File

Last modified on: April 14, 2020, 12:07 a.m.

De_Beata_Marie_Virginis_III_Kyrie_5.mid


Source
RenComp7
Musical Work
Missa De Beata Marie Virginis (III)
Section
Kyrie
File Type
Symbolic Music
File Format
.mid
File Size
8.0 KB

Feature Value
Distance Between Two Most Common Vertical Intervals 4.0
Prevalence of Most Common Vertical Interval 0.205
Prevalence of Second Most Common Vertical Interval 0.1755
Prevalence Ratio of Two Most Common Vertical Intervals 0.856
Vertical Unisons 0.05313
Vertical Minor Seconds 0.002826
Vertical Thirds 0.3128
Vertical Tritones 0.01752
Vertical Perfect Fourths 0.1135
Vertical Perfect Fifths 0.1686
Vertical Sixths 0.1283
Vertical Sevenths 0.02176
Vertical Octaves 0.1519
Perfect Vertical Intervals 0.4871
Vertical Dissonance Ratio 0.07734
Vertical Minor Third Prevalence 0.5484
Vertical Major Third Prevalence 0.5906
Chord Duration 1.791
Partial Chords 0.2031
Standard Triads 0.5275
Diminished and Augmented Triads 0.05421
Dominant Seventh Chords 0.006472
Seventh Chords 0.03883
Non-Standard Chords 0.2306
Complex Chords 0.001618
Minor Major Triad Ratio 0.4619
Average Number of Simultaneous Pitch Classes 2.809
Variability of Number of Simultaneous Pitch Classes 0.6112
Average Number of Simultaneous Pitches 3.526
Variability of Number of Simultaneous Pitches 0.9207
Most Common Vertical Interval 0.0
Second Most Common Vertical Interval 4.0
Dynamic Range 0.0
Variation of Dynamics 0.0
Variation of Dynamics In Each Voice 0.0
Average Note to Note Change in Dynamics 0.0
Unpitched Percussion Instrument Prevalence 0.0
String Keyboard Prevalence 1.0
Acoustic Guitar Prevalence 0.0
Electric Guitar Prevalence 0.0
Violin Prevalence 0.0
Saxophone Prevalence 0.0
Brass Prevalence 0.0
Woodwinds Prevalence 0.0
Orchestral Strings Prevalence 0.0
String Ensemble Prevalence 0.0
Electric Instrument Prevalence 0.0
Variability of Note Prevalence of Pitched Instruments 0.0
Variability of Note Prevalence of Unpitched Instruments 0.0
Number of Pitched Instruments 1.0
Number of Unpitched Instruments 0.0
Chromatic Motion 0.2409
Stepwise Motion 0.7112
Melodic Thirds 0.113
Melodic Perfect Fourths 0.06507
Melodic Tritones 0.0
Melodic Perfect Fifths 0.05594
Melodic Sixths 0.0
Melodic Sevenths 0.0
Melodic Octaves 0.004566
Melodic Large Intervals 0.0
Most Common Melodic Interval 2.0
Minor Major Melodic Third Ratio 3.304
Melodic Embellishments 0.03519
Direction of Melodic Motion 0.5132
Average Length of Melodic Arcs 2.034
Average Interval Spanned by Melodic Arcs 4.922
Melodic Pitch Variety 5.052
Mean Melodic Interval 2.318
Number of Common Melodic Intervals 2.0
Distance Between Most Prevalent Melodic Intervals 1.0
Prevalence of Most Common Melodic Interval 0.4703
Relative Prevalence of Most Common Melodic Intervals 0.5121
Amount of Arpeggiation 0.2237
Repeated Notes 0.05023
Importance of Middle Register 0.8286
Importance of High Register 0.09875
Dominant Spread 6.0
Strong Tonal Centres 2.0
Mean Pitch 63.0
Mean Pitch Class 5.152
Most Common Pitch 62.0
Most Common Pitch Class 2.0
Prevalence of Most Common Pitch 0.1328
Prevalence of Most Common Pitch Class 0.2032
Relative Prevalence of Top Pitches 0.8889
Relative Prevalence of Top Pitch Classes 0.9888
Interval Between Most Prevalent Pitches 5.0
Interval Between Most Prevalent Pitch Classes 5.0
Pitch Variability 6.702
Pitch Class Variability 3.492
Pitch Class Variability After Folding 2.833
Pitch Skewness -0.1915
Pitch Class Skewness 0.1307
Pitch Class Skewness After Folding 1.153
Pitch Kurtosis 5.592
Pitch Class Kurtosis 4.908
Pitch Class Kurtosis After Folding 7.96
Major or Minor 0.0
First Pitch 67.0
First Pitch Class 7.0
Last Pitch 55.0
Last Pitch Class 7.0
Glissando Prevalence 0.0
Average Range of Glissandos 0.0
Number of Pitches 25.0
Vibrato Prevalence 0.0
Microtone Prevalence 0.0
Number of Pitch Classes 10.0
Number of Common Pitches 2.0
Number of Common Pitch Classes 2.0
Range 32.0
Importance of Bass Register 0.07264
Note Density per Quarter Note 1.377
Note Density per Quarter Note per Voice 1.377
Note Density per Quarter Note Variability 0.5662
Range of Rhythmic Values 9.0
