File

Last modified on: April 13, 2020, 5:07 p.m.

F164_29_Anon_S_il_dixi_TrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
S'il dixi mai ch'i vengha in odio a quella
File Type
Symbolic Music
File Format
xml
File Size
288.3 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2033
Prevalence of Second Most Common Vertical Interval 0.2029
Prevalence Ratio of Two Most Common Vertical Intervals 0.9981
Vertical Unisons 0.01937
Vertical Minor Seconds 0.002821
Vertical Thirds 0.2977
Vertical Tritones 0.003197
Vertical Perfect Fourths 0.1405
Vertical Perfect Fifths 0.2033
Vertical Sixths 0.1057
Vertical Sevenths 0.02162
Vertical Octaves 0.1835
Perfect Vertical Intervals 0.5466
Vertical Dissonance Ratio 0.05265
Vertical Minor Third Prevalence 0.5441
Vertical Major Third Prevalence 0.5441
Chord Duration 1.823
Partial Chords 0.2043
Standard Triads 0.6064
Diminished and Augmented Triads 0.01064
Dominant Seventh Chords 0.004255
Seventh Chords 0.02021
Non-Standard Chords 0.1691
Complex Chords 0.0
Minor Major Triad Ratio 0.6193
Average Number of Simultaneous Pitch Classes 2.843
Variability of Number of Simultaneous Pitch Classes 0.5459
Average Number of Simultaneous Pitches 3.773
Variability of Number of Simultaneous Pitches 0.5335
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1523
Stepwise Motion 0.5755
Melodic Thirds 0.09434
Melodic Perfect Fourths 0.06199
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04582
Melodic Sixths 0.001348
Melodic Sevenths 0.0
Melodic Octaves 0.02022
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.182
Melodic Embellishments 0.01609
Direction of Melodic Motion 0.5126
Average Length of Melodic Arcs 2.003
Average Interval Spanned by Melodic Arcs 5.436
Melodic Pitch Variety 4.317
Mean Melodic Interval 2.195
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4232
Relative Prevalence of Most Common Melodic Intervals 0.4745
Amount of Arpeggiation 0.3612
Repeated Notes 0.2008
Importance of Middle Register 0.807
Importance of High Register 0.09115
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 63.0
Mean Pitch Class 4.66
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1113
Prevalence of Most Common Pitch Class 0.2158
Relative Prevalence of Top Pitches 0.8434
Relative Prevalence of Top Pitch Classes 0.7267
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.143
Pitch Class Variability 3.434
Pitch Class Variability After Folding 4.091
Pitch Skewness -0.0608
Pitch Class Skewness -0.2974
Pitch Class Skewness After Folding 1.408
Pitch Kurtosis 5.498
Pitch Class Kurtosis 4.729
Pitch Class Kurtosis After Folding 5.137
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.005362
Average Range of Glissandos 0.0
Number of Pitches 21.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.005362
Number of Pitch Classes 8.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 33.0
Importance of Bass Register 0.1019
Note Density per Quarter Note 1.526
Note Density per Quarter Note per Voice 1.526
Note Density per Quarter Note Variability 0.5603
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.005362
Prevalence of Medium Rhythmic Values 0.7292
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8003
Prevalence of Very Long Rhythmic Values 0.01743
Prevalence of Dotted Notes 0.06702
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.391
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5295
Relative Prevalence of Most Common Rhythmic Values 0.3797
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.465
Rhythmic Value Skewness 0.8016
Rhythmic Value Kurtosis 24.25
Mean Rhythmic Value Run Length 2.125
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 2.137
Mean Rhythmic Value Offset 0.08579
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.053
Complete Rests Fraction 0.02658
Partial Rests Fraction 0.02658
Average Rest Fraction Across Voices 0.02658
Longest Complete Rest 2.0
Longest Partial Rest 2.0
Mean Complete Rest Duration 1.857
Mean Partial Rest Duration 1.857
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.378
Variability of Partial Rest Durations 0.378
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6188
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1978
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.129
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8165
Rhythmic Variability - Tempo Standardized 0.05295
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 746.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.2364
Minimum Note Duration 0.09375
Maximum Note Duration 6.75
Average Note Duration 0.4645
Variability of Note Durations 0.4153
Amount of Staccato 0.005362
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 6.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 54.0
Harmonicity of Two Strongest Rhythmic Pulses 1.481
Strength of Strongest Rhythmic Pulse 0.2063
Strength of Second Strongest Rhythmic Pulse 0.2033
Strength Ratio of Two Strongest Rhythmic Pulses 1.015
Combined Strength of Two Strongest Rhythmic Pulses 0.4096
Rhythmic Variability 0.03248
Rhythmic Looseness 0.0
Polyrhythms 0.5
Tempo Variability 0.0
Duration in Seconds 91.69
Note Density 8.136
Note Density Variability 2.07
Average Time Between Attacks 0.3088
Average Time Between Attacks for Each Voice 0.3088
Variability of Time Between Attacks 0.2364
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.08445
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.06659
Average Number of Independent Voices 1.0
Similar Motion 0.1804
Contrary Motion 0.224
Oblique Motion 0.5291
Parallel Fifths 0.006053
Parallel Octaves 0.001211
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0