File

Last modified on: April 13, 2020, 5:08 p.m.

F164_30_Anon_Quel_foco_TrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Quel foco ch'io pensai che fussi spento
File Type
Symbolic Music
File Format
xml
File Size
269.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2188
Prevalence of Second Most Common Vertical Interval 0.1986
Prevalence Ratio of Two Most Common Vertical Intervals 0.9077
Vertical Unisons 0.03451
Vertical Minor Seconds 0.001628
Vertical Thirds 0.2939
Vertical Tritones 0.007161
Vertical Perfect Fourths 0.1393
Vertical Perfect Fifths 0.1986
Vertical Sixths 0.09408
Vertical Sevenths 0.02051
Vertical Octaves 0.1842
Perfect Vertical Intervals 0.5566
Vertical Dissonance Ratio 0.05858
Vertical Minor Third Prevalence 0.5226
Vertical Major Third Prevalence 0.5174
Chord Duration 2.198
Partial Chords 0.2401
Standard Triads 0.5433
Diminished and Augmented Triads 0.02888
Dominant Seventh Chords 0.00722
Seventh Chords 0.02527
Non-Standard Chords 0.1913
Complex Chords 0.0
Minor Major Triad Ratio 0.3559
Average Number of Simultaneous Pitch Classes 2.76
Variability of Number of Simultaneous Pitch Classes 0.6277
Average Number of Simultaneous Pitches 3.618
Variability of Number of Simultaneous Pitches 0.6871
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1706
Stepwise Motion 0.6126
Melodic Thirds 0.09091
Melodic Perfect Fourths 0.06713
Melodic Tritones 0.004196
Melodic Perfect Fifths 0.05594
Melodic Sixths 0.004196
Melodic Sevenths 0.0
Melodic Octaves 0.01399
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.708
Melodic Embellishments 0.02782
Direction of Melodic Motion 0.4745
Average Length of Melodic Arcs 1.873
Average Interval Spanned by Melodic Arcs 5.074
Melodic Pitch Variety 4.602
Mean Melodic Interval 2.319
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.442
Relative Prevalence of Most Common Melodic Intervals 0.3861
Amount of Arpeggiation 0.3119
Repeated Notes 0.151
Importance of Middle Register 0.8512
Importance of High Register 0.01947
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 60.0
Mean Pitch Class 4.783
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1488
Prevalence of Most Common Pitch Class 0.2128
Relative Prevalence of Top Pitches 0.7196
Relative Prevalence of Top Pitch Classes 0.9412
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.14
Pitch Class Variability 3.578
Pitch Class Variability After Folding 3.412
Pitch Skewness 0.4777
Pitch Class Skewness -0.1819
Pitch Class Skewness After Folding 1.002
Pitch Kurtosis 5.652
Pitch Class Kurtosis 4.897
Pitch Class Kurtosis After Folding 6.89
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.005563
Average Range of Glissandos 0.0
Number of Pitches 18.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.005563
Number of Pitch Classes 7.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 2.0
Range 29.0
Importance of Bass Register 0.1293
Note Density per Quarter Note 1.221
Note Density per Quarter Note per Voice 1.221
Note Density per Quarter Note Variability 0.6597
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5577
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8401
Prevalence of Very Long Rhythmic Values 0.06676
Prevalence of Dotted Notes 0.07371
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.96
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3978
Relative Prevalence of Most Common Rhythmic Values 0.8217
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.854
Rhythmic Value Skewness 1.553
Rhythmic Value Kurtosis 12.03
Mean Rhythmic Value Run Length 1.807
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.364
Mean Rhythmic Value Offset 0.08901
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.9399
Complete Rests Fraction 0.02207
Partial Rests Fraction 0.02207
Average Rest Fraction Across Voices 0.02207
Longest Complete Rest 4.0
Longest Partial Rest 4.0
Mean Complete Rest Duration 3.25
Mean Partial Rest Duration 3.25
Median Complete Rest Duration 4.0
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 1.5
Variability of Partial Rest Durations 1.5
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.621
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1895
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.276
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8105
Rhythmic Variability - Tempo Standardized 0.0531
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 719.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.3321
Minimum Note Duration 0.1875
Maximum Note Duration 4.5
Average Note Duration 0.5716
Variability of Note Durations 0.4567
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2313
Strength of Second Strongest Rhythmic Pulse 0.2278
Strength Ratio of Two Strongest Rhythmic Pulses 1.016
Combined Strength of Two Strongest Rhythmic Pulses 0.4591
Rhythmic Variability 0.03351
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 110.4
Note Density 6.51
Note Density Variability 2.819
Average Time Between Attacks 0.3748
Average Time Between Attacks for Each Voice 0.3748
Variability of Time Between Attacks 0.3321
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.08345
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.08491
Average Number of Independent Voices 1.0
Similar Motion 0.1536
Contrary Motion 0.2102
Oblique Motion 0.5512
Parallel Fifths 0.005391
Parallel Octaves 0.004043
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0