| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.2164 |
| Prevalence of Second Most Common Vertical Interval |
0.1747 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.807 |
| Vertical Unisons |
0.04844 |
| Vertical Minor Seconds |
0.00553 |
| Vertical Thirds |
0.3095 |
| Vertical Tritones |
0.0124 |
| Vertical Perfect Fourths |
0.1011 |
| Vertical Perfect Fifths |
0.1724 |
| Vertical Sixths |
0.1337 |
| Vertical Sevenths |
0.0246 |
| Vertical Octaves |
0.168 |
| Perfect Vertical Intervals |
0.4899 |
| Vertical Dissonance Ratio |
0.07174 |
| Vertical Minor Third Prevalence |
0.545 |
| Vertical Major Third Prevalence |
0.5581 |
| Chord Duration |
1.732 |
| Partial Chords |
0.25 |
| Standard Triads |
0.5094 |
| Diminished and Augmented Triads |
0.04009 |
| Dominant Seventh Chords |
0.01887 |
| Seventh Chords |
0.04009 |
| Non-Standard Chords |
0.2005 |
| Complex Chords |
0.002358 |
| Minor Major Triad Ratio |
0.2706 |
| Average Number of Simultaneous Pitch Classes |
2.7 |
| Variability of Number of Simultaneous Pitch Classes |
0.7069 |
| Average Number of Simultaneous Pitches |
3.537 |
| Variability of Number of Simultaneous Pitches |
1.096 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2553 |
| Stepwise Motion |
0.6982 |
| Melodic Thirds |
0.08258 |
| Melodic Perfect Fourths |
0.05405 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06907 |
| Melodic Sixths |
0.003003 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01201 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.391 |
| Melodic Embellishments |
0.05506 |
| Direction of Melodic Motion |
0.4722 |
| Average Length of Melodic Arcs |
2.14 |
| Average Interval Spanned by Melodic Arcs |
5.35 |
| Melodic Pitch Variety |
5.101 |
| Mean Melodic Interval |
2.345 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4429 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5763 |
| Amount of Arpeggiation |
0.2447 |
| Repeated Notes |
0.08108 |
| Importance of Middle Register |
0.8274 |
| Importance of High Register |
0.03125 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.0 |
| Mean Pitch Class |
5.152 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.0997 |
| Prevalence of Most Common Pitch Class |
0.1964 |
| Relative Prevalence of Top Pitches |
0.9701 |
| Relative Prevalence of Top Pitch Classes |
0.947 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.875 |
| Pitch Class Variability |
3.463 |
| Pitch Class Variability After Folding |
4.246 |
| Pitch Skewness |
-0.7052 |
| Pitch Class Skewness |
0.1315 |
| Pitch Class Skewness After Folding |
1.016 |
| Pitch Kurtosis |
5.325 |
| Pitch Class Kurtosis |
4.801 |
| Pitch Class Kurtosis After Folding |
4.736 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1414 |
| Note Density per Quarter Note |
1.474 |
| Note Density per Quarter Note per Voice |
1.474 |
| Note Density per Quarter Note Variability |
0.6384 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002976 |
| Prevalence of Medium Rhythmic Values |
0.6711 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8229 |
| Prevalence of Very Long Rhythmic Values |
0.04464 |
| Prevalence of Dotted Notes |
0.08631 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.574 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.494 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4307 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.529 |
| Rhythmic Value Skewness |
1.127 |
| Rhythmic Value Kurtosis |
12.82 |
| Mean Rhythmic Value Run Length |
1.856 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.461 |
| Mean Rhythmic Value Offset |
0.01786 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4629 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.0 |
| Average Rest Fraction Across Voices |
-0.000000000005164 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
0.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
0.0 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
0.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
0.0 |
| Variability Across Voices of Combined Rests |
0.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6411 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1862 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.444 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8272 |
| Rhythmic Variability - Tempo Standardized |
0.0541 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
672.0 |
| Initial Tempo |
60.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.7684 |
| Minimum Note Duration |
0.5 |
| Maximum Note Duration |
24.0 |
| Average Note Duration |
2.592 |
| Variability of Note Durations |
1.699 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
1.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
60.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
0.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
60.0 |
| Strength of Strongest Rhythmic Pulse |
0.9867 |
| Strength of Second Strongest Rhythmic Pulse |
0.0 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
0.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9867 |
| Rhythmic Variability |
0.07776 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
456.0 |
| Note Density |
1.474 |
| Note Density Variability |
0.833 |
| Average Time Between Attacks |
1.609 |
| Average Time Between Attacks for Each Voice |
1.609 |
| Variability of Time Between Attacks |
0.7684 |
| Maximum Number of Independent Voices |
1.0 |
| Relative Range of Loudest Voice |
1.0 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
1.0 |
| Relative Note Density of Highest Line |
0.09226 |
| Relative Note Durations of Lowest Line |
1.0 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.0 |
| Voice Separation |
0.0 |
| Variability of Voice Separation |
0.0 |
| Parallel Motion |
0.0515 |
| Average Number of Independent Voices |
1.0 |
| Similar Motion |
0.1395 |
| Contrary Motion |
0.2027 |
| Oblique Motion |
0.6063 |
| Parallel Fifths |
0.003322 |
| Parallel Octaves |
0.003322 |
| Variability of Number of Independent Voices |
0.0 |
| Voice Equality - Number of Notes |
0.0 |
| Voice Equality - Note Duration |
0.0 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.0 |
| Importance of Loudest Voice |
0.0 |