File

Last modified on: April 13, 2020, 10:51 p.m.

In_te_Domine_speravi_1593-4_Sanctus_4.mid


Source
RenComp7
Musical Work
Missa In te Domine speravi (1593-4)
Section
Sanctus
File Type
Symbolic Music
File Format
.mid
File Size
5.5 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 3.0
Prevalence of Most Common Vertical Interval 0.1593
Prevalence of Second Most Common Vertical Interval 0.1579
Prevalence Ratio of Two Most Common Vertical Intervals 0.9913
Vertical Unisons 0.02976
Vertical Minor Seconds 0.008542
Vertical Thirds 0.3144
Vertical Tritones 0.02535
Vertical Perfect Fourths 0.1091
Vertical Perfect Fifths 0.1513
Vertical Sixths 0.1496
Vertical Sevenths 0.04409
Vertical Octaves 0.1281
Perfect Vertical Intervals 0.4183
Vertical Dissonance Ratio 0.1334
Vertical Minor Third Prevalence 0.5271
Vertical Major Third Prevalence 0.5059
Chord Duration 1.47
Partial Chords 0.2574
Standard Triads 0.4203
Diminished and Augmented Triads 0.05025
Dominant Seventh Chords 0.007353
Seventh Chords 0.01716
Non-Standard Chords 0.3051
Complex Chords 0.0
Minor Major Triad Ratio 0.7772
Average Number of Simultaneous Pitch Classes 2.757
Variability of Number of Simultaneous Pitch Classes 0.6479
Average Number of Simultaneous Pitches 3.283
Variability of Number of Simultaneous Pitches 0.7649
Most Common Vertical Interval 3.0
Second Most Common Vertical Interval 0.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2654
Stepwise Motion 0.7362
Melodic Thirds 0.1068
Melodic Perfect Fourths 0.04174
Melodic Tritones 0.0
Melodic Perfect Fifths 0.04007
Melodic Sixths 0.008347
Melodic Sevenths 0.0
Melodic Octaves 0.01169
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.556
Melodic Embellishments 0.1078
Direction of Melodic Motion 0.477
Average Length of Melodic Arcs 2.073
Average Interval Spanned by Melodic Arcs 4.905
Melodic Pitch Variety 5.496
Mean Melodic Interval 2.255
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4708
Relative Prevalence of Most Common Melodic Intervals 0.5638
Amount of Arpeggiation 0.2137
Repeated Notes 0.05509
Importance of Middle Register 0.7927
Importance of High Register 0.1376
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 65.0
Mean Pitch Class 5.297
Most Common Pitch 69.0
Most Common Pitch Class 9.0
Prevalence of Most Common Pitch 0.1111
Prevalence of Most Common Pitch Class 0.1725
Relative Prevalence of Top Pitches 0.7761
Relative Prevalence of Top Pitch Classes 0.9519
Interval Between Most Prevalent Pitches 7.0
Interval Between Most Prevalent Pitch Classes 7.0
Pitch Variability 6.809
Pitch Class Variability 3.47
Pitch Class Variability After Folding 3.459
Pitch Skewness 0.06065
Pitch Class Skewness 0.2566
Pitch Class Skewness After Folding 0.7839
Pitch Kurtosis 5.348
Pitch Class Kurtosis 4.853
Pitch Class Kurtosis After Folding 6.03
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 50.0
Last Pitch Class 2.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 1.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.06965
Note Density per Quarter Note 1.422
Note Density per Quarter Note per Voice 1.422
Note Density per Quarter Note Variability 0.4655
Range of Rhythmic Values 8.0
Number of Different Rhythmic Values Present 7.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.00995
Prevalence of Medium Rhythmic Values 0.6302
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.6915
Prevalence of Very Long Rhythmic Values 0.01824
Prevalence of Dotted Notes 0.0995
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 8.0
Mean Rhythmic Value 2.398
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.3217
Relative Prevalence of Most Common Rhythmic Values 0.9278
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.379
Rhythmic Value Skewness 0.8658
Rhythmic Value Kurtosis 8.489
Mean Rhythmic Value Run Length 1.63
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.097
Mean Rhythmic Value Offset 0.0
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.0
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices -4.593e-12
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.4913
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2588
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 1.899
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7501
Rhythmic Variability - Tempo Standardized 0.04747
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 603.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 0.5807
Minimum Note Duration 0.5
Maximum Note Duration 8.0
Average Note Duration 2.398
Variability of Note Durations 1.379
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.9727
Strength of Second Strongest Rhythmic Pulse 0.01533
Strength Ratio of Two Strongest Rhythmic Pulses 63.44
Combined Strength of Two Strongest Rhythmic Pulses 0.9881
Rhythmic Variability 0.07666
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 424.0
Note Density 1.422
Note Density Variability 0.5857
Average Time Between Attacks 1.399
Average Time Between Attacks for Each Voice 1.399
Variability of Time Between Attacks 0.5807
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1078
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.05747
Average Number of Independent Voices 1.0
Similar Motion 0.1034
Contrary Motion 0.148
Oblique Motion 0.6911
Parallel Fifths 0.001437
Parallel Octaves 0.001437
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0