File

Last modified on: April 13, 2020, 10:02 p.m.

Io_mi_son_giovinetta_1570_Agnus_II_6.mid


Source
RenComp7
Musical Work
Missa Io mi son giovinetta (1570)
Section
Agnus II
File Type
Symbolic Music
File Format
.mid
File Size
6.2 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2214
Prevalence of Second Most Common Vertical Interval 0.1998
Prevalence Ratio of Two Most Common Vertical Intervals 0.9027
Vertical Unisons 0.05568
Vertical Minor Seconds 0.004248
Vertical Thirds 0.2641
Vertical Tritones 0.0132
Vertical Perfect Fourths 0.1155
Vertical Perfect Fifths 0.1998
Vertical Sixths 0.1267
Vertical Sevenths 0.02564
Vertical Octaves 0.1657
Perfect Vertical Intervals 0.5366
Vertical Dissonance Ratio 0.07819
Vertical Minor Third Prevalence 0.6604
Vertical Major Third Prevalence 0.6368
Chord Duration 1.648
Partial Chords 0.1209
Standard Triads 0.6066
Diminished and Augmented Triads 0.03555
Dominant Seventh Chords 0.009479
Seventh Chords 0.04265
Non-Standard Chords 0.2299
Complex Chords 0.01185
Minor Major Triad Ratio 0.6516
Average Number of Simultaneous Pitch Classes 3.0
Variability of Number of Simultaneous Pitch Classes 0.5408
Average Number of Simultaneous Pitches 4.094
Variability of Number of Simultaneous Pitches 0.8663
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2092
Stepwise Motion 0.6142
Melodic Thirds 0.1113
Melodic Perfect Fourths 0.08754
Melodic Tritones 0.0
Melodic Perfect Fifths 0.0727
Melodic Sixths 0.002967
Melodic Sevenths 0.0
Melodic Octaves 0.008902
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.167
Melodic Embellishments 0.05882
Direction of Melodic Motion 0.4562
Average Length of Melodic Arcs 1.795
Average Interval Spanned by Melodic Arcs 4.858
Melodic Pitch Variety 5.044
Mean Melodic Interval 2.457
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.405
Relative Prevalence of Most Common Melodic Intervals 0.5165
Amount of Arpeggiation 0.2953
Repeated Notes 0.1024
Importance of Middle Register 0.8074
Importance of High Register 0.06765
Dominant Spread 6.0
Strong Tonal Centres 1.0
Mean Pitch 61.0
Mean Pitch Class 5.135
Most Common Pitch 62.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.1176
Prevalence of Most Common Pitch Class 0.1912
Relative Prevalence of Top Pitches 0.8875
Relative Prevalence of Top Pitch Classes 0.9846
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.938
Pitch Class Variability 3.392
Pitch Class Variability After Folding 3.899
Pitch Skewness -0.0178
Pitch Class Skewness 0.1197
Pitch Class Skewness After Folding 1.544
Pitch Kurtosis 5.559
Pitch Class Kurtosis 4.723
Pitch Class Kurtosis After Folding 5.162
Major or Minor 0.0
First Pitch 55.0
First Pitch Class 7.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 30.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 0.0
Range 34.0
Importance of Bass Register 0.125
Note Density per Quarter Note 1.604
Note Density per Quarter Note per Voice 1.604
Note Density per Quarter Note Variability 0.4463
Range of Rhythmic Values 7.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.0
Prevalence of Medium Rhythmic Values 0.55
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8103
Prevalence of Very Long Rhythmic Values 0.04412
Prevalence of Dotted Notes 0.09559
Shortest Rhythmic Value 1.0
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.806
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3603
Relative Prevalence of Most Common Rhythmic Values 0.8939
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.625
Rhythmic Value Skewness 1.488
Rhythmic Value Kurtosis 11.52
Mean Rhythmic Value Run Length 1.804
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.715
Mean Rhythmic Value Offset 0.02353
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4849
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices -4.593e-12
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5814
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2243
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.592
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8057
Rhythmic Variability - Tempo Standardized 0.05123
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 680.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 0.5993
Minimum Note Duration 1.0
Maximum Note Duration 24.0
Average Note Duration 2.829
Variability of Note Durations 1.819
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 1.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 0.0
Harmonicity of Two Strongest Rhythmic Pulses 60.0
Strength of Strongest Rhythmic Pulse 1.0
Strength of Second Strongest Rhythmic Pulse 0.0
Strength Ratio of Two Strongest Rhythmic Pulses 0.0
Combined Strength of Two Strongest Rhythmic Pulses 1.0
Rhythmic Variability 0.07881
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 424.0
Note Density 1.604
Note Density Variability 0.5768
Average Time Between Attacks 1.494
Average Time Between Attacks for Each Voice 1.494
Variability of Time Between Attacks 0.5993
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.08971
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.04798
Average Number of Independent Voices 1.0
Similar Motion 0.1469
Contrary Motion 0.1259
Oblique Motion 0.6792
Parallel Fifths 0.001499
Parallel Octaves 0.001499
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0