File

Last modified on: April 13, 2020, 10:18 p.m.

In_duplicibus_minoribus_II_Benedictus_5.mid


Source
RenComp7
Musical Work
Missa In duplicibus minoribus (II)
Section
Benedictus
File Type
Symbolic Music
File Format
.mid
File Size
4.1 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1944
Prevalence of Second Most Common Vertical Interval 0.1926
Prevalence Ratio of Two Most Common Vertical Intervals 0.9912
Vertical Unisons 0.04694
Vertical Minor Seconds 0.006593
Vertical Thirds 0.3339
Vertical Tritones 0.005538
Vertical Perfect Fourths 0.1138
Vertical Perfect Fifths 0.1926
Vertical Sixths 0.1031
Vertical Sevenths 0.01213
Vertical Octaves 0.1474
Perfect Vertical Intervals 0.5008
Vertical Dissonance Ratio 0.06637
Vertical Minor Third Prevalence 0.5881
Vertical Major Third Prevalence 0.6548
Chord Duration 1.776
Partial Chords 0.1724
Standard Triads 0.5948
Diminished and Augmented Triads 0.01724
Dominant Seventh Chords 0.00431
Seventh Chords 0.008621
Non-Standard Chords 0.2241
Complex Chords 0.0
Minor Major Triad Ratio 0.6967
Average Number of Simultaneous Pitch Classes 2.852
Variability of Number of Simultaneous Pitch Classes 0.4894
Average Number of Simultaneous Pitches 3.577
Variability of Number of Simultaneous Pitches 0.6866
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2217
Stepwise Motion 0.6143
Melodic Thirds 0.1247
Melodic Perfect Fourths 0.07159
Melodic Tritones 0.0
Melodic Perfect Fifths 0.097
Melodic Sixths 0.002309
Melodic Sevenths 0.0
Melodic Octaves 0.01155
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.455
Melodic Embellishments 0.04795
Direction of Melodic Motion 0.5063
Average Length of Melodic Arcs 1.805
Average Interval Spanned by Melodic Arcs 5.072
Melodic Pitch Variety 4.871
Mean Melodic Interval 2.626
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.3926
Relative Prevalence of Most Common Melodic Intervals 0.5647
Amount of Arpeggiation 0.3118
Repeated Notes 0.07852
Importance of Middle Register 0.8493
Importance of High Register 0.002283
Dominant Spread 7.0
Strong Tonal Centres 2.0
Mean Pitch 60.0
Mean Pitch Class 5.169
Most Common Pitch 60.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1256
Prevalence of Most Common Pitch Class 0.1621
Relative Prevalence of Top Pitches 0.9273
Relative Prevalence of Top Pitch Classes 0.9859
Interval Between Most Prevalent Pitches 2.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 5.666
Pitch Class Variability 3.523
Pitch Class Variability After Folding 2.999
Pitch Skewness 0.03869
Pitch Class Skewness 0.1439
Pitch Class Skewness After Folding 0.3334
Pitch Kurtosis 5.831
Pitch Class Kurtosis 4.868
Pitch Class Kurtosis After Folding 7.395
Major or Minor 0.0
First Pitch 57.0
First Pitch Class 9.0
Last Pitch 52.0
Last Pitch Class 4.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 23.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.1484
Note Density per Quarter Note 1.244
Note Density per Quarter Note per Voice 1.244
Note Density per Quarter Note Variability 0.4753
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.02283
Prevalence of Medium Rhythmic Values 0.5731
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.774
Prevalence of Very Long Rhythmic Values 0.07763
Prevalence of Dotted Notes 0.08676
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.941
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.347
Relative Prevalence of Most Common Rhythmic Values 0.8618
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 2.147
Rhythmic Value Skewness 1.314
Rhythmic Value Kurtosis 11.93
Mean Rhythmic Value Run Length 1.864
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.504
Mean Rhythmic Value Offset 0.137
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 1.091
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices -2.928e-12
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 120.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 2.0
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.5989
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1921
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.117
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.791
Rhythmic Variability - Tempo Standardized 0.05161
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 438.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 1.192
Minimum Note Duration 0.5
Maximum Note Duration 24.0
Average Note Duration 3.078
Variability of Note Durations 2.878
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.901
Strength of Second Strongest Rhythmic Pulse 0.05941
Strength Ratio of Two Strongest Rhythmic Pulses 15.17
Combined Strength of Two Strongest Rhythmic Pulses 0.9604
Rhythmic Variability 0.07118
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 352.0
Note Density 1.244
Note Density Variability 0.535
Average Time Between Attacks 1.575
Average Time Between Attacks for Each Voice 1.575
Variability of Time Between Attacks 1.192
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.137
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.05274
Average Number of Independent Voices 1.0
Similar Motion 0.1076
Contrary Motion 0.1646
Oblique Motion 0.6751
Parallel Fifths 0.006329
Parallel Octaves 0.006329
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0