File

Last modified on: April 13, 2020, 9 p.m.

Jam_Christus_astra_ascenderat_Agnus_II_5.mid


Source
RenComp7
Musical Work
Missa Jam Christus astra ascenderat
Section
Agnus II
File Type
Symbolic Music
File Format
.mid
File Size
4.5 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1934
Prevalence of Second Most Common Vertical Interval 0.1753
Prevalence Ratio of Two Most Common Vertical Intervals 0.9063
Vertical Unisons 0.04896
Vertical Minor Seconds 0.009058
Vertical Thirds 0.3204
Vertical Tritones 0.01004
Vertical Perfect Fourths 0.1209
Vertical Perfect Fifths 0.1753
Vertical Sixths 0.1244
Vertical Sevenths 0.02252
Vertical Octaves 0.1444
Perfect Vertical Intervals 0.4896
Vertical Dissonance Ratio 0.07021
Vertical Minor Third Prevalence 0.6566
Vertical Major Third Prevalence 0.6807
Chord Duration 1.675
Partial Chords 0.08385
Standard Triads 0.6863
Diminished and Augmented Triads 0.02174
Dominant Seventh Chords 0.003106
Seventh Chords 0.02174
Non-Standard Chords 0.2081
Complex Chords 0.01242
Minor Major Triad Ratio 1.065
Average Number of Simultaneous Pitch Classes 2.958
Variability of Number of Simultaneous Pitch Classes 0.5688
Average Number of Simultaneous Pitches 3.735
Variability of Number of Simultaneous Pitches 0.8689
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2222
Stepwise Motion 0.6255
Melodic Thirds 0.1481
Melodic Perfect Fourths 0.07407
Melodic Tritones 0.0
Melodic Perfect Fifths 0.06584
Melodic Sixths 0.002058
Melodic Sevenths 0.0
Melodic Octaves 0.00823
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.483
Melodic Embellishments 0.05906
Direction of Melodic Motion 0.5323
Average Length of Melodic Arcs 2.004
Average Interval Spanned by Melodic Arcs 5.312
Melodic Pitch Variety 4.692
Mean Melodic Interval 2.479
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4033
Relative Prevalence of Most Common Melodic Intervals 0.551
Amount of Arpeggiation 0.2984
Repeated Notes 0.07613
Importance of Middle Register 0.8473
Importance of High Register 0.05906
Dominant Spread 6.0
Strong Tonal Centres 1.0
Mean Pitch 63.0
Mean Pitch Class 5.187
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1263
Prevalence of Most Common Pitch Class 0.1955
Relative Prevalence of Top Pitches 0.9032
Relative Prevalence of Top Pitch Classes 0.8958
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.435
Pitch Class Variability 3.354
Pitch Class Variability After Folding 3.885
Pitch Skewness -0.4263
Pitch Class Skewness 0.1676
Pitch Class Skewness After Folding 0.8871
Pitch Kurtosis 5.576
Pitch Class Kurtosis 4.769
Pitch Class Kurtosis After Folding 5.089
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.09369
Note Density per Quarter Note 1.479
Note Density per Quarter Note per Voice 1.479
Note Density per Quarter Note Variability 0.4879
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.6049
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7882
Prevalence of Very Long Rhythmic Values 0.05906
Prevalence of Dotted Notes 0.08147
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.729
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3931
Relative Prevalence of Most Common Rhythmic Values 0.6891
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.675
Rhythmic Value Skewness 1.306
Rhythmic Value Kurtosis 9.769
Mean Rhythmic Value Run Length 1.711
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.207
Mean Rhythmic Value Offset 0.0
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.0
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices -2.337e-12
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5939
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2093
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.837
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8033
Rhythmic Variability - Tempo Standardized 0.05178
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 491.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 0.6568
Minimum Note Duration 1.0
Maximum Note Duration 12.0
Average Note Duration 2.729
Variability of Note Durations 1.675
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 1.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 0.0
Harmonicity of Two Strongest Rhythmic Pulses 60.0
Strength of Strongest Rhythmic Pulse 1.0
Strength of Second Strongest Rhythmic Pulse 0.0
Strength Ratio of Two Strongest Rhythmic Pulses 0.0
Combined Strength of Two Strongest Rhythmic Pulses 1.0
Rhythmic Variability 0.07881
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 332.0
Note Density 1.479
Note Density Variability 0.6778
Average Time Between Attacks 1.556
Average Time Between Attacks for Each Voice 1.556
Variability of Time Between Attacks 0.6568
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1283
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.06606
Average Number of Independent Voices 1.0
Similar Motion 0.1835
Contrary Motion 0.1578
Oblique Motion 0.5927
Parallel Fifths 0.00367
Parallel Octaves 0.009174
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0