File

Last modified on: April 13, 2020, 8:42 p.m.

Mar3005-Fault_il_que_heur_soye.mid


Source
RenComp7
Musical Work
Fault il que heur soye
File Type
Symbolic Music
File Format
.mid
File Size
7.4 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2164
Prevalence of Second Most Common Vertical Interval 0.176
Prevalence Ratio of Two Most Common Vertical Intervals 0.8136
Vertical Unisons 0.03559
Vertical Minor Seconds 0.007771
Vertical Thirds 0.298
Vertical Tritones 0.01803
Vertical Perfect Fourths 0.09694
Vertical Perfect Fifths 0.176
Vertical Sixths 0.1292
Vertical Sevenths 0.03245
Vertical Octaves 0.1808
Perfect Vertical Intervals 0.4893
Vertical Dissonance Ratio 0.0911
Vertical Minor Third Prevalence 0.391
Vertical Major Third Prevalence 0.4339
Chord Duration 1.794
Partial Chords 0.4202
Standard Triads 0.3542
Diminished and Augmented Triads 0.03859
Dominant Seventh Chords 0.002144
Seventh Chords 0.02036
Non-Standard Chords 0.2053
Complex Chords 0.0
Minor Major Triad Ratio 0.3167
Average Number of Simultaneous Pitch Classes 2.499
Variability of Number of Simultaneous Pitch Classes 0.7068
Average Number of Simultaneous Pitches 3.139
Variability of Number of Simultaneous Pitches 0.868
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 10.0
Variation of Dynamics 3.308
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 274.4
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 2.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2047
Stepwise Motion 0.6955
Melodic Thirds 0.1417
Melodic Perfect Fourths 0.06562
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04593
Melodic Sixths 0.003937
Melodic Sevenths 0.0
Melodic Octaves 0.01575
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.273
Melodic Embellishments 0.03394
Direction of Melodic Motion 0.4824
Average Length of Melodic Arcs 1.927
Average Interval Spanned by Melodic Arcs 4.979
Melodic Pitch Variety 5.173
Mean Melodic Interval 2.526
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4908
Relative Prevalence of Most Common Melodic Intervals 0.4171
Amount of Arpeggiation 0.2349
Repeated Notes 0.0315
Importance of Middle Register 0.5653
Importance of High Register 0.002611
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 55.49
Mean Pitch Class 5.103
Most Common Pitch 55.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1214
Prevalence of Most Common Pitch Class 0.2206
Relative Prevalence of Top Pitches 0.7957
Relative Prevalence of Top Pitch Classes 0.8521
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.61
Pitch Class Variability 3.522
Pitch Class Variability After Folding 3.249
Pitch Skewness 0.37
Pitch Class Skewness 0.08785
Pitch Class Skewness After Folding 1.05
Pitch Kurtosis 5.275
Pitch Class Kurtosis 4.91
Pitch Class Kurtosis After Folding 7.102
Major or Minor 0.0
First Pitch 48.0
First Pitch Class 0.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 33.0
Importance of Bass Register 0.4321
Note Density per Quarter Note 1.125
Note Density per Quarter Note per Voice 0.2812
Note Density per Quarter Note Variability 0.4875
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5444
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7924
Prevalence of Very Long Rhythmic Values 0.06789
Prevalence of Dotted Notes 0.1266
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.894
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3368
Relative Prevalence of Most Common Rhythmic Values 0.9109
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.789
Rhythmic Value Skewness 1.5
Rhythmic Value Kurtosis 10.8
Mean Rhythmic Value Run Length 1.633
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.061
Mean Rhythmic Value Offset 0.01958
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.2103
Complete Rests Fraction 0.00733
Partial Rests Fraction 0.5125
Average Rest Fraction Across Voices 0.1857
Longest Complete Rest 4.0
Longest Partial Rest 48.0
Mean Complete Rest Duration 2.496
Mean Partial Rest Duration 9.547
Median Complete Rest Duration 4.0
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 2.127
Variability of Partial Rest Durations 13.43
Variability Across Voices of Combined Rests 51.49
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 5.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5678
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1906
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.979
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7584
Rhythmic Variability - Tempo Standardized 0.0493
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 766.0
Initial Tempo 288.0
Average Variability of Time Between Attacks for Each Voice 0.9217
Minimum Note Duration 0.2083
Maximum Note Duration 3.333
Average Note Duration 0.6032
Variability of Note Durations 0.3863
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 288.0
Strongest Rhythmic Pulse 72.0
Second Strongest Rhythmic Pulse 48.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.2781
Strength of Second Strongest Rhythmic Pulse 0.2392
Strength Ratio of Two Strongest Rhythmic Pulses 1.163
Combined Strength of Two Strongest Rhythmic Pulses 0.5173
Rhythmic Variability 0.035
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 4.229e-11
Duration in Seconds 141.9
Note Density 5.399
Note Density Variability 1.791
Average Time Between Attacks 0.3569
Average Time Between Attacks for Each Voice 0.7258
Variability of Time Between Attacks 0.1848
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5758
Relative Range Isolation of Loudest Voice 0.2698
Relative Range of Highest Line 0.5758
Relative Note Density of Highest Line 0.3394
Relative Note Durations of Lowest Line 0.8568
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.9334
Voice Separation 5.0
Variability of Voice Separation 3.464
Parallel Motion 0.04181
Average Number of Independent Voices 3.281
Similar Motion 0.151
Contrary Motion 0.2195
Oblique Motion 0.5877
Parallel Fifths 0.002323
Parallel Octaves 0.003484
Variability of Number of Independent Voices 0.8182
Voice Equality - Number of Notes 38.13
Voice Equality - Note Duration 10.73
Voice Equality - Dynamics 4.082
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.155
Importance of Loudest Voice 6.667