| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1981 |
| Prevalence of Second Most Common Vertical Interval |
0.196 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9893 |
| Vertical Unisons |
0.03847 |
| Vertical Minor Seconds |
0.002479 |
| Vertical Thirds |
0.2886 |
| Vertical Tritones |
0.006269 |
| Vertical Perfect Fourths |
0.1226 |
| Vertical Perfect Fifths |
0.196 |
| Vertical Sixths |
0.1262 |
| Vertical Sevenths |
0.0256 |
| Vertical Octaves |
0.1597 |
| Perfect Vertical Intervals |
0.5168 |
| Vertical Dissonance Ratio |
0.07349 |
| Vertical Minor Third Prevalence |
0.3557 |
| Vertical Major Third Prevalence |
0.3472 |
| Chord Duration |
1.999 |
| Partial Chords |
0.52 |
| Standard Triads |
0.3646 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.007551 |
| Non-Standard Chords |
0.1079 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.331 |
| Average Number of Simultaneous Pitch Classes |
2.326 |
| Variability of Number of Simultaneous Pitch Classes |
0.7314 |
| Average Number of Simultaneous Pitches |
2.732 |
| Variability of Number of Simultaneous Pitches |
0.9306 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.753 |
| Variation of Dynamics In Each Voice |
1.758 |
| Average Note to Note Change in Dynamics |
1.872 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1701 |
| Stepwise Motion |
0.61 |
| Melodic Thirds |
0.1035 |
| Melodic Perfect Fourths |
0.04067 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02588 |
| Melodic Sixths |
0.009242 |
| Melodic Sevenths |
0.001848 |
| Melodic Octaves |
0.01294 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.667 |
| Melodic Embellishments |
0.02018 |
| Direction of Melodic Motion |
0.4391 |
| Average Length of Melodic Arcs |
1.726 |
| Average Interval Spanned by Melodic Arcs |
4.258 |
| Melodic Pitch Variety |
4.093 |
| Mean Melodic Interval |
2.017 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.4399 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4454 |
| Amount of Arpeggiation |
0.3401 |
| Repeated Notes |
0.1959 |
| Importance of Middle Register |
0.9064 |
| Importance of High Register |
0.04404 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.59 |
| Mean Pitch Class |
5.031 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1505 |
| Prevalence of Most Common Pitch Class |
0.1963 |
| Relative Prevalence of Top Pitches |
0.7683 |
| Relative Prevalence of Top Pitch Classes |
0.8972 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
5.538 |
| Pitch Class Variability |
3.473 |
| Pitch Class Variability After Folding |
3.258 |
| Pitch Skewness |
-0.3479 |
| Pitch Class Skewness |
0.02694 |
| Pitch Class Skewness After Folding |
0.4106 |
| Pitch Kurtosis |
5.858 |
| Pitch Class Kurtosis |
4.867 |
| Pitch Class Kurtosis After Folding |
7.024 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
19.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.04954 |
| Note Density per Quarter Note |
1.017 |
| Note Density per Quarter Note per Voice |
0.2542 |
| Note Density per Quarter Note Variability |
0.5225 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.02936 |
| Prevalence of Medium Rhythmic Values |
0.5963 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8073 |
| Prevalence of Very Long Rhythmic Values |
0.03486 |
| Prevalence of Dotted Notes |
0.07156 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.723 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4037 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7636 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.722 |
| Rhythmic Value Skewness |
1.259 |
| Rhythmic Value Kurtosis |
14.9 |
| Mean Rhythmic Value Run Length |
2.189 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.032 |
| Mean Rhythmic Value Offset |
0.04404 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4178 |
| Complete Rests Fraction |
0.0112 |
| Partial Rests Fraction |
0.6866 |
| Average Rest Fraction Across Voices |
0.2966 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
78.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
13.53 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
18.38 |
| Variability Across Voices of Combined Rests |
22.18 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6346 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1723 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.684 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8069 |
| Rhythmic Variability - Tempo Standardized |
0.05339 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
545.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.277 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.5188 |
| Variability of Note Durations |
0.373 |
| Amount of Staccato |
0.02936 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
54.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
| Strength of Strongest Rhythmic Pulse |
0.2129 |
| Strength of Second Strongest Rhythmic Pulse |
0.2006 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.061 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4135 |
| Rhythmic Variability |
0.03245 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
100.5 |
| Note Density |
5.423 |
| Note Density Variability |
2.161 |
| Average Time Between Attacks |
0.3407 |
| Average Time Between Attacks for Each Voice |
0.703 |
| Variability of Time Between Attacks |
0.1906 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5172 |
| Relative Range Isolation of Loudest Voice |
0.48 |
| Relative Range of Highest Line |
0.5172 |
| Relative Note Density of Highest Line |
0.5064 |
| Relative Note Durations of Lowest Line |
1.068 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8716 |
| Voice Separation |
4.333 |
| Variability of Voice Separation |
2.887 |
| Parallel Motion |
0.05161 |
| Average Number of Independent Voices |
2.845 |
| Similar Motion |
0.1484 |
| Contrary Motion |
0.1677 |
| Oblique Motion |
0.6323 |
| Parallel Fifths |
0.004301 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8958 |
| Voice Equality - Number of Notes |
17.58 |
| Voice Equality - Note Duration |
4.159 |
| Voice Equality - Dynamics |
0.5 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
0.9574 |
| Importance of Loudest Voice |
0.3333 |