File

Last modified on: April 13, 2020, 9:57 p.m.

De_Beata_Marie_Virginis_II_Gloria_5.mid


Source
RenComp7
Musical Work
Missa De Beata Marie Virginis (II)
Section
Gloria
File Type
Symbolic Music
File Format
.mid
File Size
9.6 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.211
Prevalence of Second Most Common Vertical Interval 0.1714
Prevalence Ratio of Two Most Common Vertical Intervals 0.8123
Vertical Unisons 0.04633
Vertical Minor Seconds 0.004002
Vertical Thirds 0.296
Vertical Tritones 0.008722
Vertical Perfect Fourths 0.1284
Vertical Perfect Fifths 0.1702
Vertical Sixths 0.1327
Vertical Sevenths 0.02237
Vertical Octaves 0.1646
Perfect Vertical Intervals 0.5096
Vertical Dissonance Ratio 0.06578
Vertical Minor Third Prevalence 0.5107
Vertical Major Third Prevalence 0.6048
Chord Duration 1.856
Partial Chords 0.2025
Standard Triads 0.5874
Diminished and Augmented Triads 0.01514
Dominant Seventh Chords 0.007571
Seventh Chords 0.03281
Non-Standard Chords 0.1773
Complex Chords 0.005678
Minor Major Triad Ratio 0.2736
Average Number of Simultaneous Pitch Classes 2.782
Variability of Number of Simultaneous Pitch Classes 0.6832
Average Number of Simultaneous Pitches 3.561
Variability of Number of Simultaneous Pitches 1.126
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2395
Stepwise Motion 0.7395
Melodic Thirds 0.1017
Melodic Perfect Fourths 0.05228
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04087
Melodic Sixths 0.0009506
Melodic Sevenths 0.001901
Melodic Octaves 0.01616
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.963
Melodic Embellishments 0.0492
Direction of Melodic Motion 0.4835
Average Length of Melodic Arcs 2.139
Average Interval Spanned by Melodic Arcs 5.215
Melodic Pitch Variety 5.288
Mean Melodic Interval 2.34
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.5
Relative Prevalence of Most Common Melodic Intervals 0.4791
Amount of Arpeggiation 0.2072
Repeated Notes 0.04658
Importance of Middle Register 0.843
Importance of High Register 0.1031
Dominant Spread 6.0
Strong Tonal Centres 1.0
Mean Pitch 64.0
Mean Pitch Class 5.171
Most Common Pitch 67.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1306
Prevalence of Most Common Pitch Class 0.1892
Relative Prevalence of Top Pitches 0.8768
Relative Prevalence of Top Pitch Classes 0.96
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.332
Pitch Class Variability 3.372
Pitch Class Variability After Folding 3.04
Pitch Skewness -0.2416
Pitch Class Skewness 0.1524
Pitch Class Skewness After Folding 0.3389
Pitch Kurtosis 5.741
Pitch Class Kurtosis 4.935
Pitch Class Kurtosis After Folding 7.266
Major or Minor 0.0
First Pitch 60.0
First Pitch Class 0.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 27.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.05393
Note Density per Quarter Note 1.258
Note Density per Quarter Note per Voice 1.258
Note Density per Quarter Note Variability 0.7692
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01325
Prevalence of Medium Rhythmic Values 0.6329
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7578
Prevalence of Very Long Rhythmic Values 0.08231
Prevalence of Dotted Notes 0.1315
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.874
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3907
Relative Prevalence of Most Common Rhythmic Values 0.586
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.385
Rhythmic Value Skewness 1.099
Rhythmic Value Kurtosis 12.76
Mean Rhythmic Value Run Length 1.662
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.113
Mean Rhythmic Value Offset 0.1703
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.808
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices 2.03e-12
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5555
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2249
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.47
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7803
Rhythmic Variability - Tempo Standardized 0.04975
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 1057.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 1.997
Minimum Note Duration 0.5
Maximum Note Duration 16.0
Average Note Duration 3.044
Variability of Note Durations 3.075
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.9462
Strength of Second Strongest Rhythmic Pulse 0.03118
Strength Ratio of Two Strongest Rhythmic Pulses 30.34
Combined Strength of Two Strongest Rhythmic Pulses 0.9774
Rhythmic Variability 0.07461
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 840.0
Note Density 1.258
Note Density Variability 0.8242
Average Time Between Attacks 1.759
Average Time Between Attacks for Each Voice 1.759
Variability of Time Between Attacks 1.997
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.06055
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.05567
Average Number of Independent Voices 1.0
Similar Motion 0.1443
Contrary Motion 0.1742
Oblique Motion 0.6258
Parallel Fifths 0.003093
Parallel Octaves 0.002062
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0