| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.193 |
| Prevalence of Second Most Common Vertical Interval |
0.1913 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9911 |
| Vertical Unisons |
0.02486 |
| Vertical Minor Seconds |
0.003502 |
| Vertical Thirds |
0.3437 |
| Vertical Tritones |
0.0117 |
| Vertical Perfect Fourths |
0.08875 |
| Vertical Perfect Fifths |
0.1708 |
| Vertical Sixths |
0.147 |
| Vertical Sevenths |
0.02 |
| Vertical Octaves |
0.1664 |
| Perfect Vertical Intervals |
0.4509 |
| Vertical Dissonance Ratio |
0.06199 |
| Vertical Minor Third Prevalence |
0.44 |
| Vertical Major Third Prevalence |
0.5127 |
| Chord Duration |
1.967 |
| Partial Chords |
0.4165 |
| Standard Triads |
0.4423 |
| Diminished and Augmented Triads |
0.02584 |
| Dominant Seventh Chords |
0.001292 |
| Seventh Chords |
0.01421 |
| Non-Standard Chords |
0.127 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4798 |
| Average Number of Simultaneous Pitch Classes |
2.535 |
| Variability of Number of Simultaneous Pitch Classes |
0.6458 |
| Average Number of Simultaneous Pitches |
3.117 |
| Variability of Number of Simultaneous Pitches |
0.7724 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
5.474 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
89.21 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2136 |
| Stepwise Motion |
0.6697 |
| Melodic Thirds |
0.1524 |
| Melodic Perfect Fourths |
0.05427 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05196 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0127 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.22 |
| Melodic Embellishments |
0.02069 |
| Direction of Melodic Motion |
0.4687 |
| Average Length of Melodic Arcs |
2.084 |
| Average Interval Spanned by Melodic Arcs |
5.292 |
| Melodic Pitch Variety |
5.488 |
| Mean Melodic Interval |
2.418 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4561 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4684 |
| Amount of Arpeggiation |
0.276 |
| Repeated Notes |
0.05889 |
| Importance of Middle Register |
0.8276 |
| Importance of High Register |
0.04713 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
61.47 |
| Mean Pitch Class |
5.03 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1184 |
| Prevalence of Most Common Pitch Class |
0.1989 |
| Relative Prevalence of Top Pitches |
0.8058 |
| Relative Prevalence of Top Pitch Classes |
0.8728 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.842 |
| Pitch Class Variability |
3.676 |
| Pitch Class Variability After Folding |
3.187 |
| Pitch Skewness |
-0.02621 |
| Pitch Class Skewness |
0.02439 |
| Pitch Class Skewness After Folding |
1.086 |
| Pitch Kurtosis |
5.47 |
| Pitch Class Kurtosis |
4.781 |
| Pitch Class Kurtosis After Folding |
7.096 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1253 |
| Note Density per Quarter Note |
1.065 |
| Note Density per Quarter Note per Voice |
0.2662 |
| Note Density per Quarter Note Variability |
0.3776 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.4736 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8264 |
| Prevalence of Very Long Rhythmic Values |
0.1149 |
| Prevalence of Dotted Notes |
0.2759 |
| Shortest Rhythmic Value |
0.75 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.07 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7931 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.811 |
| Rhythmic Value Skewness |
0.1161 |
| Rhythmic Value Kurtosis |
9.057 |
| Mean Rhythmic Value Run Length |
1.663 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.175 |
| Mean Rhythmic Value Offset |
0.08621 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2828 |
| Complete Rests Fraction |
0.001214 |
| Partial Rests Fraction |
0.6034 |
| Average Rest Fraction Across Voices |
0.1983 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
416.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
15.07 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.667 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
63.86 |
| Variability Across Voices of Combined Rests |
202.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
4.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
45.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.333 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.459 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1955 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.348 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.6545 |
| Rhythmic Variability - Tempo Standardized |
0.04254 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
870.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.506 |
| Minimum Note Duration |
0.1724 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.7788 |
| Variability of Note Durations |
0.4822 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.3375 |
| Strength of Second Strongest Rhythmic Pulse |
0.2532 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.333 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5906 |
| Rhythmic Variability |
0.03616 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.5 |
| Tempo Variability |
0.0000000001712 |
| Duration in Seconds |
211.3 |
| Note Density |
4.118 |
| Note Density Variability |
1.155 |
| Average Time Between Attacks |
0.4849 |
| Average Time Between Attacks for Each Voice |
1.196 |
| Variability of Time Between Attacks |
0.2435 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.5107 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.3172 |
| Relative Note Durations of Lowest Line |
1.045 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7667 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
3.464 |
| Parallel Motion |
0.04579 |
| Average Number of Independent Voices |
3.211 |
| Similar Motion |
0.1582 |
| Contrary Motion |
0.2456 |
| Oblique Motion |
0.5505 |
| Parallel Fifths |
0.004162 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7473 |
| Voice Equality - Number of Notes |
89.21 |
| Voice Equality - Note Duration |
52.37 |
| Voice Equality - Dynamics |
8.66 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.986 |
| Importance of Loudest Voice |
10.0 |