| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1851 |
| Prevalence of Second Most Common Vertical Interval |
0.1728 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9334 |
| Vertical Unisons |
0.005478 |
| Vertical Minor Seconds |
0.003913 |
| Vertical Thirds |
0.2837 |
| Vertical Tritones |
0.005478 |
| Vertical Perfect Fourths |
0.1295 |
| Vertical Perfect Fifths |
0.1851 |
| Vertical Sixths |
0.1683 |
| Vertical Sevenths |
0.02661 |
| Vertical Octaves |
0.1673 |
| Perfect Vertical Intervals |
0.4874 |
| Vertical Dissonance Ratio |
0.06457 |
| Vertical Minor Third Prevalence |
0.4615 |
| Vertical Major Third Prevalence |
0.4071 |
| Chord Duration |
1.924 |
| Partial Chords |
0.316 |
| Standard Triads |
0.5069 |
| Diminished and Augmented Triads |
0.01736 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01215 |
| Non-Standard Chords |
0.1649 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.755 |
| Average Number of Simultaneous Pitch Classes |
2.587 |
| Variability of Number of Simultaneous Pitch Classes |
0.6786 |
| Average Number of Simultaneous Pitches |
3.234 |
| Variability of Number of Simultaneous Pitches |
0.9387 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2507 |
| Stepwise Motion |
0.6806 |
| Melodic Thirds |
0.08657 |
| Melodic Perfect Fourths |
0.05373 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05373 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.00597 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
6.25 |
| Melodic Embellishments |
0.07375 |
| Direction of Melodic Motion |
0.4441 |
| Average Length of Melodic Arcs |
2.122 |
| Average Interval Spanned by Melodic Arcs |
4.914 |
| Melodic Pitch Variety |
5.337 |
| Mean Melodic Interval |
2.099 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4299 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5833 |
| Amount of Arpeggiation |
0.2657 |
| Repeated Notes |
0.1194 |
| Importance of Middle Register |
0.767 |
| Importance of High Register |
0.0118 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.0 |
| Mean Pitch Class |
5.678 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.118 |
| Prevalence of Most Common Pitch Class |
0.2065 |
| Relative Prevalence of Top Pitches |
0.875 |
| Relative Prevalence of Top Pitch Classes |
0.9714 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.302 |
| Pitch Class Variability |
3.191 |
| Pitch Class Variability After Folding |
3.646 |
| Pitch Skewness |
-0.1539 |
| Pitch Class Skewness |
-1.242 |
| Pitch Class Skewness After Folding |
0.7913 |
| Pitch Kurtosis |
5.405 |
| Pitch Class Kurtosis |
4.83 |
| Pitch Class Kurtosis After Folding |
5.515 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.2212 |
| Note Density per Quarter Note |
1.087 |
| Note Density per Quarter Note per Voice |
1.087 |
| Note Density per Quarter Note Variability |
0.5607 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0177 |
| Prevalence of Medium Rhythmic Values |
0.528 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7227 |
| Prevalence of Very Long Rhythmic Values |
0.115 |
| Prevalence of Dotted Notes |
0.1209 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.997 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.2714 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9565 |
| Difference Between Most Common Rhythmic Values |
4.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.102 |
| Rhythmic Value Skewness |
1.423 |
| Rhythmic Value Kurtosis |
8.067 |
| Mean Rhythmic Value Run Length |
1.5 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.7439 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.0 |
| Average Rest Fraction Across Voices |
-0.000000000001671 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
0.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
0.0 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
0.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
0.0 |
| Variability Across Voices of Combined Rests |
0.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5014 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2454 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.043 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7469 |
| Rhythmic Variability - Tempo Standardized |
0.04766 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
339.0 |
| Initial Tempo |
60.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.251 |
| Minimum Note Duration |
0.5 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
2.997 |
| Variability of Note Durations |
2.102 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
60.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.941 |
| Strength of Second Strongest Rhythmic Pulse |
0.04428 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
21.25 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9852 |
| Rhythmic Variability |
0.07422 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
312.0 |
| Note Density |
1.087 |
| Note Density Variability |
0.6627 |
| Average Time Between Attacks |
1.776 |
| Average Time Between Attacks for Each Voice |
1.776 |
| Variability of Time Between Attacks |
1.251 |
| Maximum Number of Independent Voices |
1.0 |
| Relative Range of Loudest Voice |
1.0 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
1.0 |
| Relative Note Density of Highest Line |
0.174 |
| Relative Note Durations of Lowest Line |
1.0 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.0 |
| Voice Separation |
0.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.0591 |
| Average Number of Independent Voices |
1.0 |
| Similar Motion |
0.1111 |
| Contrary Motion |
0.1513 |
| Oblique Motion |
0.6785 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.0 |
| Voice Equality - Number of Notes |
0.0 |
| Voice Equality - Note Duration |
0.0 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
0.0 |