File

Last modified on: April 13, 2020, 8:43 p.m.

Mar1004d-Missa_Dio_te_salvi_Gotterello-Sanctus.mid


Source
RenComp7
Musical Work
Missa Dio te salvi Gotterello
Section
Sanctus
File Type
Symbolic Music
File Format
.mid
File Size
11.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.2007
Prevalence of Second Most Common Vertical Interval 0.1908
Prevalence Ratio of Two Most Common Vertical Intervals 0.9504
Vertical Unisons 0.03019
Vertical Minor Seconds 0.004168
Vertical Thirds 0.3266
Vertical Tritones 0.01024
Vertical Perfect Fourths 0.08234
Vertical Perfect Fifths 0.1692
Vertical Sixths 0.1524
Vertical Sevenths 0.03458
Vertical Octaves 0.1706
Perfect Vertical Intervals 0.4523
Vertical Dissonance Ratio 0.07385
Vertical Minor Third Prevalence 0.3952
Vertical Major Third Prevalence 0.3053
Chord Duration 3.43
Partial Chords 0.5848
Standard Triads 0.2932
Diminished and Augmented Triads 0.02033
Dominant Seventh Chords 0.003909
Seventh Chords 0.01173
Non-Standard Chords 0.1102
Complex Chords 0.0
Minor Major Triad Ratio 0.9036
Average Number of Simultaneous Pitch Classes 2.255
Variability of Number of Simultaneous Pitch Classes 0.7334
Average Number of Simultaneous Pitches 2.721
Variability of Number of Simultaneous Pitches 0.9318
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 3.0
Dynamic Range 20.0
Variation of Dynamics 6.714
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 1.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 80.01
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 4.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2111
Stepwise Motion 0.7142
Melodic Thirds 0.1284
Melodic Perfect Fourths 0.05629
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03342
Melodic Sixths 0.001759
Melodic Sevenths 0.0
Melodic Octaves 0.01143
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.056
Melodic Embellishments 0.01665
Direction of Melodic Motion 0.4465
Average Length of Melodic Arcs 1.976
Average Interval Spanned by Melodic Arcs 4.772
Melodic Pitch Variety 5.217
Mean Melodic Interval 2.301
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.5031
Relative Prevalence of Most Common Melodic Intervals 0.4196
Amount of Arpeggiation 0.2278
Repeated Notes 0.05453
Importance of Middle Register 0.6389
Importance of High Register 0.0008764
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 56.76
Mean Pitch Class 4.94
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1122
Prevalence of Most Common Pitch Class 0.2086
Relative Prevalence of Top Pitches 0.8828
Relative Prevalence of Top Pitch Classes 0.8067
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.476
Pitch Class Variability 3.305
Pitch Class Variability After Folding 3.441
Pitch Skewness 0.1311
Pitch Class Skewness -0.0549
Pitch Class Skewness After Folding 0.6823
Pitch Kurtosis 5.106
Pitch Class Kurtosis 4.937
Pitch Class Kurtosis After Folding 6.266
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.3602
Note Density per Quarter Note 0.7684
Note Density per Quarter Note per Voice 0.1921
Note Density per Quarter Note Variability 0.4615
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.001753
Prevalence of Medium Rhythmic Values 0.4373
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8896
Prevalence of Very Long Rhythmic Values 0.1788
Prevalence of Dotted Notes 0.1052
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.634
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.3479
Relative Prevalence of Most Common Rhythmic Values 0.9395
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.243
Rhythmic Value Skewness -0.4899
Rhythmic Value Kurtosis 7.527
Mean Rhythmic Value Run Length 1.546
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.139
Mean Rhythmic Value Offset 0.02454
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.6151
Complete Rests Fraction 0.0004706
Partial Rests Fraction 0.7126
Average Rest Fraction Across Voices 0.3223
Longest Complete Rest 0.6988
Longest Partial Rest 394.7
Mean Complete Rest Duration 0.6988
Mean Partial Rest Duration 31.9
Median Complete Rest Duration 0.6988
Median Partial Rest Duration 4.297
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 75.22
Variability Across Voices of Combined Rests 256.6
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6829
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1666
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 4.099
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8495
Rhythmic Variability - Tempo Standardized 0.05646
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 1141.0
Initial Tempo 232.0
Average Variability of Time Between Attacks for Each Voice 3.562
Minimum Note Duration 0.1293
Maximum Note Duration 8.276
Average Note Duration 0.6843
Variability of Note Durations 0.4264
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 3.0
Number of Moderate Rhythmic Pulses 6.0
Number of Relatively Strong Rhythmic Pulses 3.0
Mean Tempo 335.1
Strongest Rhythmic Pulse 78.0
Second Strongest Rhythmic Pulse 52.0
Harmonicity of Two Strongest Rhythmic Pulses 1.5
Strength of Strongest Rhythmic Pulse 0.3337
Strength of Second Strongest Rhythmic Pulse 0.2745
Strength Ratio of Two Strongest Rhythmic Pulses 1.216
Combined Strength of Two Strongest Rhythmic Pulses 0.6082
Rhythmic Variability 0.03889
Rhythmic Looseness 0.0
Polyrhythms 0.6667
Tempo Variability 93.8
Duration in Seconds 288.0
Note Density 3.962
Note Density Variability 1.417
Average Time Between Attacks 0.4801
Average Time Between Attacks for Each Voice 1.039
Variability of Time Between Attacks 0.2643
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5484
Relative Range Isolation of Loudest Voice 0.1512
Relative Range of Highest Line 0.5484
Relative Note Density of Highest Line 0.2244
Relative Note Durations of Lowest Line 0.9981
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.8983
Voice Separation 4.667
Variability of Voice Separation 1.528
Parallel Motion 0.06337
Average Number of Independent Voices 2.813
Similar Motion 0.1822
Contrary Motion 0.2475
Oblique Motion 0.5069
Parallel Fifths 0.00396
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.9747
Voice Equality - Number of Notes 80.01
Voice Equality - Note Duration 49.76
Voice Equality - Dynamics 8.66
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 1.414
Importance of Loudest Voice 10.0