| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2185 |
| Prevalence of Second Most Common Vertical Interval |
0.1854 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8486 |
| Vertical Unisons |
0.0429 |
| Vertical Minor Seconds |
0.001299 |
| Vertical Thirds |
0.2934 |
| Vertical Tritones |
0.01209 |
| Vertical Perfect Fourths |
0.1206 |
| Vertical Perfect Fifths |
0.1572 |
| Vertical Sixths |
0.1734 |
| Vertical Sevenths |
0.01713 |
| Vertical Octaves |
0.1756 |
| Perfect Vertical Intervals |
0.4963 |
| Vertical Dissonance Ratio |
0.03836 |
| Vertical Minor Third Prevalence |
0.6562 |
| Vertical Major Third Prevalence |
0.441 |
| Chord Duration |
1.313 |
| Partial Chords |
0.241 |
| Standard Triads |
0.6115 |
| Diminished and Augmented Triads |
0.04317 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01079 |
| Non-Standard Chords |
0.1367 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.931 |
| Average Number of Simultaneous Pitch Classes |
2.733 |
| Variability of Number of Simultaneous Pitch Classes |
0.5786 |
| Average Number of Simultaneous Pitches |
3.566 |
| Variability of Number of Simultaneous Pitches |
0.966 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
20.0 |
| Variation of Dynamics |
8.029 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
1.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
29.78 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
4.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2 |
| Stepwise Motion |
0.6862 |
| Melodic Thirds |
0.1483 |
| Melodic Perfect Fourths |
0.08276 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04138 |
| Melodic Sixths |
0.003448 |
| Melodic Sevenths |
0.003448 |
| Melodic Octaves |
0.0 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.071 |
| Melodic Embellishments |
0.00339 |
| Direction of Melodic Motion |
0.4893 |
| Average Length of Melodic Arcs |
1.697 |
| Average Interval Spanned by Melodic Arcs |
4.121 |
| Melodic Pitch Variety |
4.558 |
| Mean Melodic Interval |
2.434 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4862 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4113 |
| Amount of Arpeggiation |
0.2276 |
| Repeated Notes |
0.03448 |
| Importance of Middle Register |
0.3966 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
51.44 |
| Mean Pitch Class |
5.254 |
| Most Common Pitch |
52.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1051 |
| Prevalence of Most Common Pitch Class |
0.1695 |
| Relative Prevalence of Top Pitches |
0.8387 |
| Relative Prevalence of Top Pitch Classes |
0.98 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.164 |
| Pitch Class Variability |
3.338 |
| Pitch Class Variability After Folding |
3.299 |
| Pitch Skewness |
0.03123 |
| Pitch Class Skewness |
0.2285 |
| Pitch Class Skewness After Folding |
0.4963 |
| Pitch Kurtosis |
5.312 |
| Pitch Class Kurtosis |
4.957 |
| Pitch Class Kurtosis After Folding |
6.76 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.6034 |
| Note Density per Quarter Note |
2.035 |
| Note Density per Quarter Note per Voice |
0.4069 |
| Note Density per Quarter Note Variability |
0.948 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.03051 |
| Prevalence of Medium Rhythmic Values |
0.9322 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6542 |
| Prevalence of Very Long Rhythmic Values |
0.01695 |
| Prevalence of Dotted Notes |
0.04407 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
1.858 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5864 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5087 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.242 |
| Rhythmic Value Skewness |
-0.3439 |
| Rhythmic Value Kurtosis |
40.54 |
| Mean Rhythmic Value Run Length |
1.832 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.562 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.006839 |
| Partial Rests Fraction |
0.6965 |
| Average Rest Fraction Across Voices |
0.2441 |
| Longest Complete Rest |
0.9917 |
| Longest Partial Rest |
26.0 |
| Mean Complete Rest Duration |
0.9917 |
| Mean Partial Rest Duration |
6.102 |
| Median Complete Rest Duration |
0.9917 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.063 |
| Variability Across Voices of Combined Rests |
16.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.4006 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.311 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.288 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7116 |
| Rhythmic Variability - Tempo Standardized |
0.04425 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
295.0 |
| Initial Tempo |
252.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.5014 |
| Minimum Note Duration |
0.119 |
| Maximum Note Duration |
2.857 |
| Average Note Duration |
0.4423 |
| Variability of Note Durations |
0.2957 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
5.0 |
| Number of Moderate Rhythmic Pulses |
9.0 |
| Number of Relatively Strong Rhythmic Pulses |
5.0 |
| Mean Tempo |
252.0 |
| Strongest Rhythmic Pulse |
126.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
3.0 |
| Strength of Strongest Rhythmic Pulse |
0.2181 |
| Strength of Second Strongest Rhythmic Pulse |
0.1965 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.11 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4147 |
| Rhythmic Variability |
0.03316 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6 |
| Tempo Variability |
0.00000000008996 |
| Duration in Seconds |
34.52 |
| Note Density |
8.545 |
| Note Density Variability |
2.308 |
| Average Time Between Attacks |
0.2871 |
| Average Time Between Attacks for Each Voice |
0.5145 |
| Variability of Time Between Attacks |
0.1363 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4516 |
| Relative Range Isolation of Loudest Voice |
0.3182 |
| Relative Range of Highest Line |
0.4516 |
| Relative Note Density of Highest Line |
1.034 |
| Relative Note Durations of Lowest Line |
0.9952 |
| Relative Size of Melodic Intervals in Lowest Line |
0.9091 |
| Voice Overlap |
0.878 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.633 |
| Parallel Motion |
0.07006 |
| Average Number of Independent Voices |
3.806 |
| Similar Motion |
0.2484 |
| Contrary Motion |
0.2229 |
| Oblique Motion |
0.4586 |
| Parallel Fifths |
0.003185 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.009 |
| Voice Equality - Number of Notes |
10.15 |
| Voice Equality - Note Duration |
3.976 |
| Voice Equality - Dynamics |
8.944 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
1.673 |
| Importance of Loudest Voice |
13.75 |