File

Last modified on: April 13, 2020, 10:58 p.m.

In_semiduplx_majx_I_Benedictus_5.mid


Source
RenComp7
Musical Work
Missa In semiduplx majx (I)
Section
Benedictus
File Type
Symbolic Music
File Format
.mid
File Size
4.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.1934
Prevalence of Second Most Common Vertical Interval 0.1836
Prevalence Ratio of Two Most Common Vertical Intervals 0.9492
Vertical Unisons 0.02636
Vertical Minor Seconds 0.008069
Vertical Thirds 0.3374
Vertical Tritones 0.005917
Vertical Perfect Fourths 0.09952
Vertical Perfect Fifths 0.1836
Vertical Sixths 0.1275
Vertical Sevenths 0.02071
Vertical Octaves 0.167
Perfect Vertical Intervals 0.4765
Vertical Dissonance Ratio 0.06229
Vertical Minor Third Prevalence 0.6257
Vertical Major Third Prevalence 0.5595
Chord Duration 1.695
Partial Chords 0.2521
Standard Triads 0.5487
Diminished and Augmented Triads 0.01393
Dominant Seventh Chords 0.005571
Seventh Chords 0.01114
Non-Standard Chords 0.188
Complex Chords 0.002786
Minor Major Triad Ratio 0.2628
Average Number of Simultaneous Pitch Classes 2.73
Variability of Number of Simultaneous Pitch Classes 0.5742
Average Number of Simultaneous Pitches 3.481
Variability of Number of Simultaneous Pitches 0.9188
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2052
Stepwise Motion 0.6753
Melodic Thirds 0.1434
Melodic Perfect Fourths 0.05179
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03386
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.007968
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 1.667
Melodic Embellishments 0.01578
Direction of Melodic Motion 0.4847
Average Length of Melodic Arcs 2.111
Average Interval Spanned by Melodic Arcs 5.069
Melodic Pitch Variety 4.87
Mean Melodic Interval 2.221
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4701
Relative Prevalence of Most Common Melodic Intervals 0.4364
Amount of Arpeggiation 0.2729
Repeated Notes 0.08765
Importance of Middle Register 0.7929
Importance of High Register 0.00789
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 59.0
Mean Pitch Class 5.13
Most Common Pitch 60.0
Most Common Pitch Class 0.0
Prevalence of Most Common Pitch 0.1361
Prevalence of Most Common Pitch Class 0.2032
Relative Prevalence of Top Pitches 0.8406
Relative Prevalence of Top Pitch Classes 0.8835
Interval Between Most Prevalent Pitches 3.0
Interval Between Most Prevalent Pitch Classes 9.0
Pitch Variability 6.766
Pitch Class Variability 3.519
Pitch Class Variability After Folding 4.145
Pitch Skewness -0.08658
Pitch Class Skewness 0.111
Pitch Class Skewness After Folding 0.8651
Pitch Kurtosis 5.852
Pitch Class Kurtosis 4.749
Pitch Class Kurtosis After Folding 4.964
Major or Minor 0.0
First Pitch 58.0
First Pitch Class 10.0
Last Pitch 41.0
Last Pitch Class 5.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 23.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 9.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 1.0
Range 33.0
Importance of Bass Register 0.1992
Note Density per Quarter Note 1.37
Note Density per Quarter Note per Voice 1.37
Note Density per Quarter Note Variability 0.6441
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01972
Prevalence of Medium Rhythmic Values 0.6923
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.7653
Prevalence of Very Long Rhythmic Values 0.04536
Prevalence of Dotted Notes 0.09665
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.552
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4576
Relative Prevalence of Most Common Rhythmic Values 0.4698
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.899
Rhythmic Value Skewness 0.8724
Rhythmic Value Kurtosis 17.63
Mean Rhythmic Value Run Length 1.973
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.857
Mean Rhythmic Value Offset 0.08679
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.728
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices -3.405e-12
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 3.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6006
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.2038
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 2.947
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8044
Rhythmic Variability - Tempo Standardized 0.05183
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.6667
Quadruple Initial Meter 1.0
Metrical Diversity 2.0
Total Number of Notes 507.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 1.148
Minimum Note Duration 0.5
Maximum Note Duration 24.0
Average Note Duration 2.639
Variability of Note Durations 2.404
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.9275
Strength of Second Strongest Rhythmic Pulse 0.04145
Strength Ratio of Two Strongest Rhythmic Pulses 22.37
Combined Strength of Two Strongest Rhythmic Pulses 0.9689
Rhythmic Variability 0.07317
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 370.0
Note Density 1.37
Note Density Variability 0.7772
Average Time Between Attacks 1.544
Average Time Between Attacks for Each Voice 1.544
Variability of Time Between Attacks 1.148
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1164
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.04475
Average Number of Independent Voices 1.0
Similar Motion 0.1362
Contrary Motion 0.214
Oblique Motion 0.6051
Parallel Fifths 0.001946
Parallel Octaves 0.0
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0