File

Last modified on: April 13, 2020, 5:06 p.m.

F164_27_Tromboncino_Quanta_mai_corrJ.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Quanta mai leggiadria, quanta beliate
File Type
Symbolic Music
File Format
midi
File Size
8.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1956
Prevalence of Second Most Common Vertical Interval 0.1879
Prevalence Ratio of Two Most Common Vertical Intervals 0.9607
Vertical Unisons 0.01762
Vertical Minor Seconds 0.003927
Vertical Thirds 0.3082
Vertical Tritones 0.009309
Vertical Perfect Fourths 0.1317
Vertical Perfect Fifths 0.1956
Vertical Sixths 0.1
Vertical Sevenths 0.03146
Vertical Octaves 0.1703
Perfect Vertical Intervals 0.5151
Vertical Dissonance Ratio 0.08296
Vertical Minor Third Prevalence 0.6076
Vertical Major Third Prevalence 0.5649
Chord Duration 1.693
Partial Chords 0.1807
Standard Triads 0.5531
Diminished and Augmented Triads 0.02219
Dominant Seventh Chords 0.004754
Seventh Chords 0.03011
Non-Standard Chords 0.2361
Complex Chords 0.0
Minor Major Triad Ratio 0.8763
Average Number of Simultaneous Pitch Classes 2.894
Variability of Number of Simultaneous Pitch Classes 0.503
Average Number of Simultaneous Pitches 3.778
Variability of Number of Simultaneous Pitches 0.4375
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 4.0
Variation of Dynamics 1.765
Variation of Dynamics In Each Voice 1.764
Average Note to Note Change in Dynamics 2.025
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1771
Stepwise Motion 0.5781
Melodic Thirds 0.08229
Melodic Perfect Fourths 0.08021
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05937
Melodic Sixths 0.002083
Melodic Sevenths 0.0
Melodic Octaves 0.01458
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.591
Melodic Embellishments 0.01452
Direction of Melodic Motion 0.4694
Average Length of Melodic Arcs 1.836
Average Interval Spanned by Melodic Arcs 5.037
Melodic Pitch Variety 4.807
Mean Melodic Interval 2.257
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.401
Relative Prevalence of Most Common Melodic Intervals 0.4571
Amount of Arpeggiation 0.3396
Repeated Notes 0.1833
Importance of Middle Register 0.667
Importance of High Register 0.0
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 55.68
Mean Pitch Class 5.082
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1297
Prevalence of Most Common Pitch Class 0.1909
Relative Prevalence of Top Pitches 0.832
Relative Prevalence of Top Pitch Classes 0.913
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.289
Pitch Class Variability 3.617
Pitch Class Variability After Folding 2.926
Pitch Skewness -0.3132
Pitch Class Skewness 0.06798
Pitch Class Skewness After Folding 1.009
Pitch Kurtosis 5.394
Pitch Class Kurtosis 4.805
Pitch Class Kurtosis After Folding 8.07
Major or Minor 0.0
First Pitch 45.0
First Pitch Class 9.0
Last Pitch 52.0
Last Pitch Class 4.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 0.0
Range 28.0
Importance of Bass Register 0.333
Note Density per Quarter Note 1.525
Note Density per Quarter Note per Voice 0.3813
Note Density per Quarter Note Variability 0.5114
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.6432
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7552
Prevalence of Very Long Rhythmic Values 0.01867
Prevalence of Dotted Notes 0.05809
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.508
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3983
Relative Prevalence of Most Common Rhythmic Values 0.724
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.461
Rhythmic Value Skewness 1.044
Rhythmic Value Kurtosis 15.11
Mean Rhythmic Value Run Length 2.152
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.93
Mean Rhythmic Value Offset 0.0332
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.5145
Complete Rests Fraction 1.648e-06
Partial Rests Fraction 0.1203
Average Rest Fraction Across Voices 0.03086
Longest Complete Rest 0.0
Longest Partial Rest 4.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 2.167
Median Complete Rest Duration 0.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.5606
Variability Across Voices of Combined Rests 21.25
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5852
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2083
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.81
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7935
Rhythmic Variability - Tempo Standardized 0.05138
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 964.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.2584
Minimum Note Duration 0.1875
Maximum Note Duration 3.75
Average Note Duration 0.4765
Variability of Note Durations 0.3263
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 7.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.208
Strength of Second Strongest Rhythmic Pulse 0.2056
Strength Ratio of Two Strongest Rhythmic Pulses 1.012
Combined Strength of Two Strongest Rhythmic Pulses 0.4137
Rhythmic Variability 0.03223
Rhythmic Looseness 0.0
Polyrhythms 0.4286
Tempo Variability 0.0
Duration in Seconds 118.5
Note Density 8.135
Note Density Variability 2.08
Average Time Between Attacks 0.2824
Average Time Between Attacks for Each Voice 0.489
Variability of Time Between Attacks 0.1139
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.6429
Relative Range Isolation of Loudest Voice 0.4684
Relative Range of Highest Line 0.4286
Relative Note Density of Highest Line 0.2573
Relative Note Durations of Lowest Line 1.296
Relative Size of Melodic Intervals in Lowest Line 0.5
Voice Overlap 0.8994
Voice Separation 5.0
Variability of Voice Separation 4.583
Parallel Motion 0.05571
Average Number of Independent Voices 3.877
Similar Motion 0.1309
Contrary Motion 0.1662
Oblique Motion 0.6472
Parallel Fifths 0.004643
Parallel Octaves 0.001857
Variability of Number of Independent Voices 0.3384
Voice Equality - Number of Notes 40.74
Voice Equality - Note Duration 3.985
Voice Equality - Dynamics 0.5
Voice Equality - Melodic Leaps 0.8165
Voice Equality - Range 3.109
Importance of Loudest Voice 1.0