Number of Different Rhythmic Values Present 8.0
Number of Common Rhythmic Values Present 3.0
Prevalence of Very Short Rhythmic Values 0.0
Prevalence of Short Rhythmic Values 0.009081
Prevalence of Medium Rhythmic Values 0.6425
Simple Initial Meter 1.0
Prevalence of Long Rhythmic Values 0.8116
Prevalence of Very Long Rhythmic Values 0.04427
Prevalence of Dotted Notes 0.084
Shortest Rhythmic Value 0.5
Longest Rhythmic Value 12.0
Mean Rhythmic Value 2.708
Most Common Rhythmic Value 2.0
Prevalence of Most Common Rhythmic Value 0.454
Relative Prevalence of Most Common Rhythmic Values 0.57
Difference Between Most Common Rhythmic Values 2.0
Compound Initial Meter 0.0
Rhythmic Value Variability 1.874
Rhythmic Value Skewness 1.134
Rhythmic Value Kurtosis 16.7
Mean Rhythmic Value Run Length 1.895
Median Rhythmic Value Run Length 1.0
Variability in Rhythmic Value Run Lengths 1.326
Mean Rhythmic Value Offset 0.0681
Median Rhythmic Value Offset 0.0
Complex Initial Meter 0.0
Variability of Rhythmic Value Offsets 0.5178
Complete Rests Fraction 0.0
Partial Rests Fraction 0.0
Average Rest Fraction Across Voices -1.883e-12
Longest Complete Rest 0.0
Longest Partial Rest 0.0
Mean Complete Rest Duration 0.0
Mean Partial Rest Duration 0.0
Median Complete Rest Duration 0.0
Median Partial Rest Duration 0.0
Duple Initial Meter 0.0
Variability of Complete Rest Durations 0.0
Variability of Partial Rest Durations 0.0
Variability Across Voices of Combined Rests 0.0
Number of Strong Rhythmic Pulses - Tempo Standardized 3.0
Number of Moderate Rhythmic Pulses - Tempo Standardized 3.0
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized 1.0
Strongest Rhythmic Pulse - Tempo Standardized 60.0
Second Strongest Rhythmic Pulse - Tempo Standardized 40.0
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized 1.5
Triple Initial Meter 0.0
Strength of Strongest Rhythmic Pulse - Tempo Standardized 0.6336
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized 0.1849
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized 3.426
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized 0.8185
Rhythmic Variability - Tempo Standardized 0.05361
Rhythmic Looseness - Tempo Standardized 0.0
Polyrhythms - Tempo Standardized 1.0
Quadruple Initial Meter 1.0
Metrical Diversity 1.0
Total Number of Notes 881.0
Initial Tempo 60.0
Average Variability of Time Between Attacks for Each Voice 1.209
Minimum Note Duration 0.5
Maximum Note Duration 16.0
Average Note Duration 2.776
Variability of Note Durations 2.246
Amount of Staccato 0.0
Number of Strong Rhythmic Pulses 1.0
Number of Moderate Rhythmic Pulses 3.0
Number of Relatively Strong Rhythmic Pulses 1.0
Mean Tempo 60.0
Strongest Rhythmic Pulse 60.0
Second Strongest Rhythmic Pulse 120.0
Harmonicity of Two Strongest Rhythmic Pulses 2.0
Strength of Strongest Rhythmic Pulse 0.9552
Strength of Second Strongest Rhythmic Pulse 0.03098
Strength Ratio of Two Strongest Rhythmic Pulses 30.83
Combined Strength of Two Strongest Rhythmic Pulses 0.9862
Rhythmic Variability 0.07531
Rhythmic Looseness 0.0
Polyrhythms 1.0
Tempo Variability 0.0
Duration in Seconds 640.0
Note Density 1.377
Note Density Variability 0.6527
Average Time Between Attacks 1.666
Average Time Between Attacks for Each Voice 1.666
Variability of Time Between Attacks 1.209
Maximum Number of Independent Voices 1.0
Relative Range of Loudest Voice 1.0
Relative Range Isolation of Loudest Voice 0.0
Relative Range of Highest Line 1.0
Relative Note Density of Highest Line 0.07151
Relative Note Durations of Lowest Line 1.0
Relative Size of Melodic Intervals in Lowest Line 1.0
Voice Overlap 0.0
Voice Separation 0.0
Variability of Voice Separation 0.0
Parallel Motion 0.04433
Average Number of Independent Voices 1.0
Similar Motion 0.1478
Contrary Motion 0.2204
Oblique Motion 0.5874
Parallel Fifths 0.003695
Parallel Octaves 0.001232
Variability of Number of Independent Voices 0.0
Voice Equality - Number of Notes 0.0
Voice Equality - Note Duration 0.0
Voice Equality - Dynamics 0.0
Voice Equality - Melodic Leaps 0.0
Voice Equality - Range 0.0
Importance of Loudest Voice 0.0