |
| Duration in Seconds |
348.9 |
| Note Density |
4.692 |
| Note Density Variability |
1.346 |
| Average Time Between Attacks |
0.4325 |
| Average Time Between Attacks for Each Voice |
0.9021 |
| Variability of Time Between Attacks |
0.2423 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4545 |
| Relative Range Isolation of Loudest Voice |
0.4405 |
| Relative Range of Highest Line |
0.4545 |
| Relative Note Density of Highest Line |
0.1637 |
| Relative Note Durations of Lowest Line |
1.03 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.7318 |
| Voice Separation |
6.333 |
| Variability of Voice Separation |
3.786 |
| Parallel Motion |
0.04591 |
| Average Number of Independent Voices |
3.486 |
| Similar Motion |
0.1391 |
| Contrary Motion |
0.2243 |
| Oblique Motion |
0.5906 |
| Parallel Fifths |
0.00142 |
| Parallel Octaves |
0.002366 |
| Variability of Number of Independent Voices |
0.7083 |
| Voice Equality - Number of Notes |
109.5 |
| Voice Equality - Note Duration |
30.89 |
| Voice Equality - Dynamics |
10.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
20.0 |