File

Last modified on: April 13, 2020, 4:40 p.m.

F164_04_Pisano_Son_io_1_OMRcorrIL_newversionJS.mid


Source
Florence, Italy, Biblioteca Nazionale Centrale, MS Magliabechi XIX.164-167
Musical Work
Son io donna qual mostri ogni tuo bene
File Type
Symbolic Music
File Format
midi
File Size
7.8 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1981
Prevalence of Second Most Common Vertical Interval 0.196
Prevalence Ratio of Two Most Common Vertical Intervals 0.9893
Vertical Unisons 0.03847
Vertical Minor Seconds 0.002479
Vertical Thirds 0.2886
Vertical Tritones 0.006269
Vertical Perfect Fourths 0.1226
Vertical Perfect Fifths 0.196
Vertical Sixths 0.1262
Vertical Sevenths 0.0256
Vertical Octaves 0.1597
Perfect Vertical Intervals 0.5168
Vertical Dissonance Ratio 0.07349
Vertical Minor Third Prevalence 0.3557
Vertical Major Third Prevalence 0.3472
Chord Duration 1.999
Partial Chords 0.52
Standard Triads 0.3646
Diminished and Augmented Triads 0.0
Dominant Seventh Chords 0.0
Seventh Chords 0.007551
Non-Standard Chords 0.1079
Complex Chords 0.0
Minor Major Triad Ratio 1.331
Average Number of Simultaneous Pitch Classes 2.326
Variability of Number of Simultaneous Pitch Classes 0.7314
Average Number of Simultaneous Pitches 2.732
Variability of Number of Simultaneous Pitches 0.9306
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 4.0
Variation of Dynamics 1.753
Variation of Dynamics In Each Voice 1.758
Average Note to Note Change in Dynamics 1.872
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 0.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.1701
Stepwise Motion 0.61
Melodic Thirds 0.1035
Melodic Perfect Fourths 0.04067
Melodic Tritones 0.0
Melodic Perfect Fifths 0.02588
Melodic Sixths 0.009242
Melodic Sevenths 0.001848
Melodic Octaves 0.01294
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.667
Melodic Embellishments 0.02018
Direction of Melodic Motion 0.4391
Average Length of Melodic Arcs 1.726
Average Interval Spanned by Melodic Arcs 4.258
Melodic Pitch Variety 4.093
Mean Melodic Interval 2.017
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 2.0
Prevalence of Most Common Melodic Interval 0.4399
Relative Prevalence of Most Common Melodic Intervals 0.4454
Amount of Arpeggiation 0.3401
Repeated Notes 0.1959
Importance of Middle Register 0.9064
Importance of High Register 0.04404
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 62.59
Mean Pitch Class 5.031
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1505
Prevalence of Most Common Pitch Class 0.1963
Relative Prevalence of Top Pitches 0.7683
Relative Prevalence of Top Pitch Classes 0.8972
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 5.538
Pitch Class Variability 3.473
Pitch Class Variability After Folding 3.258
Pitch Skewness -0.3479
Pitch Class Skewness 0.02694
Pitch Class Skewness After Folding 0.4106
Pitch Kurtosis 5.858
Pitch Class Kurtosis 4.867
Pitch Class Kurtosis After Folding 7.024
Major or Minor 0.0
First Pitch 67.0
First Pitch Class 7.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 19.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 8.0
Number of Common Pitches 5.0
Number of Common Pitch Classes 0.0
Range 29.0
Importance of Bass Register 0.04954
Note Density per Quarter Note 1.017
Note Density per Quarter Note per Voice 0.2542
Note Density per Quarter Note Variability 0.5225
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.02936
Prevalence of Medium Rhythmic Values 0.5963
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8073
Prevalence of Very Long Rhythmic Values 0.03486
Prevalence of Dotted Notes 0.07156
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.723
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4037
Relative Prevalence of Most Common Rhythmic Values 0.7636
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.722
Rhythmic Value Skewness 1.259
Rhythmic Value Kurtosis 14.9
Mean Rhythmic Value Run Length 2.189
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 2.032
Mean Rhythmic Value Offset 0.04404
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4178
Complete Rests Fraction 0.0112
Partial Rests Fraction 0.6866
Average Rest Fraction Across Voices 0.2966
Longest Complete Rest 2.0
Longest Partial Rest 78.0
Mean Complete Rest Duration 2.0
Mean Partial Rest Duration 13.53
Median Complete Rest Duration 2.0
Median Partial Rest Duration 4.0
Duple Initial Meter 1.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 18.38
Variability Across Voices of Combined Rests 22.18
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 4.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6346
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1723
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.684
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8069
Rhythmic Variability - Tempo Standardized 0.05339
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 0.0
Metrical Diversity 1.0
Total Number of Notes 545.0
Initial Tempo 320.0
Average Variability of Time Between Attacks for Each Voice 1.277
Minimum Note Duration 0.09375
Maximum Note Duration 3.0
Average Note Duration 0.5188
Variability of Note Durations 0.373
Amount of Staccato 0.02936
Number of Strong Rhythmic Pulses 4.0
Number of Moderate Rhythmic Pulses 7.0
Number of Relatively Strong Rhythmic Pulses 4.0
Mean Tempo 320.0
Strongest Rhythmic Pulse 80.0
Second Strongest Rhythmic Pulse 54.0
Harmonicity of Two Strongest Rhythmic Pulses 1.481
Strength of Strongest Rhythmic Pulse 0.2129
Strength of Second Strongest Rhythmic Pulse 0.2006
Strength Ratio of Two Strongest Rhythmic Pulses 1.061
Combined Strength of Two Strongest Rhythmic Pulses 0.4135
Rhythmic Variability 0.03245
Rhythmic Looseness 0.0
Polyrhythms 0.75
Tempo Variability 0.0
Duration in Seconds 100.5
Note Density 5.423
Note Density Variability 2.161
Average Time Between Attacks 0.3407
Average Time Between Attacks for Each Voice 0.703
Variability of Time Between Attacks 0.1906
Maximum Number of Independent Voices 4.0
Relative Range of Loudest Voice 0.5172
Relative Range Isolation of Loudest Voice 0.48
Relative Range of Highest Line 0.5172
Relative Note Density of Highest Line 0.5064
Relative Note Durations of Lowest Line 1.068
Relative Size of Melodic Intervals in Lowest Line 0.8
Voice Overlap 0.8716
Voice Separation 4.333
Variability of Voice Separation 2.887
Parallel Motion 0.05161
Average Number of Independent Voices 2.845
Similar Motion 0.1484
Contrary Motion 0.1677
Oblique Motion 0.6323
Parallel Fifths 0.004301
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.8958
Voice Equality - Number of Notes 17.58
Voice Equality - Note Duration 4.159
Voice Equality - Dynamics 0.5
Voice Equality - Melodic Leaps 0.5
Voice Equality - Range 0.9574
Importance of Loudest Voice 0.3333