| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2204 |
| Prevalence of Second Most Common Vertical Interval |
0.199 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9033 |
| Vertical Unisons |
0.03464 |
| Vertical Minor Seconds |
0.001602 |
| Vertical Thirds |
0.2937 |
| Vertical Tritones |
0.007122 |
| Vertical Perfect Fourths |
0.1388 |
| Vertical Perfect Fifths |
0.199 |
| Vertical Sixths |
0.09352 |
| Vertical Sevenths |
0.02028 |
| Vertical Octaves |
0.1857 |
| Perfect Vertical Intervals |
0.5582 |
| Vertical Dissonance Ratio |
0.0578 |
| Vertical Minor Third Prevalence |
0.5226 |
| Vertical Major Third Prevalence |
0.5174 |
| Chord Duration |
2.197 |
| Partial Chords |
0.2401 |
| Standard Triads |
0.5433 |
| Diminished and Augmented Triads |
0.02888 |
| Dominant Seventh Chords |
0.00722 |
| Seventh Chords |
0.02527 |
| Non-Standard Chords |
0.1913 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3559 |
| Average Number of Simultaneous Pitch Classes |
2.76 |
| Variability of Number of Simultaneous Pitch Classes |
0.6277 |
| Average Number of Simultaneous Pitches |
3.618 |
| Variability of Number of Simultaneous Pitches |
0.6871 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.875 |
| Variation of Dynamics In Each Voice |
1.878 |
| Average Note to Note Change in Dynamics |
2.225 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1706 |
| Stepwise Motion |
0.6126 |
| Melodic Thirds |
0.09091 |
| Melodic Perfect Fourths |
0.06713 |
| Melodic Tritones |
0.004196 |
| Melodic Perfect Fifths |
0.05594 |
| Melodic Sixths |
0.004196 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01399 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.708 |
| Melodic Embellishments |
0.009736 |
| Direction of Melodic Motion |
0.4745 |
| Average Length of Melodic Arcs |
1.873 |
| Average Interval Spanned by Melodic Arcs |
5.074 |
| Melodic Pitch Variety |
4.799 |
| Mean Melodic Interval |
2.319 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.442 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3861 |
| Amount of Arpeggiation |
0.3119 |
| Repeated Notes |
0.151 |
| Importance of Middle Register |
0.8512 |
| Importance of High Register |
0.01947 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
60.44 |
| Mean Pitch Class |
4.783 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1488 |
| Prevalence of Most Common Pitch Class |
0.2128 |
| Relative Prevalence of Top Pitches |
0.7196 |
| Relative Prevalence of Top Pitch Classes |
0.9412 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.14 |
| Pitch Class Variability |
3.578 |
| Pitch Class Variability After Folding |
3.412 |
| Pitch Skewness |
0.4777 |
| Pitch Class Skewness |
-0.1819 |
| Pitch Class Skewness After Folding |
1.002 |
| Pitch Kurtosis |
5.652 |
| Pitch Class Kurtosis |
4.897 |
| Pitch Class Kurtosis After Folding |
6.89 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.1293 |
| Note Density per Quarter Note |
1.223 |
| Note Density per Quarter Note per Voice |
0.3057 |
| Note Density per Quarter Note Variability |
0.6597 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5577 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8401 |
| Prevalence of Very Long Rhythmic Values |
0.06676 |
| Prevalence of Dotted Notes |
0.07371 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.96 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3978 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8217 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.854 |
| Rhythmic Value Skewness |
1.553 |
| Rhythmic Value Kurtosis |
12.03 |
| Mean Rhythmic Value Run Length |
1.807 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.364 |
| Mean Rhythmic Value Offset |
0.08901 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9399 |
| Complete Rests Fraction |
0.02041 |
| Partial Rests Fraction |
0.1327 |
| Average Rest Fraction Across Voices |
0.06803 |
| Longest Complete Rest |
4.0 |
| Longest Partial Rest |
28.0 |
| Mean Complete Rest Duration |
4.0 |
| Mean Partial Rest Duration |
4.103 |
| Median Complete Rest Duration |
4.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.108 |
| Variability Across Voices of Combined Rests |
8.485 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6243 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1879 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.322 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8122 |
| Rhythmic Variability - Tempo Standardized |
0.05327 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
719.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4517 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
4.5 |
| Average Note Duration |
0.5716 |
| Variability of Note Durations |
0.4567 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2324 |
| Strength of Second Strongest Rhythmic Pulse |
0.2318 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.002 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4642 |
| Rhythmic Variability |
0.03362 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
110.3 |
| Note Density |
6.522 |
| Note Density Variability |
2.819 |
| Average Time Between Attacks |
0.3748 |
| Average Time Between Attacks for Each Voice |
0.5856 |
| Variability of Time Between Attacks |
0.3321 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5517 |
| Relative Range Isolation of Loudest Voice |
0.2921 |
| Relative Range of Highest Line |
0.5517 |
| Relative Note Density of Highest Line |
0.3727 |
| Relative Note Durations of Lowest Line |
1.103 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.7983 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
3.215 |
| Parallel Motion |
0.08491 |
| Average Number of Independent Voices |
3.806 |
| Similar Motion |
0.1536 |
| Contrary Motion |
0.2102 |
| Oblique Motion |
0.5512 |
| Parallel Fifths |
0.005391 |
| Parallel Octaves |
0.004043 |
| Variability of Number of Independent Voices |
0.6098 |
| Voice Equality - Number of Notes |
15.2 |
| Voice Equality - Note Duration |
1.591 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
0.9574 |
| Importance of Loudest Voice |
0.0 |