File

Last modified on: April 13, 2020, 5:12 p.m.

F164_34_Isaac_Hora_e_corrJ.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Hora è di maggio
File Type
Symbolic Music
File Format
midi
File Size
6.5 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.2135
Prevalence of Second Most Common Vertical Interval 0.1789
Prevalence Ratio of Two Most Common Vertical Intervals 0.8379
Vertical Unisons 0.02768
Vertical Minor Seconds 0.00725
Vertical Thirds 0.3367
Vertical Tritones 0.006666
Vertical Perfect Fourths 0.08937
Vertical Perfect Fifths 0.1694
Vertical Sixths 0.1343
Vertical Sevenths 0.02335
Vertical Octaves 0.1858
Perfect Vertical Intervals 0.4722
Vertical Dissonance Ratio 0.06019
Vertical Minor Third Prevalence 0.4859
Vertical Major Third Prevalence 0.5469
Chord Duration 2.067
Partial Chords 0.4005
Standard Triads 0.4423
Diminished and Augmented Triads 0.0172
Dominant Seventh Chords 0.004914
Seventh Chords 0.02211
Non-Standard Chords 0.1351
Complex Chords 0.0
Minor Major Triad Ratio 0.3433
Average Number of Simultaneous Pitch Classes 2.575
Variability of Number of Simultaneous Pitch Classes 0.6538
Average Number of Simultaneous Pitches 3.251
Variability of Number of Simultaneous Pitches 0.7844
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 4.0
Variation of Dynamics 1.663
Variation of Dynamics In Each Voice 1.671
Average Note to Note Change in Dynamics 1.647
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1738
Stepwise Motion 0.6163
Melodic Thirds 0.1129
Melodic Perfect Fourths 0.06321
Melodic Tritones 0.0
Melodic Perfect Fifths 0.0316
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.03612
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 0.7241
Melodic Embellishments 0.0179
Direction of Melodic Motion 0.5066
Average Length of Melodic Arcs 2.059
Average Interval Spanned by Melodic Arcs 5.746
Melodic Pitch Variety 5.276
Mean Melodic Interval 2.433
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4424
Relative Prevalence of Most Common Melodic Intervals 0.3929
Amount of Arpeggiation 0.3205
Repeated Notes 0.14
Importance of Middle Register 0.8009
Importance of High Register 0.06264
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 61.89
Mean Pitch Class 4.705
Most Common Pitch 64.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1298
Prevalence of Most Common Pitch Class 0.2148
Relative Prevalence of Top Pitches 0.8966
Relative Prevalence of Top Pitch Classes 0.8438
Interval Between Most Prevalent Pitches 4.0
Interval Between Most Prevalent Pitch Classes 4.0
Pitch Variability 7.012
Pitch Class Variability 3.454
Pitch Class Variability After Folding 3.339
Pitch Skewness -0.6748
Pitch Class Skewness 0.6121
Pitch Class Skewness After Folding 0.217
Pitch Kurtosis 5.632
Pitch Class Kurtosis 5.012
Pitch Class Kurtosis After Folding 6.936
Major or Minor 0.0
First Pitch 48.0
First Pitch Class 0.0
Last Pitch 48.0
Last Pitch Class 0.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 20.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 1.0
Range 31.0
Importance of Bass Register 0.1365
Note Density per Quarter Note 1.049
Note Density per Quarter Note per Voice 0.2623
Note Density per Quarter Note Variability 0.4886
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.008949
Prevalence of Medium Rhythmic Values 0.5526
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7606
Prevalence of Very Long Rhythmic Values 0.1007
Prevalence of Dotted Notes 0.1454
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.047
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3132
Relative Prevalence of Most Common Rhythmic Values 0.8429
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.344
Rhythmic Value Skewness 1.34
Rhythmic Value Kurtosis 11.29
Mean Rhythmic Value Run Length 1.371
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 0.8229
Mean Rhythmic Value Offset 0.1611
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.79
Complete Rests Fraction 2.445e-06
Partial Rests Fraction 0.4836
Average Rest Fraction Across Voices 0.1585
Longest Complete Rest 0.0
Longest Partial Rest 60.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 10.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 6.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 11.7
Variability Across Voices of Combined Rests 38.97
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 1.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5503
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2309
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.383
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7813
Rhythmic Variability - Tempo Standardized 0.04967
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 0.0
Metrical Diversity 2.0
Total Number of Notes 447.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.6585
Minimum Note Duration 0.09375
Maximum Note Duration 6.75
Average Note Duration 0.6015
Variability of Note Durations 0.6383
Amount of Staccato 0.008949
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 6.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 54.0
Second Strongest Rhythmic Pulse 80.0
Harmonicity of Two Strongest Rhythmic Pulses 1.481
Strength of Strongest Rhythmic Pulse 0.2342
Strength of Second Strongest Rhythmic Pulse 0.1871
Strength Ratio of Two Strongest Rhythmic Pulses 1.252
Combined Strength of Two Strongest Rhythmic Pulses 0.4213
Rhythmic Variability 0.03188
Rhythmic Looseness 0.0
Polyrhythms 0.5
Tempo Variability 0.0
Duration in Seconds 79.88
Note Density 5.596
Note Density Variability 1.85
Average Time Between Attacks 0.3247
Average Time Between Attacks for Each Voice 0.644
Variability of Time Between Attacks 0.1764
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.4516
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 0.3871
Relative Note Density of Highest Line 0.6443
Relative Note Durations of Lowest Line 0.9777
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.8613
Voice Separation 6.0
Variability of Voice Separation 4.359
Parallel Motion 0.05128
Average Number of Independent Voices 3.366
Similar Motion 0.1329
Contrary Motion 0.1469
Oblique Motion 0.669
Parallel Fifths 0.004662
Parallel Octaves 0.002331
Variability of Number of Independent Voices 0.7613
Voice Equality - Number of Notes 22.08
Voice Equality - Note Duration 7.306
Voice Equality - Dynamics 0.5
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 3.862
Importance of Loudest Voice 1.0