File

Last modified on: April 13, 2020, 11:34 p.m.

De_Beata_Marie_Virginis_III_Benedictus_5.mid


Source
RenComp7
Musical Work
Missa De Beata Marie Virginis (III)
Section
Benedictus
File Type
Symbolic Music
File Format
.mid
File Size
3.9 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 7.0
Prevalence of Most Common Vertical Interval 0.2041
Prevalence of Second Most Common Vertical Interval 0.1699
Prevalence Ratio of Two Most Common Vertical Intervals 0.8328
Vertical Unisons 0.03249
Vertical Minor Seconds 0.004387
Vertical Thirds 0.2877
Vertical Tritones 0.01592
Vertical Perfect Fourths 0.117
Vertical Perfect Fifths 0.1699
Vertical Sixths 0.148
Vertical Sevenths 0.03217
Vertical Octaves 0.1716
Perfect Vertical Intervals 0.491
Vertical Dissonance Ratio 0.07907
Vertical Minor Third Prevalence 0.4529
Vertical Major Third Prevalence 0.5049
Chord Duration 1.645
Partial Chords 0.2331
Standard Triads 0.5142
Diminished and Augmented Triads 0.04982
Dominant Seventh Chords 0.007117
Seventh Chords 0.03559
Non-Standard Chords 0.2171
Complex Chords 0.01068
Minor Major Triad Ratio 0.235
Average Number of Simultaneous Pitch Classes 2.675
Variability of Number of Simultaneous Pitch Classes 0.7353
Average Number of Simultaneous Pitches 3.422
Variability of Number of Simultaneous Pitches 0.9838
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 7.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2646
Stepwise Motion 0.7354
Melodic Thirds 0.07524
Melodic Perfect Fourths 0.05097
Melodic Tritones 0.0
Melodic Perfect Fifths 0.06796
Melodic Sixths 0.002427
Melodic Sevenths 0.0
Melodic Octaves 0.007282
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 2.1
Melodic Embellishments 0.04796
Direction of Melodic Motion 0.4625
Average Length of Melodic Arcs 2.07
Average Interval Spanned by Melodic Arcs 4.947
Melodic Pitch Variety 5.209
Mean Melodic Interval 2.294
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4709
Relative Prevalence of Most Common Melodic Intervals 0.5619
Amount of Arpeggiation 0.2112
Repeated Notes 0.06068
Importance of Middle Register 0.801
Importance of High Register 0.1103
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 63.0
Mean Pitch Class 5.173
Most Common Pitch 62.0
Most Common Pitch Class 7.0
Prevalence of Most Common Pitch 0.09832
Prevalence of Most Common Pitch Class 0.1918
Relative Prevalence of Top Pitches 0.9756
Relative Prevalence of Top Pitch Classes 0.9125
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 7.091
Pitch Class Variability 3.542
Pitch Class Variability After Folding 2.948
Pitch Skewness 0.5266
Pitch Class Skewness 0.1462
Pitch Class Skewness After Folding 1.164
Pitch Kurtosis 5.427
Pitch Class Kurtosis 4.896
Pitch Class Kurtosis After Folding 7.62
Major or Minor 0.0
First Pitch 62.0
First Pitch Class 2.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 3.0
Number of Common Pitch Classes 0.0
Range 31.0
Importance of Bass Register 0.08873
Note Density per Quarter Note 1.354
Note Density per Quarter Note per Voice 1.354
Note Density per Quarter Note Variability 0.5571
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.03837
Prevalence of Medium Rhythmic Values 0.6835
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.777
Prevalence of Very Long Rhythmic Values 0.05516
Prevalence of Dotted Notes 0.09592
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.6
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.4604
Relative Prevalence of Most Common Rhythmic Values 0.4583
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.924
Rhythmic Value Skewness 0.9347
Rhythmic Value Kurtosis 16.58
Mean Rhythmic Value Run Length 1.782
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.193
Mean Rhythmic Value Offset 0.04796
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.4359
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices -1.527e-12
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 5.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 2.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6088
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1855
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.282
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.7944
Rhythmic Variability - Tempo Standardized 0.05193
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 0.5
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 417.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 0.7664
Minimum Note Duration 0.5
Maximum Note Duration 16.0
Average Note Duration 2.647
Variability of Note Durations 2.19
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.8508
Strength of Second Strongest Rhythmic Pulse 0.09841
Strength Ratio of Two Strongest Rhythmic Pulses 8.645
Combined Strength of Two Strongest Rhythmic Pulses 0.9492
Rhythmic Variability 0.06754
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 308.0
Note Density 1.354
Note Density Variability 0.6945
Average Time Between Attacks 1.527
Average Time Between Attacks for Each Voice 1.527
Variability of Time Between Attacks 0.7664
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.1511
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.03167
Average Number of Independent Voices 1.0
Similar Motion 0.1629
Contrary Motion 0.1833
Oblique Motion 0.6222
Parallel Fifths 0.0
Parallel Octaves 0.004525
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0