| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2241 |
| Prevalence of Second Most Common Vertical Interval |
0.2098 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9363 |
| Vertical Unisons |
0.05054 |
| Vertical Minor Seconds |
0.001648 |
| Vertical Thirds |
0.3277 |
| Vertical Tritones |
0.002746 |
| Vertical Perfect Fourths |
0.106 |
| Vertical Perfect Fifths |
0.1802 |
| Vertical Sixths |
0.1228 |
| Vertical Sevenths |
0.02307 |
| Vertical Octaves |
0.1736 |
| Perfect Vertical Intervals |
0.5103 |
| Vertical Dissonance Ratio |
0.04088 |
| Vertical Minor Third Prevalence |
0.3313 |
| Vertical Major Third Prevalence |
0.5308 |
| Chord Duration |
2.458 |
| Partial Chords |
0.4717 |
| Standard Triads |
0.4314 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.006536 |
| Non-Standard Chords |
0.09041 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4667 |
| Average Number of Simultaneous Pitch Classes |
2.406 |
| Variability of Number of Simultaneous Pitch Classes |
0.6689 |
| Average Number of Simultaneous Pitches |
2.954 |
| Variability of Number of Simultaneous Pitches |
0.9193 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1176 |
| Stepwise Motion |
0.4837 |
| Melodic Thirds |
0.09967 |
| Melodic Perfect Fourths |
0.04739 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02778 |
| Melodic Sixths |
0.003268 |
| Melodic Sevenths |
0.001634 |
| Melodic Octaves |
0.006536 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.542 |
| Melodic Embellishments |
0.01136 |
| Direction of Melodic Motion |
0.4561 |
| Average Length of Melodic Arcs |
1.806 |
| Average Interval Spanned by Melodic Arcs |
4.626 |
| Melodic Pitch Variety |
4.117 |
| Mean Melodic Interval |
1.742 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.366 |
| Relative Prevalence of Most Common Melodic Intervals |
0.9018 |
| Amount of Arpeggiation |
0.4657 |
| Repeated Notes |
0.3301 |
| Importance of Middle Register |
0.8409 |
| Importance of High Register |
0.07792 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
4.0 |
| Mean Pitch |
63.0 |
| Mean Pitch Class |
4.458 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1315 |
| Prevalence of Most Common Pitch Class |
0.2386 |
| Relative Prevalence of Top Pitches |
0.8642 |
| Relative Prevalence of Top Pitch Classes |
0.6259 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.615 |
| Pitch Class Variability |
3.501 |
| Pitch Class Variability After Folding |
4.074 |
| Pitch Skewness |
-0.03092 |
| Pitch Class Skewness |
0.3923 |
| Pitch Class Skewness After Folding |
1.423 |
| Pitch Kurtosis |
5.856 |
| Pitch Class Kurtosis |
4.781 |
| Pitch Class Kurtosis After Folding |
5.075 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
48.0 |
| Last Pitch Class |
0.0 |
| Glissando Prevalence |
0.006494 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.006494 |
| Number of Pitch Classes |
7.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.08117 |
| Note Density per Quarter Note |
1.22 |
| Note Density per Quarter Note per Voice |
1.22 |
| Note Density per Quarter Note Variability |
0.5934 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006494 |
| Prevalence of Medium Rhythmic Values |
0.724 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8912 |
| Prevalence of Very Long Rhythmic Values |
0.02597 |
| Prevalence of Dotted Notes |
0.05032 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.519 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.6153 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3456 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.4 |
| Rhythmic Value Skewness |
1.113 |
| Rhythmic Value Kurtosis |
20.63 |
| Mean Rhythmic Value Run Length |
2.325 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.533 |
| Mean Rhythmic Value Offset |
0.05195 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6431 |
| Complete Rests Fraction |
0.00198 |
| Partial Rests Fraction |
0.00198 |
| Average Rest Fraction Across Voices |
0.00198 |
| Longest Complete Rest |
1.0 |
| Longest Partial Rest |
1.0 |
| Mean Complete Rest Duration |
1.0 |
| Mean Partial Rest Duration |
1.0 |
| Median Complete Rest Duration |
1.0 |
| Median Partial Rest Duration |
1.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
0.0 |
| Variability Across Voices of Combined Rests |
0.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7538 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1233 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
6.112 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8772 |
| Rhythmic Variability - Tempo Standardized |
0.06076 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
616.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.1726 |
| Minimum Note Duration |
0.09375 |
| Maximum Note Duration |
3.75 |
| Average Note Duration |
0.4821 |
| Variability of Note Durations |
0.3436 |
| Amount of Staccato |
0.006494 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
54.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.481 |
| Strength of Strongest Rhythmic Pulse |
0.2282 |
| Strength of Second Strongest Rhythmic Pulse |
0.224 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.019 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4522 |
| Rhythmic Variability |
0.03495 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
94.69 |
| Note Density |
6.506 |
| Note Density Variability |
2.446 |
| Average Time Between Attacks |
0.3502 |
| Average Time Between Attacks for Each Voice |
0.3502 |
| Variability of Time Between Attacks |
0.1726 |
| Maximum Number of Independent Voices |
1.0 |
| Relative Range of Loudest Voice |
1.0 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
1.0 |
| Relative Note Density of Highest Line |
0.1023 |
| Relative Note Durations of Lowest Line |
1.0 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.0 |
| Voice Separation |
0.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.05495 |
| Average Number of Independent Voices |
1.0 |
| Similar Motion |
0.2115 |
| Contrary Motion |
0.228 |
| Oblique Motion |
0.5055 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.005495 |
| Variability of Number of Independent Voices |
0.0 |
| Voice Equality - Number of Notes |
0.0 |
| Voice Equality - Note Duration |
0.0 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
0.0 |