File

Last modified on: April 13, 2020, 5:12 p.m.

F164_35_Compere_Che_fa_OMRcorrIL.xml


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Che fa la ramanzina
File Type
Symbolic Music
File Format
xml
File Size
113.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2412
Prevalence of Second Most Common Vertical Interval 0.1809
Prevalence Ratio of Two Most Common Vertical Intervals 0.75
Vertical Unisons 0.03589
Vertical Minor Seconds 0.005743
Vertical Thirds 0.2692
Vertical Tritones 0.002872
Vertical Perfect Fourths 0.09835
Vertical Perfect Fifths 0.1809
Vertical Sixths 0.1687
Vertical Sevenths 0.01866
Vertical Octaves 0.2053
Perfect Vertical Intervals 0.5205
Vertical Dissonance Ratio 0.04345
Vertical Minor Third Prevalence 0.3019
Vertical Major Third Prevalence 0.3443
Chord Duration 3.028
Partial Chords 0.608
Standard Triads 0.3266
Diminished and Augmented Triads 0.01005
Dominant Seventh Chords 0.0
Seventh Chords 0.01508
Non-Standard Chords 0.05025
Complex Chords 0.0
Minor Major Triad Ratio 0.625
Average Number of Simultaneous Pitch Classes 2.344
Variability of Number of Simultaneous Pitch Classes 0.6511
Average Number of Simultaneous Pitches 2.854
Variability of Number of Simultaneous Pitches 0.9379
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1452
Stepwise Motion 0.4946
Melodic Thirds 0.03763
Melodic Perfect Fourths 0.02688
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03226
Melodic Sixths 0.01613
Melodic Sevenths 0.0
Melodic Octaves 0.01075
Melodic Large Intervals 0.0
Most Common Melodic Interval 0.0
Minor Major Melodic Third Ratio 1.333
Melodic Embellishments 0.005263
Direction of Melodic Motion 0.3913
Average Length of Melodic Arcs 2.212
Average Interval Spanned by Melodic Arcs 5.346
Melodic Pitch Variety 3.987
Mean Melodic Interval 1.597
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.3817
Relative Prevalence of Most Common Melodic Intervals 0.9155
Amount of Arpeggiation 0.4624
Repeated Notes 0.3817
Importance of Middle Register 0.6526
Importance of High Register 0.0
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 56.0
Mean Pitch Class 5.384
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1263
Prevalence of Most Common Pitch Class 0.1947
Relative Prevalence of Top Pitches 0.8333
Relative Prevalence of Top Pitch Classes 0.8378
Interval Between Most Prevalent Pitches 4.0
Interval Between Most Prevalent Pitch Classes 3.0
Pitch Variability 6.527
Pitch Class Variability 3.348
Pitch Class Variability After Folding 4.176
Pitch Skewness -0.2976
Pitch Class Skewness 0.3442
Pitch Class Skewness After Folding 1.236
Pitch Kurtosis 5.394
Pitch Class Kurtosis 4.827
Pitch Class Kurtosis After Folding 4.67
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 43.0
Last Pitch Class 7.0
Glissando Prevalence 0.02105
Average Range of Glissandos 0.0
Number of Pitches 18.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.02105
Number of Pitch Classes 7.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 0.0
Range 29.0
Importance of Bass Register 0.3474
Note Density per Quarter Note 0.8756
Note Density per Quarter Note per Voice 0.8756
Note Density per Quarter Note Variability 0.5309
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 2.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.6211
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8789
Prevalence of Very Long Rhythmic Values 0.1263
Prevalence of Dotted Notes 0.1368
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 3.053
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.5
Relative Prevalence of Most Common Rhythmic Values 0.4526
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.125
Rhythmic Value Skewness 1.486
Rhythmic Value Kurtosis 12.59
Mean Rhythmic Value Run Length 2.235
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.81
Mean Rhythmic Value Offset 0.2737
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.748
Complete Rests Fraction 0.02304
Partial Rests Fraction 0.02304
Average Rest Fraction Across Voices 0.02304
Longest Complete Rest 4.0
Longest Partial Rest 4.0
Mean Complete Rest Duration 2.5
Mean Partial Rest Duration 2.5
Median Complete Rest Duration 4.0
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 2.121
Variability of Partial Rest Durations 2.121
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.7494
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1346
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 5.569
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.884
Rhythmic Variability - Tempo Standardized 0.06057
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 190.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 0.2317
Minimum Note Duration 0.1875
Maximum Note Duration 4.5
Average Note Duration 0.6237
Variability of Note Durations 0.6628
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 40.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.2313
Strength of Second Strongest Rhythmic Pulse 0.2259
Strength Ratio of Two Strongest Rhythmic Pulses 1.024
Combined Strength of Two Strongest Rhythmic Pulses 0.4572
Rhythmic Variability 0.03494
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 40.69
Note Density 4.67
Note Density Variability 2.214
Average Time Between Attacks 0.4127
Average Time Between Attacks for Each Voice 0.4127
Variability of Time Between Attacks 0.2317
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.2947
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.1356
Average Number of Independent Voices 1.0
Similar Motion 0.1186
Contrary Motion 0.1356
Oblique Motion 0.6102
Parallel Fifths 0.008475
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0