File

Last modified on: Oct. 17, 2023, 10:18 a.m.

F164_29_Anon_S_il_dixi_TrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
S'il dixi mai ch'i vengha in odio a quella
File Type
Symbolic Music
File Format
midi
File Size
6.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2038
Prevalence of Second Most Common Vertical Interval 0.2037
Prevalence Ratio of Two Most Common Vertical Intervals 0.9993
Vertical Unisons 0.01938
Vertical Minor Seconds 0.002809
Vertical Thirds 0.2976
Vertical Tritones 0.003167
Vertical Perfect Fourths 0.1402
Vertical Perfect Fifths 0.2038
Vertical Sixths 0.1049
Vertical Sevenths 0.02158
Vertical Octaves 0.1843
Perfect Vertical Intervals 0.5477
Vertical Dissonance Ratio 0.05234
Vertical Minor Third Prevalence 0.5441
Vertical Major Third Prevalence 0.5441
Chord Duration 1.823
Partial Chords 0.2043
Standard Triads 0.6064
Diminished and Augmented Triads 0.01064
Dominant Seventh Chords 0.004255
Seventh Chords 0.02021
Non-Standard Chords 0.1691
Complex Chords 0.0
Minor Major Triad Ratio 0.6193
Average Number of Simultaneous Pitch Classes 2.843
Variability of Number of Simultaneous Pitch Classes 0.5459
Average Number of Simultaneous Pitches 3.773
Variability of Number of Simultaneous Pitches 0.5335
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 0.0
Dynamic Range 4.0
Variation of Dynamics 1.643
Variation of Dynamics In Each Voice 1.645
Average Note to Note Change in Dynamics 1.694
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1523
Stepwise Motion 0.5755
Melodic Thirds 0.09434
Melodic Perfect Fourths 0.06199
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04582
Melodic Sixths 0.001348
Melodic Sevenths 0.0
Melodic Octaves 0.02022
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.182
Melodic Embellishments 0.008043
Direction of Melodic Motion 0.5126
Average Length of Melodic Arcs 2.003
Average Interval Spanned by Melodic Arcs 5.436
Melodic Pitch Variety 4.647
Mean Melodic Interval 2.195
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4232
Relative Prevalence of Most Common Melodic Intervals 0.4745
Amount of Arpeggiation 0.3612
Repeated Notes 0.2008
Importance of Middle Register 0.807
Importance of High Register 0.09115
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 63.54
Mean Pitch Class 4.66
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1113
Prevalence of Most Common Pitch Class 0.2158
Relative Prevalence of Top Pitches 0.8434
Relative Prevalence of Top Pitch Classes 0.7267
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.143
Pitch Class Variability 3.434
Pitch Class Variability After Folding 4.091
Pitch Skewness -0.0608
Pitch Class Skewness -0.2974
Pitch Class Skewness After Folding 1.408
Pitch Kurtosis 5.498
Pitch Class Kurtosis 4.729
Pitch Class Kurtosis After Folding 5.137
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 21.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 33.0
Importance of Bass Register 0.1019
Note Density per Quarter Note 1.529
Note Density per Quarter Note per Voice 0.3822
Note Density per Quarter Note Variability 0.5603
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.005362
Prevalence of Medium Rhythmic Values 0.7292
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8003
Prevalence of Very Long Rhythmic Values 0.01743
Prevalence of Dotted Notes 0.06702
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.391
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5295
Relative Prevalence of Most Common Rhythmic Values 0.3797
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.465
Rhythmic Value Skewness 0.8016
Rhythmic Value Kurtosis 24.25
Mean Rhythmic Value Run Length 2.125
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 2.137
Mean Rhythmic Value Offset 0.08579
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.053
Complete Rests Fraction 0.02459
Partial Rests Fraction 0.1025
Average Rest Fraction Across Voices 0.05328
Longest Complete Rest 2.0
Longest Partial Rest 2.0
Mean Complete Rest Duration 2.0
Mean Partial Rest Duration 2.0
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0000000000000004865
Variability of Partial Rest Durations 0.0000000000000004484
Variability Across Voices of Combined Rests 5.416
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6212
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1959
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.172
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8171
Rhythmic Variability - Tempo Standardized 0.05307
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 746.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.3242
Minimum Note Duration 0.09375
Maximum Note Duration 6.75
Average Note Duration 0.4645
Variability of Note Durations 0.4153
Amount of Staccato 0.005362
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 5.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 54.0
Harmonicity of Two Strongest Rhythmic Pulses 1.481
Strength of Strongest Rhythmic Pulse 0.2083
Strength of Second Strongest Rhythmic Pulse 0.2031
Strength Ratio of Two Strongest Rhythmic Pulses 1.025
Combined Strength of Two Strongest Rhythmic Pulses 0.4114
Rhythmic Variability 0.03255
Rhythmic Looseness 0.0
Polyrhythms 0.6
Tempo Variability 0.0
Duration in Seconds 91.5
Note Density 8.153
Note Density Variability 2.02
Average Time Between Attacks 0.3088
Average Time Between Attacks for Each Voice 0.4714
Variability of Time Between Attacks 0.2364
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5758
Relative Range Isolation of Loudest Voice 0.2316
Relative Range of Highest Line 0.5152
Relative Note Density of Highest Line 0.3807
Relative Note Durations of Lowest Line 1.054
Relative Size of Melodic Intervals in Lowest Line 0.5714
Voice Overlap 0.8887
Voice Separation 5.333
Variability of Voice Separation 4.726
Parallel Motion 0.06659
Average Number of Independent Voices 3.882
Similar Motion 0.1804
Contrary Motion 0.224
Oblique Motion 0.5291
Parallel Fifths 0.006053
Parallel Octaves 0.001211
Variability of Number of Independent Voices 0.443
Voice Equality - Number of Notes 17.02
Voice Equality - Note Duration 1.016
Voice Equality - Dynamics 0.5
Voice Equality - Melodic Leaps 0.9574
Voice Equality - Range 1.0
Importance of Loudest Voice 1.0