| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2135 |
| Prevalence of Second Most Common Vertical Interval |
0.1693 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.793 |
| Vertical Unisons |
0.02065 |
| Vertical Minor Seconds |
0.004195 |
| Vertical Thirds |
0.3052 |
| Vertical Tritones |
0.01414 |
| Vertical Perfect Fourths |
0.08192 |
| Vertical Perfect Fifths |
0.1693 |
| Vertical Sixths |
0.1553 |
| Vertical Sevenths |
0.03289 |
| Vertical Octaves |
0.1928 |
| Perfect Vertical Intervals |
0.4647 |
| Vertical Dissonance Ratio |
0.08082 |
| Vertical Minor Third Prevalence |
0.4006 |
| Vertical Major Third Prevalence |
0.3512 |
| Chord Duration |
2.173 |
| Partial Chords |
0.5077 |
| Standard Triads |
0.3187 |
| Diminished and Augmented Triads |
0.02958 |
| Dominant Seventh Chords |
0.000814 |
| Seventh Chords |
0.008547 |
| Non-Standard Chords |
0.1651 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.046 |
| Average Number of Simultaneous Pitch Classes |
2.391 |
| Variability of Number of Simultaneous Pitch Classes |
0.66 |
| Average Number of Simultaneous Pitches |
2.965 |
| Variability of Number of Simultaneous Pitches |
0.7425 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
6.912 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
151.4 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2329 |
| Stepwise Motion |
0.6976 |
| Melodic Thirds |
0.1518 |
| Melodic Perfect Fourths |
0.05382 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03655 |
| Melodic Sixths |
0.001606 |
| Melodic Sevenths |
0.00241 |
| Melodic Octaves |
0.007631 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.897 |
| Melodic Embellishments |
0.02684 |
| Direction of Melodic Motion |
0.4639 |
| Average Length of Melodic Arcs |
1.955 |
| Average Interval Spanned by Melodic Arcs |
4.74 |
| Melodic Pitch Variety |
5.394 |
| Mean Melodic Interval |
2.311 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4647 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5013 |
| Amount of Arpeggiation |
0.247 |
| Repeated Notes |
0.04859 |
| Importance of Middle Register |
0.7448 |
| Importance of High Register |
0.01482 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.78 |
| Mean Pitch Class |
5.466 |
| Most Common Pitch |
55.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.09615 |
| Prevalence of Most Common Pitch Class |
0.2031 |
| Relative Prevalence of Top Pitches |
0.9917 |
| Relative Prevalence of Top Pitch Classes |
0.7653 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.491 |
| Pitch Class Variability |
3.395 |
| Pitch Class Variability After Folding |
4.081 |
| Pitch Skewness |
-0.3236 |
| Pitch Class Skewness |
-0.4719 |
| Pitch Class Skewness After Folding |
0.9875 |
| Pitch Kurtosis |
5.372 |
| Pitch Class Kurtosis |
4.753 |
| Pitch Class Kurtosis After Folding |
4.736 |
| Major or Minor |
0.0 |
| First Pitch |
74.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2404 |
| Note Density per Quarter Note |
0.9338 |
| Note Density per Quarter Note per Voice |
0.2334 |
| Note Density per Quarter Note Variability |
0.3974 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
10.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0008013 |
| Prevalence of Medium Rhythmic Values |
0.4996 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7961 |
| Prevalence of Very Long Rhythmic Values |
0.1094 |
| Prevalence of Dotted Notes |
0.1438 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.178 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.3077 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9609 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.127 |
| Rhythmic Value Skewness |
0.2512 |
| Rhythmic Value Kurtosis |
9.204 |
| Mean Rhythmic Value Run Length |
1.699 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.76 |
| Mean Rhythmic Value Offset |
0.09128 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9941 |
| Complete Rests Fraction |
0.0004091 |
| Partial Rests Fraction |
0.7323 |
| Average Rest Fraction Across Voices |
0.2419 |
| Longest Complete Rest |
1.093 |
| Longest Partial Rest |
273.5 |
| Mean Complete Rest Duration |
1.093 |
| Mean Partial Rest Duration |
15.96 |
| Median Complete Rest Duration |
1.093 |
| Median Partial Rest Duration |
7.106 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
27.31 |
| Variability Across Voices of Combined Rests |
223.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5477 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1869 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.93 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7346 |
| Rhythmic Variability - Tempo Standardized |
0.0478 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2496.0 |
| Initial Tempo |
232.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.025 |
| Minimum Note Duration |
0.1293 |
| Maximum Note Duration |
6.667 |
| Average Note Duration |
0.7632 |
| Variability of Note Durations |
0.5792 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
8.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
258.8 |
| Strongest Rhythmic Pulse |
64.0 |
| Second Strongest Rhythmic Pulse |
43.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
| Strength of Strongest Rhythmic Pulse |
0.2999 |
| Strength of Second Strongest Rhythmic Pulse |
0.2563 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.17 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.5561 |
| Rhythmic Variability |
0.0367 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
27.98 |
| Duration in Seconds |
626.9 |
| Note Density |
3.981 |
| Note Density Variability |
1.174 |
| Average Time Between Attacks |
0.4401 |
| Average Time Between Attacks for Each Voice |
1.042 |
| Variability of Time Between Attacks |
0.2461 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5882 |
| Relative Range Isolation of Loudest Voice |
0.439 |
| Relative Range of Highest Line |
0.5882 |
| Relative Note Density of Highest Line |
0.1074 |
| Relative Note Durations of Lowest Line |
1.075 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8297 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
3.464 |
| Parallel Motion |
0.04968 |
| Average Number of Independent Voices |
3.03 |
| Similar Motion |
0.1012 |
| Contrary Motion |
0.1818 |
| Oblique Motion |
0.6674 |
| Parallel Fifths |
0.00288 |
| Parallel Octaves |
0.0007199 |
| Variability of Number of Independent Voices |
0.7282 |
| Voice Equality - Number of Notes |
151.4 |
| Voice Equality - Note Duration |
52.4 |
| Voice Equality - Dynamics |
8.539 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.708 |
| Importance of Loudest Voice |
11.67 |