File

Last modified on: April 13, 2020, 9:03 p.m.

Assumpta_est_Maria_Credo_6.mid


Source
RenComp7
Musical Work
Missa Assumpta est Maria
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
19.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2098
Prevalence of Second Most Common Vertical Interval 0.1969
Prevalence Ratio of Two Most Common Vertical Intervals 0.9385
Vertical Unisons 0.0285
Vertical Minor Seconds 0.003163
Vertical Thirds 0.3327
Vertical Tritones 0.005373
Vertical Perfect Fourths 0.112
Vertical Perfect Fifths 0.1894
Vertical Sixths 0.1236
Vertical Sevenths 0.009139
Vertical Octaves 0.1813
Perfect Vertical Intervals 0.5111
Vertical Dissonance Ratio 0.03371
Vertical Minor Third Prevalence 0.7033
Vertical Major Third Prevalence 0.7533
Chord Duration 2.238
Partial Chords 0.1157
Standard Triads 0.7579
Diminished and Augmented Triads 0.01488
Dominant Seventh Chords 0.005206
Seventh Chords 0.01078
Non-Standard Chords 0.1157
Complex Chords 0.005206
Minor Major Triad Ratio 0.2233
Average Number of Simultaneous Pitch Classes 2.91
Variability of Number of Simultaneous Pitch Classes 0.4594
Average Number of Simultaneous Pitches 4.052
Variability of Number of Simultaneous Pitches 1.13
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1964
Stepwise Motion 0.5294
Melodic Thirds 0.1101
Melodic Perfect Fourths 0.05504
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04711
Melodic Sixths 0.003265
Melodic Sevenths 0.0
Melodic Octaves 0.01213
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.914
Melodic Embellishments 0.0386
Direction of Melodic Motion 0.4892
Average Length of Melodic Arcs 1.894
Average Interval Spanned by Melodic Arcs 5.002
Melodic Pitch Variety 3.959
Mean Melodic Interval 2.008
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.333
Relative Prevalence of Most Common Melodic Intervals 0.7297
Amount of Arpeggiation 0.4123
Repeated Notes 0.243
Importance of Middle Register 0.7358
Importance of High Register 0.2144
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 66.0
Mean Pitch Class 4.964
Most Common Pitch 67.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1149
Prevalence of Most Common Pitch Class 0.1837
Relative Prevalence of Top Pitches 0.8259
Relative Prevalence of Top Pitch Classes 0.9899
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 7.274
Pitch Class Variability 3.564
Pitch Class Variability After Folding 3.006
Pitch Skewness -0.1654
Pitch Class Skewness -0.03054
Pitch Class Skewness After Folding 1.069
Pitch Kurtosis 5.526
Pitch Class Kurtosis 4.857
Pitch Class Kurtosis After Folding 7.511
Major or Minor 0.0
First Pitch 67.0
First Pitch Class 7.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 29.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 33.0
Importance of Bass Register 0.04977
Note Density per Quarter Note 1.572
Note Density per Quarter Note per Voice 1.572
Note Density per Quarter Note Variability 0.5938
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.009302
Prevalence of Medium Rhythmic Values 0.6195
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8223
Prevalence of Very Long Rhythmic Values 0.04791
Prevalence of Dotted Notes 0.0907
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.688
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4419
Relative Prevalence of Most Common Rhythmic Values 0.5779
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.607
Rhythmic Value Skewness 1.285
Rhythmic Value Kurtosis 11.88
Mean Rhythmic Value Run Length 1.646
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.148
Mean Rhythmic Value Offset 0.007442
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.2728
Complete Rests Fraction 0.005848
Partial Rests Fraction 0.005848
Average Rest Fraction Across Voices 0.005848
Longest Complete Rest 4.0
Longest Partial Rest 4.0
Mean Complete Rest Duration 2.667
Mean Partial Rest Duration 2.667
Median Complete Rest Duration 2.0
Median Partial Rest Duration 2.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 1.155
Variability of Partial Rest Durations 1.155
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6005
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2207
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.721
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8212
Rhythmic Variability - Tempo Standardized 0.05198
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 2150.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 0.9899
Minimum Note Duration 0.5
Maximum Note Duration 24.0
Average Note Duration 2.696
Variability of Note Durations 1.672
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.9517
Strength of Second Strongest Rhythmic Pulse 0.02993
Strength Ratio of Two Strongest Rhythmic Pulses 31.8
Combined Strength of Two Strongest Rhythmic Pulses 0.9816
Rhythmic Variability 0.07503
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 1368.0
Note Density 1.572
Note Density Variability 0.7243
Average Time Between Attacks 1.869
Average Time Between Attacks for Each Voice 1.869
Variability of Time Between Attacks 0.9899
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.0307
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.04902
Average Number of Independent Voices 1.0
Similar Motion 0.1939
Contrary Motion 0.2004
Oblique Motion 0.5566
Parallel Fifths 0.0005447
Parallel Octaves 0.005447
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0