File

Last modified on: April 13, 2020, 5:09 p.m.

F164_30_Anon_Quel_foco_TrIL.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Quel foco ch'io pensai che fussi spento
File Type
Symbolic Music
File Format
midi
File Size
6.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2204
Prevalence of Second Most Common Vertical Interval 0.199
Prevalence Ratio of Two Most Common Vertical Intervals 0.9033
Vertical Unisons 0.03464
Vertical Minor Seconds 0.001602
Vertical Thirds 0.2937
Vertical Tritones 0.007122
Vertical Perfect Fourths 0.1388
Vertical Perfect Fifths 0.199
Vertical Sixths 0.09352
Vertical Sevenths 0.02028
Vertical Octaves 0.1857
Perfect Vertical Intervals 0.5582
Vertical Dissonance Ratio 0.0578
Vertical Minor Third Prevalence 0.5226
Vertical Major Third Prevalence 0.5174
Chord Duration 2.197
Partial Chords 0.2401
Standard Triads 0.5433
Diminished and Augmented Triads 0.02888
Dominant Seventh Chords 0.00722
Seventh Chords 0.02527
Non-Standard Chords 0.1913
Complex Chords 0.0
Minor Major Triad Ratio 0.3559
Average Number of Simultaneous Pitch Classes 2.76
Variability of Number of Simultaneous Pitch Classes 0.6277
Average Number of Simultaneous Pitches 3.618
Variability of Number of Simultaneous Pitches 0.6871
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 4.0
Variation of Dynamics 1.875
Variation of Dynamics In Each Voice 1.878
Average Note to Note Change in Dynamics 2.225
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1706
Stepwise Motion 0.6126
Melodic Thirds 0.09091
Melodic Perfect Fourths 0.06713
Melodic Tritones 0.004196
Melodic Perfect Fifths 0.05594
Melodic Sixths 0.004196
Melodic Sevenths 0.0
Melodic Octaves 0.01399
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.708
Melodic Embellishments 0.009736
Direction of Melodic Motion 0.4745
Average Length of Melodic Arcs 1.873
Average Interval Spanned by Melodic Arcs 5.074
Melodic Pitch Variety 4.799
Mean Melodic Interval 2.319
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.442
Relative Prevalence of Most Common Melodic Intervals 0.3861
Amount of Arpeggiation 0.3119
Repeated Notes 0.151
Importance of Middle Register 0.8512
Importance of High Register 0.01947
Dominant Spread 7.0
Strong Tonal Centres 1.0
Mean Pitch 60.44
Mean Pitch Class 4.783
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1488
Prevalence of Most Common Pitch Class 0.2128
Relative Prevalence of Top Pitches 0.7196
Relative Prevalence of Top Pitch Classes 0.9412
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.14
Pitch Class Variability 3.578
Pitch Class Variability After Folding 3.412
Pitch Skewness 0.4777
Pitch Class Skewness -0.1819
Pitch Class Skewness After Folding 1.002
Pitch Kurtosis 5.652
Pitch Class Kurtosis 4.897
Pitch Class Kurtosis After Folding 6.89
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 18.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 7.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 2.0
Range 29.0
Importance of Bass Register 0.1293
Note Density per Quarter Note 1.223
Note Density per Quarter Note per Voice 0.3057
Note Density per Quarter Note Variability 0.6597
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.5577
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8401
Prevalence of Very Long Rhythmic Values 0.06676
Prevalence of Dotted Notes 0.07371
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.96
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3978
Relative Prevalence of Most Common Rhythmic Values 0.8217
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.854
Rhythmic Value Skewness 1.553
Rhythmic Value Kurtosis 12.03
Mean Rhythmic Value Run Length 1.807
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.364
Mean Rhythmic Value Offset 0.08901
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.9399
Complete Rests Fraction 0.02041
Partial Rests Fraction 0.1327
Average Rest Fraction Across Voices 0.06803
Longest Complete Rest 4.0
Longest Partial Rest 28.0
Mean Complete Rest Duration 4.0
Mean Partial Rest Duration 4.103
Median Complete Rest Duration 4.0
Median Partial Rest Duration 2.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 5.108
Variability Across Voices of Combined Rests 8.485
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6243
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1879
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.322
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8122
Rhythmic Variability - Tempo Standardized 0.05327
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 719.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.4517
Minimum Note Duration 0.1875
Maximum Note Duration 4.5
Average Note Duration 0.5716
Variability of Note Durations 0.4567
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 40.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2324
Strength of Second Strongest Rhythmic Pulse 0.2318
Strength Ratio of Two Strongest Rhythmic Pulses 1.002
Combined Strength of Two Strongest Rhythmic Pulses 0.4642
Rhythmic Variability 0.03362
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 110.3
Note Density 6.522
Note Density Variability 2.819
Average Time Between Attacks 0.3748
Average Time Between Attacks for Each Voice 0.5856
Variability of Time Between Attacks 0.3321
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5517
Relative Range Isolation of Loudest Voice 0.2921
Relative Range of Highest Line 0.5517
Relative Note Density of Highest Line 0.3727
Relative Note Durations of Lowest Line 1.103
Relative Size of Melodic Intervals in Lowest Line 0.5
Voice Overlap 0.7983
Voice Separation 4.667
Variability of Voice Separation 3.215
Parallel Motion 0.08491
Average Number of Independent Voices 3.806
Similar Motion 0.1536
Contrary Motion 0.2102
Oblique Motion 0.5512
Parallel Fifths 0.005391
Parallel Octaves 0.004043
Variability of Number of Independent Voices 0.6098
Voice Equality - Number of Notes 15.2
Voice Equality - Note Duration 1.591
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.8165
Voice Equality - Range 0.9574
Importance of Loudest Voice 0.0