| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2124 |
| Prevalence of Second Most Common Vertical Interval |
0.1995 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9394 |
| Vertical Unisons |
0.04026 |
| Vertical Minor Seconds |
0.00327 |
| Vertical Thirds |
0.3458 |
| Vertical Tritones |
0.006212 |
| Vertical Perfect Fourths |
0.09868 |
| Vertical Perfect Fifths |
0.1792 |
| Vertical Sixths |
0.1228 |
| Vertical Sevenths |
0.01408 |
| Vertical Octaves |
0.1721 |
| Perfect Vertical Intervals |
0.4903 |
| Vertical Dissonance Ratio |
0.04284 |
| Vertical Minor Third Prevalence |
0.6623 |
| Vertical Major Third Prevalence |
0.4868 |
| Chord Duration |
3.964 |
| Partial Chords |
0.2679 |
| Standard Triads |
0.5982 |
| Diminished and Augmented Triads |
0.01339 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01786 |
| Non-Standard Chords |
0.1161 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.481 |
| Average Number of Simultaneous Pitch Classes |
2.763 |
| Variability of Number of Simultaneous Pitch Classes |
0.5819 |
| Average Number of Simultaneous Pitches |
3.579 |
| Variability of Number of Simultaneous Pitches |
0.5757 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
4.0 |
| Variation of Dynamics |
1.968 |
| Variation of Dynamics In Each Voice |
1.975 |
| Average Note to Note Change in Dynamics |
3.028 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1661 |
| Stepwise Motion |
0.6454 |
| Melodic Thirds |
0.1406 |
| Melodic Perfect Fourths |
0.05112 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03195 |
| Melodic Sixths |
0.003195 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.143 |
| Melodic Embellishments |
0.02524 |
| Direction of Melodic Motion |
0.4835 |
| Average Length of Melodic Arcs |
1.857 |
| Average Interval Spanned by Melodic Arcs |
4.388 |
| Melodic Pitch Variety |
4.424 |
| Mean Melodic Interval |
2.096 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4792 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3467 |
| Amount of Arpeggiation |
0.3003 |
| Repeated Notes |
0.1278 |
| Importance of Middle Register |
0.6751 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
56.95 |
| Mean Pitch Class |
5.167 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1293 |
| Prevalence of Most Common Pitch Class |
0.1861 |
| Relative Prevalence of Top Pitches |
0.7317 |
| Relative Prevalence of Top Pitch Classes |
0.8983 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.205 |
| Pitch Class Variability |
3.426 |
| Pitch Class Variability After Folding |
3.187 |
| Pitch Skewness |
0.1052 |
| Pitch Class Skewness |
0.1464 |
| Pitch Class Skewness After Folding |
0.4366 |
| Pitch Kurtosis |
5.316 |
| Pitch Class Kurtosis |
4.932 |
| Pitch Class Kurtosis After Folding |
7.224 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
16.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.3249 |
| Note Density per Quarter Note |
0.6952 |
| Note Density per Quarter Note per Voice |
0.1738 |
| Note Density per Quarter Note Variability |
0.3413 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.1325 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9937 |
| Prevalence of Very Long Rhythmic Values |
0.4101 |
| Prevalence of Dotted Notes |
0.123 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
5.262 |
| Most Common Rhythmic Value |
4.0 |
| Prevalence of Most Common Rhythmic Value |
0.4511 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6503 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.341 |
| Rhythmic Value Skewness |
1.617 |
| Rhythmic Value Kurtosis |
5.744 |
| Mean Rhythmic Value Run Length |
1.315 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
0.8367 |
| Mean Rhythmic Value Offset |
0.1893 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.498 |
| Complete Rests Fraction |
0.000002284 |
| Partial Rests Fraction |
0.1842 |
| Average Rest Fraction Across Voices |
0.05263 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
9.6 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.262 |
| Variability Across Voices of Combined Rests |
16.33 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8957 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.07052 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
12.7 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9663 |
| Rhythmic Variability - Tempo Standardized |
0.07081 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
317.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7057 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
4.5 |
| Average Note Duration |
1.022 |
| Variability of Note Durations |
0.6012 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.4046 |
| Strength of Second Strongest Rhythmic Pulse |
0.3703 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.093 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7749 |
| Rhythmic Variability |
0.04457 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
85.5 |
| Note Density |
3.708 |
| Note Density Variability |
1.439 |
| Average Time Between Attacks |
0.6936 |
| Average Time Between Attacks for Each Voice |
1.032 |
| Variability of Time Between Attacks |
0.3443 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4615 |
| Relative Range Isolation of Loudest Voice |
0.4368 |
| Relative Range of Highest Line |
0.4615 |
| Relative Note Density of Highest Line |
0.8076 |
| Relative Note Durations of Lowest Line |
1.048 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.776 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
4.359 |
| Parallel Motion |
0.0807 |
| Average Number of Independent Voices |
3.789 |
| Similar Motion |
0.1895 |
| Contrary Motion |
0.2982 |
| Oblique Motion |
0.4316 |
| Parallel Fifths |
0.007018 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.4678 |
| Voice Equality - Number of Notes |
7.182 |
| Voice Equality - Note Duration |
3.062 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
1.0 |
| Importance of Loudest Voice |
0.0 |