File

Last modified on: April 13, 2020, 11:16 p.m.

Jam_Christus_astra_ascenderat_Credo_4.mid


Source
RenComp7
Musical Work
Missa Jam Christus astra ascenderat
Section
Credo
File Type
Symbolic Music
File Format
.mid
File Size
15.7 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.1849
Prevalence of Second Most Common Vertical Interval 0.1768
Prevalence Ratio of Two Most Common Vertical Intervals 0.9567
Vertical Unisons 0.03013
Vertical Minor Seconds 0.005079
Vertical Thirds 0.3505
Vertical Tritones 0.01387
Vertical Perfect Fourths 0.0924
Vertical Perfect Fifths 0.1849
Vertical Sixths 0.136
Vertical Sevenths 0.02422
Vertical Octaves 0.1369
Perfect Vertical Intervals 0.4443
Vertical Dissonance Ratio 0.07435
Vertical Minor Third Prevalence 0.4976
Vertical Major Third Prevalence 0.4745
Chord Duration 1.734
Partial Chords 0.3956
Standard Triads 0.4333
Diminished and Augmented Triads 0.02252
Dominant Seventh Chords 0.003632
Seventh Chords 0.009444
Non-Standard Chords 0.1616
Complex Chords 0.0
Minor Major Triad Ratio 0.7806
Average Number of Simultaneous Pitch Classes 2.571
Variability of Number of Simultaneous Pitch Classes 0.6168
Average Number of Simultaneous Pitches 3.036
Variability of Number of Simultaneous Pitches 0.7676
Most Common Vertical Interval 7.0
Second Most Common Vertical Interval 3.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2597
Stepwise Motion 0.6646
Melodic Thirds 0.1441
Melodic Perfect Fourths 0.05638
Melodic Tritones 0.0
Melodic Perfect Fifths 0.03702
Melodic Sixths 0.002278
Melodic Sevenths 0.0
Melodic Octaves 0.007973
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.721
Melodic Embellishments 0.04489
Direction of Melodic Motion 0.4963
Average Length of Melodic Arcs 1.97
Average Interval Spanned by Melodic Arcs 4.729
Melodic Pitch Variety 5.163
Mean Melodic Interval 2.195
Number of Common Melodic Intervals 3.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4049
Relative Prevalence of Most Common Melodic Intervals 0.6414
Amount of Arpeggiation 0.2768
Repeated Notes 0.0877
Importance of Middle Register 0.8472
Importance of High Register 0.09205
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 64.0
Mean Pitch Class 5.318
Most Common Pitch 67.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1091
Prevalence of Most Common Pitch Class 0.175
Relative Prevalence of Top Pitches 0.974
Relative Prevalence of Top Pitch Classes 0.9481
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.391
Pitch Class Variability 3.343
Pitch Class Variability After Folding 3.883
Pitch Skewness -0.2731
Pitch Class Skewness 0.2855
Pitch Class Skewness After Folding 0.9797
Pitch Kurtosis 5.514
Pitch Class Kurtosis 4.763
Pitch Class Kurtosis After Folding 5.03
Major or Minor 0.0
First Pitch 67.0
First Pitch Class 7.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 28.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 11.0
Number of Common Pitches 4.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.0608
Note Density per Quarter Note 1.229
Note Density per Quarter Note per Voice 1.229
Note Density per Quarter Note Variability 0.4185
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.01591
Prevalence of Medium Rhythmic Values 0.671
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8074
Prevalence of Very Long Rhythmic Values 0.04205
Prevalence of Dotted Notes 0.08011
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.547
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4784
Relative Prevalence of Most Common Rhythmic Values 0.4656
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.518
Rhythmic Value Skewness 1.08
Rhythmic Value Kurtosis 12.46
Mean Rhythmic Value Run Length 1.928
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.599
Mean Rhythmic Value Offset 0.01136
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.3161
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices 7.207e-12
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.622
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1906
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.263
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8126
Rhythmic Variability - Tempo Standardized 0.05283
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 1760.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 0.7425
Minimum Note Duration 0.5
Maximum Note Duration 24.0
Average Note Duration 2.558
Variability of Note Durations 1.618
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.9181
Strength of Second Strongest Rhythmic Pulse 0.04581
Strength Ratio of Two Strongest Rhythmic Pulses 20.04
Combined Strength of Two Strongest Rhythmic Pulses 0.9639
Rhythmic Variability 0.07246
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 1432.0
Note Density 1.229
Note Density Variability 0.5377
Average Time Between Attacks 1.618
Average Time Between Attacks for Each Voice 1.618
Variability of Time Between Attacks 0.7425
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.03636
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.05433
Average Number of Independent Voices 1.0
Similar Motion 0.1306
Contrary Motion 0.2198
Oblique Motion 0.5952
Parallel Fifths 0.001832
Parallel Octaves 0.0006105
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0