File

Last modified on: April 13, 2020, 8:48 p.m.

Assumpta_est_Maria_Kyrie_6.mid


Source
RenComp7
Musical Work
Missa Assumpta est Maria
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
9.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.1892
Prevalence of Second Most Common Vertical Interval 0.186
Prevalence Ratio of Two Most Common Vertical Intervals 0.9829
Vertical Unisons 0.04822
Vertical Minor Seconds 0.00414
Vertical Thirds 0.3475
Vertical Tritones 0.01205
Vertical Perfect Fourths 0.1179
Vertical Perfect Fifths 0.1719
Vertical Sixths 0.1133
Vertical Sevenths 0.02246
Vertical Octaves 0.1378
Perfect Vertical Intervals 0.4757
Vertical Dissonance Ratio 0.0678
Vertical Minor Third Prevalence 0.6413
Vertical Major Third Prevalence 0.6348
Chord Duration 1.788
Partial Chords 0.1789
Standard Triads 0.6033
Diminished and Augmented Triads 0.02895
Dominant Seventh Chords 0.008553
Seventh Chords 0.02237
Non-Standard Chords 0.1954
Complex Chords 0.003947
Minor Major Triad Ratio 0.3007
Average Number of Simultaneous Pitch Classes 2.857
Variability of Number of Simultaneous Pitch Classes 0.5106
Average Number of Simultaneous Pitches 3.516
Variability of Number of Simultaneous Pitches 0.8553
Most Common Vertical Interval 4.0
Second Most Common Vertical Interval 0.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2203
Stepwise Motion 0.6959
Melodic Thirds 0.08018
Melodic Perfect Fourths 0.04332
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05253
Melodic Sixths 0.003687
Melodic Sevenths 0.0009217
Melodic Octaves 0.009217
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.071
Melodic Embellishments 0.03116
Direction of Melodic Motion 0.487
Average Length of Melodic Arcs 2.189
Average Interval Spanned by Melodic Arcs 5.344
Melodic Pitch Variety 4.653
Mean Melodic Interval 2.186
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4756
Relative Prevalence of Most Common Melodic Intervals 0.4632
Amount of Arpeggiation 0.2571
Repeated Notes 0.1143
Importance of Middle Register 0.8029
Importance of High Register 0.1412
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 65.0
Mean Pitch Class 4.982
Most Common Pitch 67.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1265
Prevalence of Most Common Pitch Class 0.1907
Relative Prevalence of Top Pitches 0.7391
Relative Prevalence of Top Pitch Classes 0.9808
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.833
Pitch Class Variability 3.613
Pitch Class Variability After Folding 3.051
Pitch Skewness -0.5384
Pitch Class Skewness -0.01522
Pitch Class Skewness After Folding 1.045
Pitch Kurtosis 5.66
Pitch Class Kurtosis 4.874
Pitch Class Kurtosis After Folding 7.54
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.05591
Note Density per Quarter Note 1.421
Note Density per Quarter Note per Voice 1.421
Note Density per Quarter Note Variability 0.566
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01467
Prevalence of Medium Rhythmic Values 0.648
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8057
Prevalence of Very Long Rhythmic Values 0.05133
Prevalence of Dotted Notes 0.07974
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.638
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4537
Relative Prevalence of Most Common Rhythmic Values 0.5374
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.641
Rhythmic Value Skewness 1.167
Rhythmic Value Kurtosis 12.8
Mean Rhythmic Value Run Length 1.812
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.279
Mean Rhythmic Value Offset 0.01833
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4014
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices 8.561e-13
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6105
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2016
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.028
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8121
Rhythmic Variability - Tempo Standardized 0.05232
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 1091.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 0.9322
Minimum Note Duration 0.5
Maximum Note Duration 24.0
Average Note Duration 2.656
Variability of Note Durations 1.788
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.9346
Strength of Second Strongest Rhythmic Pulse 0.03796
Strength Ratio of Two Strongest Rhythmic Pulses 24.62
Combined Strength of Two Strongest Rhythmic Pulses 0.9725
Rhythmic Variability 0.07371
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 768.0
Note Density 1.421
Note Density Variability 0.695
Average Time Between Attacks 1.668
Average Time Between Attacks for Each Voice 1.668
Variability of Time Between Attacks 0.9322
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.05958
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.0499
Average Number of Independent Voices 1.0
Similar Motion 0.1587
Contrary Motion 0.1776
Oblique Motion 0.6138
Parallel Fifths 0.000998
Parallel Octaves 0.000998
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0