| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2164 |
| Prevalence of Second Most Common Vertical Interval |
0.176 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8136 |
| Vertical Unisons |
0.03559 |
| Vertical Minor Seconds |
0.007771 |
| Vertical Thirds |
0.298 |
| Vertical Tritones |
0.01803 |
| Vertical Perfect Fourths |
0.09694 |
| Vertical Perfect Fifths |
0.176 |
| Vertical Sixths |
0.1292 |
| Vertical Sevenths |
0.03245 |
| Vertical Octaves |
0.1808 |
| Perfect Vertical Intervals |
0.4893 |
| Vertical Dissonance Ratio |
0.0911 |
| Vertical Minor Third Prevalence |
0.391 |
| Vertical Major Third Prevalence |
0.4339 |
| Chord Duration |
1.794 |
| Partial Chords |
0.4202 |
| Standard Triads |
0.3542 |
| Diminished and Augmented Triads |
0.03859 |
| Dominant Seventh Chords |
0.002144 |
| Seventh Chords |
0.02036 |
| Non-Standard Chords |
0.2053 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3167 |
| Average Number of Simultaneous Pitch Classes |
2.499 |
| Variability of Number of Simultaneous Pitch Classes |
0.7068 |
| Average Number of Simultaneous Pitches |
3.139 |
| Variability of Number of Simultaneous Pitches |
0.868 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
10.0 |
| Variation of Dynamics |
3.308 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
274.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
2.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2047 |
| Stepwise Motion |
0.6955 |
| Melodic Thirds |
0.1417 |
| Melodic Perfect Fourths |
0.06562 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04593 |
| Melodic Sixths |
0.003937 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01575 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.273 |
| Melodic Embellishments |
0.03394 |
| Direction of Melodic Motion |
0.4824 |
| Average Length of Melodic Arcs |
1.927 |
| Average Interval Spanned by Melodic Arcs |
4.979 |
| Melodic Pitch Variety |
5.173 |
| Mean Melodic Interval |
2.526 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4908 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4171 |
| Amount of Arpeggiation |
0.2349 |
| Repeated Notes |
0.0315 |
| Importance of Middle Register |
0.5653 |
| Importance of High Register |
0.002611 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
55.49 |
| Mean Pitch Class |
5.103 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1214 |
| Prevalence of Most Common Pitch Class |
0.2206 |
| Relative Prevalence of Top Pitches |
0.7957 |
| Relative Prevalence of Top Pitch Classes |
0.8521 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.61 |
| Pitch Class Variability |
3.522 |
| Pitch Class Variability After Folding |
3.249 |
| Pitch Skewness |
0.37 |
| Pitch Class Skewness |
0.08785 |
| Pitch Class Skewness After Folding |
1.05 |
| Pitch Kurtosis |
5.275 |
| Pitch Class Kurtosis |
4.91 |
| Pitch Class Kurtosis After Folding |
7.102 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.4321 |
| Note Density per Quarter Note |
1.125 |
| Note Density per Quarter Note per Voice |
0.2812 |
| Note Density per Quarter Note Variability |
0.4875 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5444 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7924 |
| Prevalence of Very Long Rhythmic Values |
0.06789 |
| Prevalence of Dotted Notes |
0.1266 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.894 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3368 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9109 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.789 |
| Rhythmic Value Skewness |
1.5 |
| Rhythmic Value Kurtosis |
10.8 |
| Mean Rhythmic Value Run Length |
1.633 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.061 |
| Mean Rhythmic Value Offset |
0.01958 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2103 |
| Complete Rests Fraction |
0.00733 |
| Partial Rests Fraction |
0.5125 |
| Average Rest Fraction Across Voices |
0.1857 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
48.0 |
| Mean Complete Rest Duration |
2.496 |
| Mean Partial Rest Duration |
9.547 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
2.127 |
| Variability of Partial Rest Durations |
13.43 |
| Variability Across Voices of Combined Rests |
51.49 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5678 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1906 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.979 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7584 |
| Rhythmic Variability - Tempo Standardized |
0.0493 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
766.0 |
| Initial Tempo |
288.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.9217 |
| Minimum Note Duration |
0.2083 |
| Maximum Note Duration |
3.333 |
| Average Note Duration |
0.6032 |
| Variability of Note Durations |
0.3863 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
288.0 |
| Strongest Rhythmic Pulse |
72.0 |
| Second Strongest Rhythmic Pulse |
48.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.2781 |
| Strength of Second Strongest Rhythmic Pulse |
0.2392 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.163 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5173 |
| Rhythmic Variability |
0.035 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.00000000004229 |
| Duration in Seconds |
141.9 |
| Note Density |
5.399 |
| Note Density Variability |
1.791 |
| Average Time Between Attacks |
0.3569 |
| Average Time Between Attacks for Each Voice |
0.7258 |
| Variability of Time Between Attacks |
0.1848 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5758 |
| Relative Range Isolation of Loudest Voice |
0.2698 |
| Relative Range of Highest Line |
0.5758 |
| Relative Note Density of Highest Line |
0.3394 |
| Relative Note Durations of Lowest Line |
0.8568 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9334 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
3.464 |
| Parallel Motion |
0.04181 |
| Average Number of Independent Voices |
3.281 |
| Similar Motion |
0.151 |
| Contrary Motion |
0.2195 |
| Oblique Motion |
0.5877 |
| Parallel Fifths |
0.002323 |
| Parallel Octaves |
0.003484 |
| Variability of Number of Independent Voices |
0.8182 |
| Voice Equality - Number of Notes |
38.13 |
| Voice Equality - Note Duration |
10.73 |
| Voice Equality - Dynamics |
4.082 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.155 |
| Importance of Loudest Voice |
6.667 |