File

Last modified on: April 13, 2020, 8:52 p.m.

De_Beata_Marie_Virginis_I_Gloria_5.mid


Source
RenComp7
Musical Work
Missa De Beata Marie Virginis (I)
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
13.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2027
Prevalence of Second Most Common Vertical Interval 0.1872
Prevalence Ratio of Two Most Common Vertical Intervals 0.9235
Vertical Unisons 0.03475
Vertical Minor Seconds 0.002526
Vertical Thirds 0.2889
Vertical Tritones 0.0142
Vertical Perfect Fourths 0.1287
Vertical Perfect Fifths 0.1872
Vertical Sixths 0.1314
Vertical Sevenths 0.02246
Vertical Octaves 0.1679
Perfect Vertical Intervals 0.5186
Vertical Dissonance Ratio 0.06508
Vertical Minor Third Prevalence 0.5511
Vertical Major Third Prevalence 0.6169
Chord Duration 1.972
Partial Chords 0.1518
Standard Triads 0.6244
Diminished and Augmented Triads 0.02803
Dominant Seventh Chords 0.01207
Seventh Chords 0.03536
Non-Standard Chords 0.1884
Complex Chords 0.0008624
Minor Major Triad Ratio 0.2848
Average Number of Simultaneous Pitch Classes 2.815
Variability of Number of Simultaneous Pitch Classes 0.6485
Average Number of Simultaneous Pitches 3.668
Variability of Number of Simultaneous Pitches 1.081
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2348
Stepwise Motion 0.687
Melodic Thirds 0.1163
Melodic Perfect Fourths 0.07964
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03047
Melodic Sixths 0.0
Melodic Sevenths 0.0006925
Melodic Octaves 0.01316
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.429
Melodic Embellishments 0.04624
Direction of Melodic Motion 0.4742
Average Length of Melodic Arcs 1.969
Average Interval Spanned by Melodic Arcs 4.859
Melodic Pitch Variety 5.343
Mean Melodic Interval 2.298
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4522
Relative Prevalence of Most Common Melodic Intervals 0.5191
Amount of Arpeggiation 0.2334
Repeated Notes 0.07271
Importance of Middle Register 0.8261
Importance of High Register 0.1187
Dominant Spread 5.0
Strong Tonal Centres 1.0
Mean Pitch 64.0
Mean Pitch Class 5.107
Most Common Pitch 67.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1256
Prevalence of Most Common Pitch Class 0.1891
Relative Prevalence of Top Pitches 0.8516
Relative Prevalence of Top Pitch Classes 0.9562
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.632
Pitch Class Variability 3.435
Pitch Class Variability After Folding 2.947
Pitch Skewness -0.1239
Pitch Class Skewness 0.09343
Pitch Class Skewness After Folding 1.199
Pitch Kurtosis 5.699
Pitch Class Kurtosis 4.879
Pitch Class Kurtosis After Folding 7.538
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 26.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.05521
Note Density per Quarter Note 1.176
Note Density per Quarter Note per Voice 1.176
Note Density per Quarter Note Variability 0.6329
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.02346
Prevalence of Medium Rhythmic Values 0.5114
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7978
Prevalence of Very Long Rhythmic Values 0.09179
Prevalence of Dotted Notes 0.1208
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.146
Most Common Rhythmic Value 4.0
Prevalence of Most Common Rhythmic Value 0.343
Relative Prevalence of Most Common Rhythmic Values 0.9014
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.27
Rhythmic Value Skewness 1.514
Rhythmic Value Kurtosis 11.69
Mean Rhythmic Value Run Length 1.827
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.534
Mean Rhythmic Value Offset 0.1491
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.9163
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices 6.014e-12
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.594
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1974
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.01
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7914
Rhythmic Variability - Tempo Standardized 0.05139
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 1449.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 1.776
Minimum Note Duration 0.5
Maximum Note Duration 24.0
Average Note Duration 3.295
Variability of Note Durations 2.939
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.9042
Strength of Second Strongest Rhythmic Pulse 0.06422
Strength Ratio of Two Strongest Rhythmic Pulses 14.08
Combined Strength of Two Strongest Rhythmic Pulses 0.9684
Rhythmic Variability 0.07143
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 1232.0
Note Density 1.176
Note Density Variability 0.7137
Average Time Between Attacks 1.805
Average Time Between Attacks for Each Voice 1.805
Variability of Time Between Attacks 1.776
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.04417
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.06216
Average Number of Independent Voices 1.0
Similar Motion 0.1357
Contrary Motion 0.1542
Oblique Motion 0.6479
Parallel Fifths 0.005977
Parallel Octaves 0.004782
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0