| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1754 |
| Prevalence of Second Most Common Vertical Interval |
0.1603 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9138 |
| Vertical Unisons |
0.01478 |
| Vertical Minor Seconds |
0.0024 |
| Vertical Thirds |
0.2962 |
| Vertical Tritones |
0.01101 |
| Vertical Perfect Fourths |
0.1243 |
| Vertical Perfect Fifths |
0.1462 |
| Vertical Sixths |
0.1855 |
| Vertical Sevenths |
0.03981 |
| Vertical Octaves |
0.1606 |
| Perfect Vertical Intervals |
0.4459 |
| Vertical Dissonance Ratio |
0.078 |
| Vertical Minor Third Prevalence |
0.3053 |
| Vertical Major Third Prevalence |
0.3381 |
| Chord Duration |
2.123 |
| Partial Chords |
0.6095 |
| Standard Triads |
0.2625 |
| Diminished and Augmented Triads |
0.01952 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.128 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6806 |
| Average Number of Simultaneous Pitch Classes |
2.314 |
| Variability of Number of Simultaneous Pitch Classes |
0.5709 |
| Average Number of Simultaneous Pitches |
2.709 |
| Variability of Number of Simultaneous Pitches |
0.489 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.103 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
24.58 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
3.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2414 |
| Stepwise Motion |
0.7701 |
| Melodic Thirds |
0.1172 |
| Melodic Perfect Fourths |
0.04598 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02759 |
| Melodic Sixths |
0.002299 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009195 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.318 |
| Melodic Embellishments |
0.0274 |
| Direction of Melodic Motion |
0.5059 |
| Average Length of Melodic Arcs |
2.014 |
| Average Interval Spanned by Melodic Arcs |
4.633 |
| Melodic Pitch Variety |
4.896 |
| Mean Melodic Interval |
2.253 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.5287 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4565 |
| Amount of Arpeggiation |
0.1816 |
| Repeated Notes |
0.02759 |
| Importance of Middle Register |
0.8584 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
60.21 |
| Mean Pitch Class |
5.788 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1073 |
| Prevalence of Most Common Pitch Class |
0.1918 |
| Relative Prevalence of Top Pitches |
0.9574 |
| Relative Prevalence of Top Pitch Classes |
0.9048 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
5.86 |
| Pitch Class Variability |
3.521 |
| Pitch Class Variability After Folding |
2.902 |
| Pitch Skewness |
0.3541 |
| Pitch Class Skewness |
-1.033 |
| Pitch Class Skewness After Folding |
0.3187 |
| Pitch Kurtosis |
5.15 |
| Pitch Class Kurtosis |
4.908 |
| Pitch Class Kurtosis After Folding |
7.639 |
| Major or Minor |
0.0 |
| First Pitch |
52.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
24.0 |
| Importance of Bass Register |
0.1416 |
| Note Density per Quarter Note |
0.8957 |
| Note Density per Quarter Note per Voice |
0.2986 |
| Note Density per Quarter Note Variability |
0.366 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.468 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8699 |
| Prevalence of Very Long Rhythmic Values |
0.04795 |
| Prevalence of Dotted Notes |
0.09132 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.041 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4132 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8177 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.573 |
| Rhythmic Value Skewness |
0.07838 |
| Rhythmic Value Kurtosis |
11.36 |
| Mean Rhythmic Value Run Length |
1.604 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.236 |
| Mean Rhythmic Value Offset |
0.01826 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.27 |
| Complete Rests Fraction |
0.002028 |
| Partial Rests Fraction |
0.2393 |
| Average Rest Fraction Across Voices |
0.08656 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
16.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
5.772 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.65 |
| Variability Across Voices of Combined Rests |
30.62 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6301 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1939 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.25 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.824 |
| Rhythmic Variability - Tempo Standardized |
0.05359 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
438.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.6687 |
| Minimum Note Duration |
0.2586 |
| Maximum Note Duration |
4.138 |
| Average Note Duration |
0.7912 |
| Variability of Note Durations |
0.4385 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
232.0 |
| Strongest Rhythmic Pulse |
58.0 |
| Second Strongest Rhythmic Pulse |
116.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.4465 |
| Strength of Second Strongest Rhythmic Pulse |
0.3509 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.272 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7975 |
| Rhythmic Variability |
0.04589 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0000000001339 |
| Duration in Seconds |
126.5 |
| Note Density |
3.463 |
| Note Density Variability |
0.8604 |
| Average Time Between Attacks |
0.5328 |
| Average Time Between Attacks for Each Voice |
0.8766 |
| Variability of Time Between Attacks |
0.2758 |
| Maximum Number of Independent Voices |
3.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.4412 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.4589 |
| Relative Note Durations of Lowest Line |
1.091 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.8584 |
| Voice Separation |
5.5 |
| Variability of Voice Separation |
4.95 |
| Parallel Motion |
0.1083 |
| Average Number of Independent Voices |
2.746 |
| Similar Motion |
0.1567 |
| Contrary Motion |
0.2258 |
| Oblique Motion |
0.5092 |
| Parallel Fifths |
0.01613 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4715 |
| Voice Equality - Number of Notes |
24.58 |
| Voice Equality - Note Duration |
7.918 |
| Voice Equality - Dynamics |
10.41 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
4.041 |
| Importance of Loudest Voice |
12.5 |